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During the space of a day in Rome in 1933, a ten-lira coin passes through the hands of nine people—including an aging artist, a prostitute, and a would-be assassin of Mussolini. The coin becomes the symbol of contact between human beings, each lost in private passions and nearly impenetrable solitude. "A Coin in Nine Hands has . . . passages that move close to poetry and a story that belongs in both literature and history."—Doris Grumbach, Los Angeles Times Book Review "What lingers at the end of A Coin in Nine Hands is the shadowiness and puppetlike vagueness of the Dictator, and the compelling specificity of the so-called 'common people' revolving all around him."—Anne Tyler, The New Republic "Within a few pages we have met half the major characters in this haunting, brilliantly constructed novel. . . . The studied perfection, the structural intricacy and brevity remind one of Camus. Yet by comparison, Yourcenar's prose is lavish, emotional and imagistic."—Cynthia King, Houston Post "Transcends its specific time and place to become a portrait of vividly delineated characters caught in the vise of a tragically familiar political situation."—Publisher's Weekly Best known as the author of Memoirs of Hadrian and The Abyss, Marguerite Yourcenar (1903-87) achieved countless literary honors and was the first woman ever elected to the Académie Française.
During the space of a day in Rome in 1933, a ten-lira coin passes through the hands of nine people-including an aging artist, a prostitute, and a would-be assassin of Mussolini. The coin becomes the symbol of contact between human beings, each lost in private passions and nearly impenetrable solitude. "A Coin in Nine Hands has . . . passages that move close to poetry and a story that belongs in both literature and history."-Doris Grumbach, Los Angeles Times Book Review "What lingers at the end of A Coin in Nine Hands is the shadowiness and puppetlike vagueness of the Dictator, and the compelling specificity of the so-called 'common people' revolving all around him."-Anne Tyler, The New Republic "Within a few pages we have met half the major characters in this haunting, brilliantly constructed novel. . . . The studied perfection, the structural intricacy and brevity remind one of Camus. Yet by comparison, Yourcenar's prose is lavish, emotional and imagistic."-Cynthia King, Houston Post "Transcends its specific time and place to become a portrait of vividly delineated characters caught in the vise of a tragically familiar political situation."-Publisher's Weekly Best known as the author of Memoirs of Hadrian and The Abyss, Marguerite Yourcenar (1903-87) achieved countless literary honors and was the first woman ever elected to the Académie Française.
"Money may seem hopelessly mundane and culturally meaningless, but it has dominated--and documented--world history since the time of the ancient Greeks. This heavily illustrated book provides a spirited account of the first coinages and their living descendants in our pockets and purses. It explains how people from Jesus to The Beatles have used numismatics to explore the social, political, economic, and religious history of the world"--
A collection of essays by Joseph Epstein on authors to whom he feels indebted, has revered and learned from.
In Learning to Look Lesley Clement traces the evolution of Mavis Gallant's visually evocative style through five decades of her short fictional works. Gallant explores the boundaries between visible and invisible worlds as the lines, shapes, and colours suggested by her allusions, analogies, and structures challenge us as readers.
Examines the themes, characters, plots, style, and technique of 347 works by authors from the non-English speaking countries of the world, including Poland, France, Czechoslovakia, Austria, Germany, and Russia.