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A wry and witty novel about a group of upper-class Englishmen and their romantic entanglements, set against the backdrop of fashionable society in late nineteenth-century London. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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This book is a wonderfully accessible introduction to a fresh and innovative acting technique for actors, theatre-makers and teachers to use in training and rehearsal. A mask releases the actor to be playful, and playfulness generates ideas, finds meaning, develops characterisation - and is infinitely more fun than traditional training.Rather than a dry guide to making masked theatre, it is about, for instance, playing Lady Macbeth in Red Nose, or Hamlet in the mask of The Victim, The Ogre or The Fool, or even Romeo and Juliet in grotesque half-masks... All in the name of liberating your creativity and, ultimately, improving your performance.Extensively illustrated with a rich variety of masks, this inventive and pragmatic book is full of invaluable games and exercises drawn from the author's own workshops, his experience as co-founder of both Trestle and Told by an Idiot, and his pioneering mask and clown work in many professional productions.
Are you plagued with memories of past failures? Do you ever feel like everything that goes badly is your fault? Do words like worthless and unacceptable describe how you feel about yourself? You’re not alone. Millions of people struggle with these same thoughts, including people who might surprise you. These thoughts and feelings cause people to put on a variety of masks to cover up the dark and hidden places inside that they are terrified others may see. This book seeks to shed light on shame—the shadowy force that has controlled people’s thoughts, actions, and lives for centuries. Comedian and pastor Steve Geyer will take you on a personal and poignant journey as he peels back his own mask and shares insights, life lessons, and a few well-timed laughs along the way. Reading Shameless will help you reader feel the weight of shame less and less. “Steve, I’m sitting in a questionable carwash in a less than desirable neighborhood and reading your book for the third time. The ‘ugly cry’ that happened with the first two readings has surfaced again and is scaring my fellow patrons. Thank you for your candor and transparency.” —Cameron Winton, Pastor of Discipleship Woodlawn United Methodist Church, Panama City, FL
"The Book of Masks" by Remy de Gourmont (translated by Jacob Howard Lewis). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Originally published in 1963. Molière's plays rank among the great comic achievements in the history of the stage. Yet few attempts have been made to understand them as expressing the historical context of the author's time. Most frequently they have been interpreted from the point of view of purely literary history, while the characters have been seen as universal comic types. Lionel Gossman reappraises Molière's comedy in the light of historical experience and interprets it in terms of the conditions from which it emerged. He brings it into the mainstream of seventeenth-century French literature and shows that Molière was concerned with the same things that concerned Descartes, Corneille, Racine, or Pascal. Five comedies (Amphitryon, Dom Juan, Le Misanthrope, Le Tartuffe, and George Dandin) are studied in the first part of the book. A number of basic structures are found to be common to all of them, and these give the author his point of departure for the second part of the book. In the second part, Gossman examines Molière's position with respect to other major seventeenth-century French writers. The comic vision of Molière, Gossman argues, no less than the tragic vision of Pascal or of Racine, expresses a particular relation to the social structure of the time. The subject matter of Molière's comedy is thus, in the author's view, not universal human nature but the men and women of the society in which Molière lived. Indeed, Gossman goes on to argue that the development of society after Molière made it difficult, and in the end impossible, for later writers to see the world in the comic light that illuminated Molière's writing. Even in certain of Molière's own works, in fact, the comic vision shades into something close to Romantic irony.
The struggle between super villain Devil's Trill and superhero Magnifiman is making life difficult for Vintage City and high school goth boy Eric. Eric's life is difficult enough without this distraction as he becomes a target for Devil's Trill. Eric has growing feelings regarding his friend Peter who might be a super hero himself. In the meantime, Eric's friends, family and Magnifiman rally to save Eric from the evil villain.