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Renowned ceramic artist Karen Karnes has created some of the most iconic pottery of the late twentieth and early twenty-first centuries. The body of work she has produced in her more than sixty years in the studio is remarkable for its depth, personal voice, and consistent innovation. Many of her pieces defy category, invoking body and landscape, pottery and sculpture, male and female, hand and eye. Equally compelling are Karnes's experiences in some of the most significant cultural settings of her generation: from the worker-owned cooperative housing of her childhood, to Brooklyn College under modernist Serge Chermayeff, to North Carolina's avant-garde Black Mountain College, to the Gate Hill Cooperative in Stony Point, New York, which Karnes helped establish as an experiment in integrating art, life, family, and community. This book, designed to accompany an exhibit of Karnes's works organized by Peter Held, curator of ceramics for the Arizona State University Art Museum's Ceramic Research Center, offers a comprehensive look at the life and work of Karnes. Edited by highly regarded studio potter Mark Shapiro, it combines essays by leading critics and scholars with color reproductions of more than sixty of her works, providing new perspectives for understanding the achievements of this extraordinary artist.
"Eden Revisited is the first full-scale monograph presenting a survey of one of America's most ingenious ceramic artists, Kurt Weiser. Shaped from his influential childhood experiences during the baby boom years, the artist demonstrated an early disposition for the visual arts, encouraged by his parents and teachers. While attending the Kansas City Art Institute, he became a protege of Ken Ferguson, a highly acclaimed ceramist and educator who quickly recognized Weiser's abilities and determination." "Illustrated with signature works, Eden Revisited presents an artist's journey that mirrors the evolution of American studio ceramics since 1975. Exhibition curator Peter Held reviews the artist's unique upbringing and discusses Weiser's early development. Ulysses Grant Dietz, curator of Decorative Arts at the Newark Museum, provides a stimulating overview of china painting and how Kurt Weiser utilizes this technique to advance his artistic vision. Award-winning writer Edward Lebow provides a thoughtful and witty analysis of key works from throughout Weiser's career, delving into a rich pool of sources and inspirations. Also included is a comprehensive chronology as well as extensive exhibition and bibliographic listings."--BOOK JACKET.
A collection of artwork featuring 500 handmade clay tiles from press-molded pieces to carved works.
North Carolina Pottery: The Collection of The Mint Museums
The successful 500 series shines a spotlight on today's most breathtaking ceramic sculptures. Selected from more than 8,000 entries by the distinguished art critic, historian, and professor Glen R. Brown--an elected member of the International Academy of Ceramics in Geneva--these exquisite works will inspire both beginning and professional ceramists, as well as collectors and enthusiasts. They include Esther Shimazu's hand-built, Asian-influenced nudes; Von Venhuizen's mixed-media, wheel-thrown stoneware, and Katy's Rush's slip-cast and press-molded porcelain. Every work is amazing.
Chronicles the history of the last half century of ceramic art as seen through the works of some 70 artists from the Marer Collection. Essays discuss artistic and historical issues such as the unity of the designer and maker and new stylistic avenues from the 1960s to the present. Includes color plates and a checklist of the entire collection. Annotation copyright by Book News, Inc., Portland, OR
This is the second book dedicated to English pottery in the Henry H Weldon Collection. The first book English Pottery - Stoneware and Earthenware 1650-1800 has become a standard reference book on the subject since its publication 1990.
It’s an absolutely unequalled photographic gallery: no other book has ever presented such a varied, captivating collection of contemporary ceramics based on the human form. The works range from representational to abstract, from artful realism to provocative surrealism, and many of them come from leaders in the field such as Judy Fox, Kurt Weiser, and Andy Nasisse. Kay Yourist has produced female forms that are smooth, minimalist vessels with only the slightest hint of breasts and belly. The simple, rounded features of Diane Lublinski’s black-and-white figures possess a fun, clown-like whimsy. Michael A. Prather’s mournful ceramic portraits have frowning faces and pointed dunce-like heads in a muted color palette. Many of the ceramics come with detail images and illuminating artist’s commentary.
Published in conjunction with an exhibition of the same name held at the Yale University Art Gallery, September 4, 2015-January 3, 2016.