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"Psalms of the Early Buddhists" or "The Psalms of the Early Buddhists" it is a compilation of verses from the Pali Canon, the oldest collection of Buddhist scriptures. The Pali Canon is the primary religious scripture of Theravada Buddhism, and it contains teachings attributed to Gautama Buddha. In this particular collection, A. F. Rhys Davids has translated and compiled verses that express the thoughts and aspirations of early Buddhists. The term "psalms" draws a parallel with the Psalms of the Bible, indicating that these verses have a similar devotional and reflective quality. The book provides insight into the spiritual and philosophical aspects of early Buddhism through the words of the Buddha and his disciples. It offers a glimpse into the practices, beliefs, and ethical principles of the early Buddhist community. If you are interested in Buddhist scriptures and want to explore the foundational teachings of Buddhism, "Psalms of the Early Buddhists" can be a valuable resource.
Foreword by Dr. Paul Yeboah. To the Reader. Acknowledgments and Dedication. I. BACKGROUND OF THE CRISIS: 1. Crisis Over the Word 2. Trusting the Word 3. Doubting the Word II. NATURE OF THE CRISIS: 4. Quarreling Over the Word 5. Departing from the Word I. Sole or Primary Authority? II. Fully or Partially Inspired? III. Fully or Partially Trustworthy? IV. Progressive Revelation or Progressive Ideas? V. Literal or Principle Approach? VI. Adventism for a New Generation: Perception or Deception? 6. Contending for the Word III. RESPONSE TO THE CRISIS: 7. Upholding the Word 8. Liberating the Word 9. Rightly Dividing the Word 10. Wrestling with the Word 11. Testifying About the Word 12. Living by the Word IV. APPENDICES: A. "The Authority of Scripture" B. "The Use of Scripture" C. "Methods of Bible Study" Glossary
This book explores the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since. The study surveys the emergence of this close relationship in the era following the end of the Roman Empire and through the Middle Ages, taking particular note of the role of Gregorian chant, folk music and the popularity of mystery, morality and passion plays in reflection of the Sacred Scripture and its themes during those times. With the emergence of polyphony and the advent of the Reformation in the sixteenth century, the interaction between the Bible and music increased dramatically, culminating in the evolution of opera and oratorio as specific genres during the Renaissance and the Early Baroque period. Both these genres have proved essential to the interplay between sacred revelation and the various types of music that have come to determine cultural expression in the history of Europe. The book initially provides an overview of how the various themes and types of Biblical literature have been explored in the story of Western music. It then looks closely at the role of oratorio and opera over four centuries, considering the most famous and striking examples and considering how the music has responded in different ages to the sacred text and narrative. The last chapter examines how biblical theology has been used to dramatic purpose in a particular operatic genre – that of French Grand Opera. The academic apparatus includes an iconography, a detailed bibliography and an index of biblical and musical references, themes and subjects.