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The skeptical philosopher, Richard Creighton, and the psychic, Drew Beltane, spend the night at Aubrey House in order to discover if it is actually haunted by ghosts.
A rare espionage thriller set in the Civil War. Rabe Canon leaves his family's Alabama plantation at the start of the war, befriending Major Thomas Jackson of the Virginia Military Institute--later the esteemed Stonewall Jackson. Canon's military prowess quickly raises him to leader of the famed Black Horse Cavalry and brings him into the confidences of major figures in the upper echelons of the Confederacy. When Jackson suffers a mortal wound at the Battle of Chancellorsville, Canon suspects foul play. He's enlisted to undertake a cross-country journey both to secure a fortune for the Confederacy and to discover the truth behind Jackson's death. Canon's journey entangles him with a beautiful Yankee spy as they both try to avoid capture in gold-rich California.
-Inspired by a real-life unsolved murder---Front jacket flap.
Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural. Blue Light of the Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts. As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural. Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.
From Edgar-Award winning author David Handler comes The Cold Blue Blood, the first in a fresh, bright mystery series starring a highly mismatched romantic duo guaranteed to captivate readers. Mitch Berger, a top film critic with a major New York newspaper at a surprisingly young age, has become almost a recluse since his wife died one year ago. He spends his time secluded in his apartment or in the dark recesses of a screening room. Although he continues to dazzle moviegoers and the film elite with his criticisms, his editor and good friend is alarmed about him. As a scheme to pull him out of the doldrums of his grief, she gives him a non-film assignment - to do a color story on the wealthy and social homeowners on Connecticut's Gold Coast. It takes some doing, but in the end Mitch agrees. He is fortunate to find a cottage to rent on Big Sister, the absolute top-of-the-line private island outside the town of Dorset. His landlady, Dolly, is pleasant and friendly, but some of the other inhabitants of this small piece of land, although too well bred to come right out and say it, are not happy to have Mitch, born of parents only one generation away from Eastern Europe and raised on the city's pavements, arrive in their back yard. But Dolly, whose husband has recently left her, needs the money, and at least she is more than gracious. The discovery of a body during a bout of optimistic gardening in Dolly's back yard brings on the other main player - Lieutenant Desiree Mitry, one of only three women on the Connecticut State Police major crimes squad, the youngest of the three, and the only black. A dedicated officer, she is the terror of everyone who doesn't really want to give a home to one of her stray cats. She is, as well, a closet artist and a complicated and beautiful woman, and she intrigues Mitch from the start.
In Operation Blue Light: My Secret Life among Psychic Spies Philip Chabot reveals for the first time the powerful story of his growing psychic ability and the government's growing interest in him. Mr. Chabot details a type of psychic ability he calls "spoken telepathy" and tells how it came to steal away a summer of his young life. After forty years of keeping his and the government's secret he now tells what lead to that hot summer afternoon in Lebanon, Missouri. He reveals how his psychic abilities had grown to such a state that he was actually interrupting intelligence efforts around the world. This gripping story follows the path that lead a teenager from a small town in Indiana to become the focus of world wide covert attention. Chabot confronted the agencies and in doing so, neutralized the Cold War threat they posed to his future. We learn in detail how his ability lead him to make the first phone call to the Peoples Republic of China from the United States in more than two years. We also see how his psychic ability dove tails too neatly with the elaborate spoken telepathic procedures and testing that was then in use by the intelligence communities around the world.
A captivating debut, introducing a spirited young heroine coming of age in coastal Maine during the early 1960s. When her mother disappears during a weekend trip, Florine Gilham's idyllic childhood is turned upside down. Until then she'd been blissfully insulated by the rhythms of family life in small town Maine: watching from the granite cliffs above the sea for her father's lobster boat to come into port, making bread with her grandmother, and infiltrating the summer tourist camps with her friends. But with her mother gone, the heart falls out of Florine's life and she and her father are isolated as they struggle to manage their loss. Both sustained and challenged by the advice and expectations of her family and neighbors, Florine grows up with her spirit intact. And when her father's past comes to call, she must accept that life won't ever be the same while keeping her mother vivid in her memories. With Fannie Flagg's humor and Elizabeth Stroud's sense of place, this debut is an extraordinary snapshot of a bygone America through the eyes of an inspiring girl blazing her own path to womanhood.
Horror.
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing
“An orthopedic surgeon’s down-to-earth, fast-paced, and frequently funny memoir of his residency [told] with a born storyteller’s skill.” —Kirkus Reviews Michael Collins’ account of his four-year surgical residency at the famed Mayo Clinic traces his rise from an eager but clueless first-year resident navigating chaos and feelings of inadequacy to accomplished Chief Resident in his final year. With unparalleled humor, he recounts the disparity between people’s perceptions of a doctor’s glamorous life and the real thing: a succession of rundown cars towed to the junk yard, long weekends moonlighting at rural hospitals, a family that grows larger every year, and a laughable income. Collins’ good nature helps him over some of the rough spots—but cannot spare him the harsh realities and heart-wrenching decisions of a doctor’s life. A teenager’s leg is mangled by a tractor: risk the boy’s life to save his leg, or amputate immediately? A woman diagnosed with bone cancer injures her hip: should he recommend a painful operation even though she has only months to live? Unflinching and deeply engaging, Hot Lights, Cold Steel captures the author’s struggles to reconcile his idealism and desire to heal with the recognition of his own limitations and imperfections. “Collins’ life as a surgical resident is heartbreaking one minute and triumphant the next. You’ll laugh and cry and cheer.” —Augusten Burroughs, New York Times–bestselling author of Dry “At once darkly humorous and truly compassionate. Not since House of God has there been such a ferociously funny look at the world of hospital medicine.” —Michael Palmer, New York Times–bestselling author of The Last Surgeon “I adore this book.” —Tess Gerritsen, New York Times–bestselling author of the Rizzoli & Isles novels