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Dive into the fascinating world of heraldry with "A Complete Guide to Heraldry" by Charles Fox Davies. This comprehensive resource unravels the rich history and intricate details of coats of arms, crests, and heraldic symbols that have defined noble lineage for centuries. What secrets lie behind the colors and designs of a family crest? Discover the art and science that govern this ancient tradition! From the origins of heraldry to its modern-day applications, this guide offers readers an in-depth understanding of heraldic terminology, rules, and the symbolism associated with each element. Whether you are a historian, a genealogist, or simply curious about your own heritage, this book is an essential tool for unlocking the stories behind the symbols. Are you ready to uncover the meaning behind your family’s emblem? Richly illustrated and thoroughly researched, Davies’ guide serves not only as a reference but as an invitation to explore the cultural significance of heraldry. You’ll gain insights into how these emblems have shaped identities and represented honor throughout the ages. Now is your chance to become an expert in this captivating field. Will you seize the opportunity to elevate your knowledge of heraldry? Take the first step into the realm of noble symbols. Purchase "A Complete Guide to Heraldry" today and embark on your journey into a world of heritage and tradition!
Comprehensively covers every aspect of the history, language and use of heraldry.
Royalty-free treasury of 393 full-color, 654 black-and-white illustrations. Authentic heraldic arms, lions, eagles, dragons, shields, crests, windows, etc. Also, arms of cities and towns, arms of Edward the Black Prince, Milton, Maximilian I, others. Add aristocratic flair, noble bearing to almost any graphic project. Publisher's Note. Captions.
Armorial porcelains comprised the output of most European ceramics factories in the 18th and 19th Centuries in response to the large quantity of armorial porcelain services that were being imported from China bearing the coats of arms and crests of aristocratic families. Whereas these armorial services have been identified and covered for most porcelain manufactories the information relevant to their production by the two relatively short-lived Nantgarw and Swansea China Works has not been addressed as a theme until now. As an integral component of the holistic forensic appraisal of porcelain, a functional and decorative artwork manifestly part of our cultural heritage and its ongoing preservation , the recording and identification of such artefacts is material for the future establishment of a database of factory production . The Nantgarw and Swansea factories only operated for a limited period in the second decade of the 19th Century and their porcelains were much appreciated for their high quality and desirability by Georgian households. Today, examples are to be found in many museums and ceramics collections and continue to excite the interest of specialists and the general public . This text provides the first comprehensive assessment of armorial porcelains from these two factories and the methodology and procedure for the identification of unknown armorial bearings and crests is illustrated; individual bearings are discussed in detail and existing incorrect assignments in the literature are re-appraised. The difficulties in attribution of armorial heraldic achievements that are only minimally depicted are considered and directions for further studies using historical documentation are invoked. This book therefore fills a currently existing gap in the ceramics literature of the 19th Century.
This antiquarian book contains a detailed treatise on English heraldry, with information on its history, development, and popularity. Heraldry is the profession, study, or art of creating, granting, and blazoning arms and ruling on questions of rank or protocol, as exercised by an officer of the army; and also comprises the practice of designing, displaying, describing, and recording coats of arms and heraldic badges. Illustrated by nine plates and nearly three hundred designs, this volume is a comprehensive treatment of the subject that will greatly appeal to those with an interest in heraldry. The chapters of this volume include: 'The Origin of Armory', 'The Status and the Meaning of a Coat of Arms in Great Britain', 'The Heralds and Officers of Arms', 'Heraldic Brasses', 'The Component Parts of an Achievement', 'The Shield', 'The Field of a Shield and the Heraldic Tinctures', 'The Rules of Blazon', et cetera. We are republishing this vintage text now complete with a new prefatory biography of the author.
In the summer of 1996 the first international conference was held on the medieval chronicle, a genre which until then had received but scant attention from historians or specialists in literary history or art history. There are several reasons why the chronicle is particularly suited as the topic of an international conference. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. It is the aim of the present volume to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds.
The Costume Designer's Handbook is the definitive guide for both aspiring and seasoned costume designers, blending the art and business of theatrical costume design since its inception in 1983. Rosemary Ingham and Liz Covey offer deep insights into play analysis, historical research, collaboration techniques, drafting, and setting up an effective workspace. The book addresses the practicalities of the industry, including job market navigation, freelancing, contracts, and taxes. With over 150 illustrations, an 8-page color insert, and a comprehensive reference section for resources, this handbook encapsulates the essence of costume design, making it an indispensable resource for professionals in the field.
A comprehensive presentation and examination of a popular seventeenth-century genre: the English broadside ballad In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive. In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama. A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.