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One of the secrets of a great marriage is laughing together. Couples don’t need to choose between work and play, duty and fun, laughter and responsibility. This book will help couples learn how to use fun, humor, and laughter to lighten the load of everyday life, reduce stress, and grow closer together.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues that Dryden's own ambivalence about King Charles and his entourage, on whom he came to rely more on more for patronage, manifests itself in both plots; most of all perhaps in the excessively Francophile Melantha, whose affectation cannot quite hide her endearing joie-de-vivre.
By using his unique blend of humor and tell-it-like-it-is honesty, he helps couples get along and have fun doing it.
'Comedy of Marriage and Other Tales' is a collection of short stories by Guy de Maupassant. The French author is best-remembered today for his first published story, "Boule de Suif" ("The Dumpling"), which is often considered his most famous work. Titles featured in the following collection include 'Musotte', 'The Blind Man', and 'The Orphan'.
Your therapist told you that marriage was no laughing matter, but standup comedian and podcaster Dustin Nickerson begs to differ. Join Dustin as he draws on experiences from his incredibly average life to share tips for appreciating the uniqueness of every marriage. Through storytelling and brutally honest disclosures, Dustin brings his highly relatable brand of humor to the challenges couples may face, including eating healthy (versus being happy), parenting (building crucial survival skills), finances (bill collectors, anyone?), and church attendance (Melissa's purse holds enough mints and fidget toys to entertain the kids and Dustin). Go beyond the formulas and charts of conventional marriage advice as you dig deep into your one-of-a-kind relationship. In this book written for actual married humans by an actual married human, Dustin shares: Why laughter in your marriage is essential--even in the hard times Why in marriage, unlike on Southwest, your baggage does not fly free An approach to problem-solving (we're talking money, kids, and in-laws) that brings you closer Why you should never put Scattergories on your wedding registry Praise for How to Be Married (to Melissa): "How to Be Married (to Melissa) feels like you're having a conversation with a guy who has legitimate experience and expertise in my favorite things: faith, marriage, and comedy. In a culture full of 'fake it till you make it' people, Dustin is the real deal when it comes to all three categories." --Trey Kennedy, comedian
Reveals eighteenth-century German comedies' inherent resistance -- through their depiction of alternative gender roles and sexual behavior -- to the emerging discourse of the sentimental marriage. J. C. Gottsched, who reformed early Enlightenment German theater, claimed for comedy the ability to transform morality. The new literary comedies of the 1740s, among the other moral goals that they pursued, propagated a new sentimental discourse promoting marriage based on love while devaluing its traditional socioeconomic foundations. Yet in comedies by well-known dramatists of the period such as Gottsched, Gellert, J. E. Schlegel, Lessing, and Quistorp, alternative gender roles and sexual behaviors call the primacy of marriage into question: there are women who refuse to be integrated into marriage, episodes of cross-dressing that foreground the culturally constructed aspects ofgender roles, instances of male same-sex desire, and allusions to female same-sex desire. Edward T. Potter examines this marital discourse in close readings of these authors' plays, uncovering the ambiguity of eighteenth-century comedy's stance on marriage and highlighting its resistance to the emerging discourse of the sentimental marriage. In addition to excavating the connections between the texts and norms regarding gender roles and sexual behavior, Potter also examines how these comedies self-reflexively perform their own reception in plays-within-plays that reflect upon early Enlightenment comedy, poetics, and pedagogical aesthetics and thereby comment on the efficacy of theater as a means of propagating such norms. Edward T. Potter is Associate Professor of German at Mississippi State University.