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This addition to the well-received Brazos Theological Commentary on the Bible offers theological exegesis of the Song of Songs.
This original commentary foregrounds at every turn the poetic genius of the Song of Songs, one of the most elusive texts of the Hebrew Bible. J. Cheryl Exum locates that genius in the way the Song not only tells but shows its readers that love is strong as death, thereby immortalizing love, as well as in the way the poet explores the nature of love by a mature sensitivity to how being in love is different for the woman and the man. Many long-standing conundrums in the interpretation of the book are offered persuasive solutions in Exum's verse by verse exegesis. The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.
The Song of Solomon, as its Hebrew title indicates, is "the best of songs." In it we hear the passionate melody of romantic love. But whose love is described? Is it a couple's love for each other, God's love for Israel or Christ's love for the church? This Old Testament book has fascinated and perplexed interpreters for centuries. They have felt uncomfortable--even embarrassed--when confronted with its strange and erotic imagery."The Song is a celebration of the nature of humanity---male and female created in God's image for mutal support and enjoyment. There is nothing here of the aggressive male and the reluctant or victimized female. They are one in their desires because their desires are God-given." So writes Lloyd Carr in this introduction and commentary to the Song of Solomon. With his own unique style, Carr skillfully explains the meaning of this ancient love story in a way that can be clearly grasped and applied for Christians living in today's world.
Christopher West makes John Paul II's theology of the body available for the first time to people at all levels within the Christian community. Love, sexuality, and human flourishing are inseparable. Those who doubted this will find West's book a transforming experience, and those who have been wounded will find liberation and peace. A wonderful education on the meaning of being human. Christopher West teaches the theology of the body and sexual ethics at St John Vianney Theological Seminary in Denver. He is also visiting faculty member of the John Paul II Institute for Studies on Marriage and Family in Melbourne, Australia.
"This scholarly volume in the Concordia Commentary series covers Psalms 1-50. The author devotes meticulous attention to the grammar, structure, and literary artistry of these Hebrew poems. The exposition of each psalm includes textual notes on the Hebrew and commentary in two parts. The first part analyzes the flow of thought, emotions, and theological beliefs of the poet. The second part interprets the psalm within the larger context of the Old Testament and also the New Testament, attesting the same faith held by Christians in the Gospel of Jesus Christ. It takes into consideration the history of interpretation and provides devotional applications to the individual and corporate life of prayer, trusting in God's eschatological salvation"--
In addition to a careful analysis of text, form, and structure, Keel focuses on the metaphorical and symbolic language of this scholarly work, making full use of parallels from Egypt, Palestine, and Mesopotamia, and providing readers with the full symbolism of ancient Near Eastern art. More than 160 illustrations and photos help illuminate the interpretation.
This translation of Gersonides' Commentary on 'Song of Songs' brings to English-language readers a work that draws together many important strands and elements of Gersonides' thought: philosophical theology, philosophy of science, biblical exegesis and Aristotle/Averroes commentary.
In unrivalled poetic language, the Song of Songs explores the whole range of emotions experienced by its two lovers as they work out their commitment to each other, consummated in marriage. The Song's powerful and unabashed affirmation of love, loyalty and earthy sexuality is urgently relevant today, when commercialised eroticism is in, and permanency in relationships is out. Tom Gledhill argues that beauty, intimacy and sexual consummation are to be celebrated, but not as ends in themselves. Rather, the point to another world, another dimension, only occasionally and dimly perceived. God has chose the love of a man and a woman as an image of his own love of his people.