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This definitive Companion provides a critical overview of literary culture in the period from John Milton to William Blake. Its broad chronological range responds to recent reshapings of the canon and identifies new directions of study. The Companion is composed of over fifty contributions from leading scholars in the field, its essays offer students a comprehensive and accessible survey of the field from a wide range of perspectives. It also, however, gives researchers and faculty the opportunity to update their acquaintance with new critical and scholarly work. The volume meets the needs of an intellectual world increasingly given over to inter-disciplinary and multi-disciplinary study by covering philosophical, political, cultural and historical writing, as well as literary writing. Unlike other similar volumes, the main body of the Companion consists of readings of individual texts, both those commonly and less commonly studied.
Poet, painter, and engraver William Blake died in 1827 in obscure poverty with few admirers. The attention paid today to his remarkable poems, prints, and paintings would have astonished his contemporaries. Admired for his defiant, uncompromising creativity, he has become one of the most anthologized and studied writers in English and one of the most studied and collected British artists. His urge to cast words and images into masterpieces of revelation has left us with complex, forceful, extravagant, some times bizarre works of written and visual art that rank among the greatest challenges to plain understanding ever created. This Companion aims to provide guidance to Blake s work in fresh and readable introductions: biographical, literary, art historical, political, religious, and bibliographical. Together with a chronology, guides to further reading, and glossary of terms, they identify the key points of departure into Blake s multifarious world and work.
A Companion to Charles Dickens concentrates on the historical, ideological, and social forces that defined Dickens’s world. Puts Dickens’s work into its literary, historical, and social contexts Traces the development of Dickens’s career as a journalist and novelist Includes original essays by leading Dickensian scholars on each of Dickens’s fifteen novels Explores a broad range of topics, including criticisms of his novels, the use of history and law in his fiction, language, and the effect of political and social reform Examines Dickens's legacy and surveys the mass of secondary materials that has been generated in response and reverence to his writing
An accessible, helpful guide for any student of Milton, whether undergraduate or graduate, introducing readers to the scope of Milton's work, the richness of its historical relations, and the range of current approaches to it. This second edition contains several new and revised essays, reflecting increasing emphasis on Milton's politics, the social conditions of his authorship and the climate in which his works were published and received, a fresh sense of the importance of his early poems and Samson Agonistes, and the changes wrought by gender studies on the criticism of the previous decade. By contrast with other introductions to Milton, this Companion gathers an international team of scholars, whose informative, stimulating and often argumentative essays will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Milton studies.
A Companion to Medieval English Literature and Culture,c.1350-c.1500 challenges readers to think beyond a narrowlydefined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays onmedieval literature and culture. Encourages students to think beyond a narrowly defined canonand conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary betweenmedieval and early modern literature. Stresses the importance of constructing contexts for readingliterature. Explores the extent to which medieval literature is in dialoguewith other cultural products, including the literature of othercountries, manuscripts and religion. Includes close readings of frequently-studied texts, includingtexts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students ofmedieval literature, such as those connected with literary theory,love, and chivalry and war.
From slave narratives to the Civil War, and from country music to Southern sport, this Companion is the definitive guide to the literature and culture of the American South. Includes discussion of the visual arts, music, society, history, and politics in the region Combines treatment of major literary works and historical events with a survey of broader themes, movements and issues Explores the work of Edgar Allan Poe, Mark Twain, William Faulkner, Zora Neale Huston, Flannery O'Connor and Eudora Welty, as well as those - black and white, male and female - who are writing now Co-edited by the esteemed scholar Richard Gray, author of the acclaimed volume, A History of American Literature (Blackwell, 2003)
A Companion to British Literature is a comprehensive guide to British literature and the contexts and ideas that have shaped and transformed it over the past thirteen centuries. Its four volumes cover literature from all periods and places in Britain and demonstrate the wide variety of approaches to studying the subject. Provides an authoritative reference on British literature, and the contexts, writers, and ideas that have shaped and transformed it over the past thirteen centuries Spans historical, social, political, domestic, linguistic, institutional, and material contexts Offers the most inclusive and far-reaching overview available of British literature from 700-2,000,across four volumes and over 100 chapters Written by an internationally diverse range of expert contributors including both distinguished academics and up-and-coming young stars Comprises readings from across geographical, cultural, institutional, economic and mediological contexts Features a general index and a thematic table of contents to enable readers to navigate the development of British Literature 4 Volumes www.britishliteraturecompanion.com
At the time of its publication, a woman's sexual desire was thought to be muted, even nonexistent. Sexual pursuits of any kind were thought to be a man's game, left for a woman to indulge or deny. The novel and its author so obviously challenges the standing ideas of what desire looks like and who it can come from. The main protagonist disguises herself as four different women in her efforts to understand how a man may interact with each individual persona. She is intrigued by the men at the theater and the attention they pay to the prostitutes there, decides to pretend being a prostitute herself. Disguised, she especially enjoys talking with Beauplaisir, whom she has encountered before, though previously constrained by her social status's formalities. He, not recognizing her, and believing her favors to be for sale, asks to meet her. She demurs and puts him off until the next evening.... The story explores a variety of themes, almost none of which come without literary dispute and controversy. The protagonist's game of disguise touches on everything from gender roles, to identity, to sexual desire.
This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers.