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Rev. ed. of: The new fine points of furniture.1993.
Woodworkers use these books as a source of inspiration and project ideas. Interior designers and architects use them as a means to keep up with the latest trends in furniture design. The series has been published since 1977, to date, seven Design Books have been published, the last in 1996. The series is being expanded in response to reader requests. Past design books were basically a catalogue of woodworking projects selected by a panel of experts. "Design Book Eight" will depart from that tradition by featuring fewer examples, but offering design talk about each piece as well as detail shots. The book is organized by class of furniture: Tables, Chairs, Desks, Cabinets, Book cases, Home Entertainment Furniture, Beds and Bureaus.
A manual on how to build solid wood furniture. Through the author's step-by-step instruction on eleven projects, the basics of furniture design, construction, and finishing are introduced. Annotation copyright by Book News, Inc., Portland, OR
Back by popular demand, these classic woodworking titles from Fine Woodworking magazine are filled with first-rate information that is as timeless now as it was when first published. To many craftsmen and collectors, the 18th century was the golden age of American furniture design. In this collection of 37 articles from Fine Woodworking magazine, expert woodworkers explore the designs and techniques involved in making the furniture of this era. They share precise plans for favorite old desks, secretaries, and blockfronts, with technical explanations of how to reproduce such fine details as ball-and-claw feet and tapered reeds. There are also practical design discussions for those who wish to capture the flavor of that time in original designs of their own. Since it began publication in 1975, Fine Woodworking has written about practically every aspect of the craft. The "Fine Woodworking on..." series organizes many of the articles from the magazine into individual volumes by subject. Each book in this series offers and in-depth look at a particular aspect of woodworking, from the perspective of skilled professional and dedicated amateur woodworkers.
For centuries Boston has been one of the most important furniture-making centers in America. Soon after the town’s founding in 1630, Boston’s joiners and turners were the first craftsmen to make furniture in British North America, and the city’s cabinetmakers contributed to the art and craft of furniture making throughout the elegant colonial and federal periods. Its factories and designers have also been a source of fine furniture, creating major pieces in the various revival styles of the nineteenth and twentieth centuries. Published on the occasion of an exhibition at the Massachusetts Historical Society, The Cabinetmaker and the Carver showcases rare and exemplary pieces from private collections, illustrating three centuries of Boston history through carefully selected examples of furniture that represent the trajectory of this great tradition.
The University Museum and Art Gallery at the University of Hong Kong presents Classical Chinese Huanghuali Furniture from the Haven Collection and publishes this informative edition in conjunction with the exhibition. Chinese huanghuali furniture is world-famous and, for the longest time, has been collected in both East and West. The fine selection displayed here shows both domestic furniture and scholars' items, such as brush pots and chests. In Ming dynasty China, traditional wood architecture and Buddhist thrones inspired Chinese furniture makers and, as trade expanded, so did the amount of hardwood furniture in the form of sophisticated movable pieces and built-in interiors. Ming furniture is known for its elegant lines and carved details. During the reign of Emperor Longqing (1567-1572) China opened its borders, previously implemented import bans were lifted and a greater variety of building materials became available. Consequently, during the Ming and Qing dynasties (1368-1911) the most celebrated types of domestic furniture were made from huanghuali and zitan woods. The elegant dark hardwood with natural shine is remarkable for the fact that Chinese furniture is typically made from solid timber, not an invisible subconstruction covered by a decorative veneer, as is so often the case in the West. The strength of each individual element of a piece of furniture and the consistent color matter, as every detail is exposed and the precision of the joints and the size and position of the dowels are all visual elements of an often simple and graceful design. In some pieces the joints are detectible and accessible, sometimes demountable, or else expertly hidden in the more sophisticated pieces. Applied surface finishes were generally only a layer of wax; no stains or clear lacquer seals were added to the dense and inherently decorative woods.
Provides a history of the South's cabinetmaking traditions
This book collects the furniture and accessory articles that contain exploded drawings from the last 15 years of Fine Woodworking. It is organized by type of furniture. The book contains approximately 60-65 projects.
Artwork by Edward Cooke Jr.