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Afro-American and East German fiction point to significant parallels in the pattern of social development among members of both groups, despite the diversities of race, culture and polemical political systems, factors traditionally viewed as barriers. This work compares the social development of contemporary Afro-American and East German counterparts by means of literary analysis.
The literary tradition begun by Zora Neale Hurston in the 1930s has since flourished and taken new directions with a diverse body of fiction by more contemporary African-American women writers. This book examines the treatment of domestic violence in Hurston's Their Eyes Were Watching God, Gayl Jones's Corregidora, Gloria Naylor's The Women of Brewster Place and Linden Hills, Alice Walker's The Color Purple, Toni Morrison's The Bluest Eye and Love, Terry McMillan's Mama and A Day Late and a Dollar Short, and Octavia Butler's Seed to Harvest. These novels have given voice to oppressed and abused women. The aims of this work are threefold: to examine how female African American novelists portray domestic abuse; to outline how literary depictions of domestic violence are responsive to cultural and historical forces; and to explore the literary tradition of novels that deal with domestic abuse within the African American community.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women's literature. A comparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and social myths that disempower and devalue Black womanhood. Through their adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberating space where they can 'speak the unspeakable' and empower their subjects as well as themselves.
Woman Blooming out of Gloom is a doctoral thesis that provides an in-depth analysis of the works of Senegalese author Mariama Bâ. By addressing such issues as marriage, polygamy, motherhood, and womanhood, Bâ was able to establish a creative space for herself and use the act of creative writing as a tool for self-affirmation. The underlying theme of most of Bâ's writings is a powerful appeal for the emancipation of women, and African women in particular. This well-crafted and engaging analysis is divided into five chapters; each of which attempts its own in-depth review of separate aspects of Bâ's works. The book ultimately endeavors to take a critical review of contemporary African socio-political reality by proposing a re-reading of Bâ's writings. The author of this book, Dr. Jayant S. Cherekar, was inspired by a sincere desire to arrive at a more comprehensive understanding of Bâ's female protagonists. In so doing, the author also attempts to bring into global focus the vast socio-political-cultural realities prevalent in the African world today. Dr. Jayant S. Cherekar is an assistant professor in English who specializes in grammar, literary criticism, and fiction. Prior to this book, he has published research papers in national and international journals. For his next book he plans a comparative analysis of Mariama Bâ with female Indian authors. Publisher's website: http: //sbpra.com/JayantSCherekar
A study of how rhetoric has shaped the life stories of African American role models in children's literature In Children's Biographies of African American Women: Rhetoric, Public Memory, and Agency Sara C. VanderHaagen examines how these biographies encourage young readers to think about themselves as agents in a public world. Specifically VanderHaagen illustrates how these works use traditional means to serve progressive ends and thereby examines the rhetorical power of biography in shaping identity and promoting public action. Drawing on scholarship in rhetoric, memory studies, and children's literature, VanderHaagen presents rhetorical analyses of biographies of three African American women—poet Phillis Wheatley, activist Sojourner Truth, and educator-turned-politician Shirley Chisholm—published in the United States during the twentieth and twenty-first centuries. VanderHaagen begins by analyzing how biographical sketches in books for black children published during the 1920s represent Wheatley and Truth. The study then shifts to books published between 1949 and 2015. VanderHaagen uses a concept adapted from philosopher Paul Ricoeur—the idea of the "agential spiral"—to chart the ways that biographies have used rhetoric to shape the life stories of Wheatley, Truth, and Chisholm. By bringing a critical, rhetorical perspective to the study of biographies for children, this book advances the understanding of how lives of the past are used persuasively to shape identity and encourage action in the contemporary public world. VanderHaagen contributes to the study of rhetoric and African American children's literature and refocuses the field of memory studies on children's biographies, a significant but often-overlooked genre through which public memories first take shape.