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Provides the basic, practical information needed to plan and implement sound collections care programs or incorporate preservation principles into an existing program.
The heartwarming story of two sisters who save their kingdom through their love for each other, Frozen has gained unparalleled popularity and acclaim worldwide. The beloved film is noted for its distinctive designs, eye-catching costumes, and beautiful snowy vistas. Filled with stunning imagery of the film’s gorgeous environments and colorful characters—such as Anna, Elsa, Kristoff, and Olaf—this poster book contains forty, full-color, removable posters, showcasing the spectacular design aesthetic that has helped to make Frozen a treasured addition to the Disney universe.
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.