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This is an immensely informative "first book" of art history for teachers and students.
This is a new release of the original 1962 edition.
The urge to create pictures of our world has been with us ever since early man daubed a fingerful of pigment on a rock, or used primitive colours to create exquisite images of the beasts he hunted - images so breathtakingly powerful they have never been surpassed, however sophisticated we have become. This book tells the story of what painting has meant to us, and how its role has changed over the centuries. In the crisp, unstuffy commentary on each of 150 landmark works, Christie's art expert Roy Bolton leads us through the development of painting until our own age, where painting as a painterly craft has been overtaken by a proliferation of new forms introduced by contemporary art. To the question, 'Is the death of painting upon us?' the introductory chapter by Matthew Collings, the multi-award-winning TV art presenter, art historian and cultural critic, gives an inspiring answer: 'Painting justifies itself. Rather than pathetically struggling to keep up with the new freak-show culture of videos and installations, painting will only be worth having if it reconnects with its own inner life, where the old and the new are the same.' Roy Bolton's selection takes us from the Ancient World, via the Italian Renaissance, Rococo and Classicism to Impressionism, Modernism and the Contemporary World. Each painting, with its context and artist, is explained in terms designed to encourage us to judge art for ourselves. Written with authority and full of original and helpful insights, this is a history of art for our times. 'While I find it interesting to think about all sorts of art, I prefer painting to any of it. Painting is soulful, important, serious and humane.' Matthew Collings 'We need to de-mystify art by stripping it down to its bare essentials, then rebuilding it ourselves, using our own minds and eyes, without all the pompous clutter.' Roy Bolton
This is the biography of 7 painters who, from the 14th to the 19th century changed the history of art forever. The book is not just about their painting but also tells about their lives, their triumphs and their disasters.
Museums and museum politics were important elements in the development of the disciplines of Archaeology and Art History in nineteenth-century Britain. Here Christopher Whitehead explores some of the key debates and events which led to the conceptual differentiation and physical separation of 'archaeological' and 'artistic' material culture, looking especially at the ways in which objects and histories were contested within museum politics. For example, in the 1850s, the status of Egyptian antiquities as 'art' or 'archaeology' was keenly debated, and this related closely to questions about which kinds of museum should house them and the possible histories and epistemologies in which they might figure. This concise study serves as a basis for a discussion of the continued intellectual legacy of this for our understanding, management and presentation of the past in the museum and in curricula. It is argued that by understanding the politics and circumstances through which the two disciplines were delimited and distinguished from one another we may be able to glimpse, retrospectively, the possibility of alternative art histories and alternative archaeologies.
The global art market has recently been valued at close to $50bn - a rise of over 60% since the global financial crisis. These figures are driven by demand from China and other emerging markets, as well as the growing phenomenon of the artist bypassing dealers as a market force in his/her own right. This new textbook integrates, updates and enhances the popular aspects of two well-regarded texts - Understanding International Arts Markets and The Art Business. Topics covered include: Emerging markets in China, East Asian, South East Asian, Brazilian, Russian, Islamic and Indian art, Art valuation and investment, Museums and the cultural sector. This revitalized new textbook will continue to be essential reading for students on courses such as arts management, arts marketing, arts business, cultural economics, the sociology of arts, and cultural policy.