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A fresh and extensive look at the works of the great Austrian novelist in the context of the German and Austrian culture of his time.
The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world. Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, The Man without Qualities. This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present study analyzes this structure with reference to Musil's concepts of the utopia of the Other Condition, Living and Dead Words, Specific and Non-Specific Emotions, Word Magic, andthe Still Life. In contrast to most recent studies of Musil, it concludes that the extratemporal metaphoric experience of the Other Condition does not fail, but rather constitutes the formal and ethical core of Musil's novel. Thefirst study to utilize the newly published Klagenfurt Edition of Musil's literary remains (a searchable annotated text), The World as Metaphor offers a close reading of variations and text genesis, shedding light not onlyon Musil's novel, but also on larger questions about the modernist artist's role and responsibility in consciously re-creating the world. Genese Grill holds a PhD in Germanic Literatures and Languages from the GraduateSchool and University Center of the City University of New York.
A major new study of Robert Musil by one of the world's leading Musil scholars. Musil's extraordinary works, the study reveals, emerged from the problem of the "two cultures."
The Cambridge Companion to the Modern German Novel, first published in 2004, provides a broad ranging introduction to the major trends in the development of the German novel from the 1890s to the present. Written by an international team of experts, it encompasses both modernist and realist traditions, and also includes a look back to the roots of the modern novel in the Bildungsroman of the late eighteenth and nineteenth centuries. The structure is broadly chronological, but thematically-focused chapters examine topics such as gender anxiety, images of the city, war, and women's writing; within each chapter, key works are selected for close attention. Unique in its combination of breadth of coverage and detailed analysis of individual works, and featuring a chronology and guides to further reading, this Companion will be indispensable to students and teachers.
Deft analysis of the fiction, theater, and essays of the author of The Man without Qualities In this critical introduction to the major works of Austrian modernist writer Robert Musil (1880-1942), Allen Thiher offers deft analysis of Musil's short fiction, theater, and essays, and his major novel, The Man without Qualities. Thiher maps Musil's development as a writer, illustrating how his work evolved in response to catastrophic historical events such as World War I, the collapse of the Austro-Hungarian Empire, and Hitler's seizure of power. From this historical context, Thiher traces how Musil began his career by writing a prescient first novel about ideological developments in German culture and, at the same time, a doctoral thesis on scientific epistemology. Following his service in World War I, Musil began to view writing as his vocation and, during this early period in his literary career, he produced short fiction, plays, and some of the most interesting essays on politics, ethics, and literature to be published during the Weimar era. In exploring these writings as well as The Man without Qualities, a work left unfinished upon Musil's death in exile during World War II, Thiher's study plumbs the depths of Musil's ambition and accomplishments and presents a concise interpretation of the lasting significance of the writer's interrogations of the foundations of modern European culture.
Tells the story of a hunchback who is a failed writer that has no luck with women. He is a self-described "Bartleby", named after the Herman Melville character; someone who, when asked to reveal information about themselves, will respond that they "would prefer not to."
Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered the literary scene late in life with an experimental view of the novel that strove towards totality and vividly depicted Europe's cultural disintegration. As fascism took over and Broch, a Viennese Jew, was forced into exile, his view of literature as transformative was challenged, but his commitment to presenting an ethical view of the crises of his time was unwavering. An important mentor and interlocutor for contemporaries such as Arendt and Canetti as well as a continued inspiration for contemporary authors, Broch wrote to better understand and shape the political and cultural conditions for a postfascist world. This volume covers the major literary works and constitutes the first comprehensive introduction in English to Broch's political, cultural, aesthetic, and philosophical writings. Contributors: Graham Bartram, Brechtje Beuker, Gisela Brude-Firnau, Gwyneth Cliver, Jennifer Jenkins, Kathleen L. Komar, Paul Michael Lützeler, Gunther Martens, Sarah McGaughey, Judith Ryan, Judith Sidler, Galin Tihanov, Sebastian Wogenstein. Graham Bartram retired as Senior Lecturer in German Studies at the University of Lancaster, UK. Sarah McGaughey is Associate Professor of German at Dickinson College, USA. Galin Tihanov is the George Steiner Professor of Comparative Literature at Queen Mary University of London, UK.
A broad, accessible account of European modernism as a truly cosmopolitan movement.
Robert Musil's The Man without Qualities is perhaps the most important novel in German written in the twentieth century - certainly it is among the most brilliant, puzzling and profound. This, the first comprehensive study of the work to appear in English, guides the reader towards Musil's central concerns. It examines how Musil laboured through draft after draft to produce material that would pass his own strict literary 'quality control' and traces major themes through different layers of narrative with the aid of close textual analysis. It details how Musil subjects leading figures of fin-de-siecle Vienna to intense ironic scrutiny and how, by drawing on his extensive knowledge of philosophy, psychology, politics, sociology and science, he works into his novel essayistic statements which record the state of contemporary European civilisation. Through a disturbing and deeply serious liaison with his sister, Musil's hero Ulrich, is shown to struggle through to the brink of self-discovery and enlightenment.