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A Companion to Islamic Granada gathers, for the first time in English, a number of essays exploring aspects of the Islamic history of this city from the 8th through the 15th centuries from an interdisciplinary perspective. This collective volume examines the political development of Medieval Gharnāṭa under the rule of different dynasties, drawing on both historiographical and archaeological sources. It also analyses the complexity of its religious and multicultural society, as well as its economic, scientific, and intellectual life. The volume also transcends the year 1492, analysing the development of both the mudejar and the morisco populations and their contribution to Grenadian culture and architecture up to the 17th century. Contributors are: Bárbara Boloix-Gallardo, María Jesús Viguera-Molíns, Alberto García-Porras, Antonio Malpica–Cuello, Bilal Sarr-Marroco, Allen Fromherz, Bernard Vincent, Maribel Fierro–Bello, Ma Luisa Ávila–Navarro, Juan Pedro Monferrer–Sala, José Martínez–Delgado, Luis Bernabé–Pons, Adela Fábregas–García, Josef Ženka, Amalia Zomeño–Rodríguez, Delfina Serrano–Ruano, Julio Samsó–Moya, Celia del Moral-Molina, José Miguel Puerta–Vílchez, Antonio Orihuela–Uzal, Ieva Rėklaitytė, and Rafael López–Guzmán.
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
This volume explores the ways in which representatives of different monotheistic traditions experienced themselves as “the other” or were perceived and described as such by their contemporaries. This central category – which includes not only those of different religions, but also converts, foreigners, sectarians, and women – is studied from various perspectives in a range of texts composed by Jewish, Christian, and Muslim authors during late antique and mediaeval times. Conceptualizations of such “others” are often intrinsically related to the idea of exile, another important category that is analysed in this work.
Lumbre de fe is the most extensive and articulate text of polemic against Islam written during the 16th century in Spanish in the Iberian Peninsula. The work is the result of the preaching task carried out by Joan Martí de Figuerola for the conversion of the Mudejars of Zaragoza between 1517 and 1518, a task that brought Figuerola into numerous confrontations with both ecclesiastical and secular authorities in Aragon for disturbing the coexistence between the two confessions. Lumbre de fe also stands out for its use of qur’ānic texts in Arabic to attack Islam. These texts, also transliterated in Latin characters and translated into Spanish, are commented and discussed by Figuerola, making use of his vast theological erudition and his experience as a preacher in the crown of Aragon. The manuscript in which the work is preserved also contains numerous images representing Islamic beliefs and rites, which further reinforces the enormous originality and strength of the work.
In The Venetian Qur'an, Pier Mattia Tommasino uncovers the author, origin, and lasting influence of the Alcorano di Macometto, a book that purported to be the first printed European vernacular translation of the Qur'an.
A Companion to Late Antique and Medieval Islamic Cordoba offers a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Drawing on the expertise of 26 distinguished scholars, this important volume covers the major issues in the study of medieval Europe, highlighting the significant impact the time period had on cultural forms and institutions central to European identity. Examines changing approaches to the study of medieval Europe, its periodization, and central themes Includes coverage of important questions such as identity and the self, sexuality and gender, emotionality and ethnicity, as well as more traditional topics such as economic and demographic expansion; kingship; and the rise of the West Explores Europe’s understanding of the wider world to place the study of the medieval society in a global context
Religious and Intellectual Diversity in the Islamicate World and Beyond is a collection of essays in honor of Sarah Stroumsa, an eminent scholar who through the years has embodied and advanced the possibility of collaboration across borders. The volume is presented to her by scholars working on the study of the intellectual history of the Middle Ages, the intercultural contact and migration of knowledge in the Islamic world, and many other topics. Contributors: Binyamin Abrahamov, Camilla Adang, Anna Ayse Akasoy, Aleida Assmann, Jan Assmann, Meir M. Bar-Asher, José Bellver, Menachem Ben-Sasson, Haggai Ben-Shammai, Glen W. Bowersock, Rémi Brague, Godefroid de Callataÿ, Jonathan Decter, Michael Ebstein, Hussein Fancy, Carlos Fraenkel, Gil Gambash, Robert Gleave, Miriam Goldstein, Frank Griffel, Jaakko Hämeen Anttila, Steven Harvey, Warren Zev Harvey, Meir Hatina, Geoffrey Khan, Gudrun Krämer, Ehud Krinis, Y. Tzvi Langermann, Daniel J. Lasker, Reimund Leicht, Gideon Libson, Menachem Lorberbaum, Maria Mavroudi, Jon McGinnis, Omer Michaelis, Yonatan Moss, David Nirenberg, Sari Nusseibeh, Olaf Pluta, Meira Polliack, James T. Robinson, Marina Rustow, Sabine Schmidtke, Gregor Schwarb, Ahmed El Shamsy, Mark Silk, Uriel Simonsohn, Daniel De Smet, Josef Stern, Guy G. Stroumsa, Sara Sviri, Alexander Treiger, Roy Vilozny, Ronny Vollandt, Elvira Wakelnig, Paul E. Walker, David J. Wasserstein, Tanja Werthmann, Dong Xiuyuan, Arye Zoref.
A Companion to Tragedy is an essential resource for anyone interested in exploring the role of tragedy in Western history and culture. Tells the story of the historical development of tragedy from classical Greece to modernity Features 28 essays by renowned scholars from multiple disciplines, including classics, English, drama, anthropology and philosophy Broad in its scope and ambition, it considers interpretations of tragedy through religion, philosophy and history Offers a fresh assessment of Ancient Greek tragedy and demonstrates how the practice of reading tragedy has changed radically in the past two decades
The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture introduces the intellectual and artistic breadth of early modern Spain from a range of disciplinary and critical perspectives. Spanning the sixteenth and seventeenth centuries (a period traditionally known as the Golden Age), the volume examines topics including political and scientific culture, literary and artistic innovations, and religious and social identities and institutions in transformation. The 36 chapters of the volume include both expert overviews of key topics and figures from the period as well as new approaches to understudied questions and materials. This invaluable resource will be of interest to advanced students and scholars in Hispanic studies, as well as Renaissance and early modern studies more generally.