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The Hanna house is a milestone in Frank Lloyd Wright’s career and one of the acknowledged masterworks of 20th-century architecture. The Hannas tell how they came to commission Wright, how they received his ingenious yet provocative design—based on a hexagonal pattern like a bee’s honeycomb—and how it was built all within their means. In this reprint of the 1981 MIT edition they also tell what it meant to live and enjoy life in this unprecedented structure that was eventually given to Stanford University.
Frank Lloyd Wright’s buildings on the West Coast have not been thoroughly covered in print until now. Between 1909 and 1959, Wright designed a total of 38 structures up and down the West Coast, from Seattle to Southern California. These include well-known structures such as the Marin County Civic Center and Hollyhock House in Los Angeles, and many lesser-known gems such as the 1909 Stewart House near Santa Barbara. MARK ANTHONY WILSON is an architectural historian who has been writing and teaching about architecture for more than thirty-five years. He holds a B.A. in history from UC Berkeley and an M.A. in history and media from California State University, East Bay. He has written four previous books about architecture, including Julia Morgan: Architect of Beauty (Gibbs Smith, 2007) and Bernard Maybeck: Architect of Elegance (Gibbs Smith, 2011). His articles have appeared in the New York Times, Los Angeles Times, San Francisco Chronicle, Christian Science Monitor, USA Today, and elsewhere. Mark lives in Berkeley, California, with his wife, Ann, and his daughter, Elena. With more than 200 photographs by veteran architectural photographer Joel Puliatti and 50 archival images (many of which have never been seen in print before), this comprehensive survey of Wright’s West Coast legacy features background information on the clients’ relationships with Wright, including insights gleaned from correspondence with the original owners and interviews with many of the current owners.
An unprecedented look at Frank Lloyd Wright's storied relationship with San Francisco and the Bay Area, highlighting local masterpieces as well as a remarkable body of unbuilt works
The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?" Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references. You'll find safety emphasized throughout the book in each demonstration.
One of the architectural challenges for Frank Lloyd Wright was how to provide moderate-cost houses that were as good as expensive ones. His solution was the Usonian house--a term he coined for the United States of North America. With their horizontal floor-plans, open living spaces, walls of windows, carports, and patios, these houses became models for many houses that now cover the American landscape. Here are a dozen examples of Wright's Usonian house.
Among the general public, Frank Lloyd Wright remains the best-known American architect of the twentieth century. And yet his larger-than-life profile in the popular realm contrasts sharply with his near invisibility in academic and professional circles. In Rethinking Frank Lloyd Wright, Neil Levine and Richard Longstreth have assembled a group of eminent scholars to address this most puzzling paradox of the great architect’s career. In a series of engaging and well-illustrated essays, the contributors draw on their wide-ranging understanding of modern architecture to reveal the ways in which Wright continues to play an instrumental role in domestic and international spheres, making the case for reevaluating his popular and professional reputations. Prompted by the transfer of the architect’s archive from its home at Taliesin West in Scottsdale, Arizona, to the Avery Library at Columbia University and the Museum of Modern Art, this volume revisits Wright’s relevance for a contemporary audience. ContributorsBarry Bergdoll, Columbia University · Daniel Bluestone, Boston University · Jean-Louis Cohen, New York University · Cammie McAtee, independent scholar · Neil Levine, Harvard University · Dietrich Neumann, Brown University · Timothy M. Rohan, University of Massachusetts Amherst · Richard Longstreth, George Washington University · Jack Quinan, University at Buffalo · Alice Thomine-Berrada, École des Beaux-Arts
Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.
New Deal Book Award 2022 Honourable Mention Frank Lloyd Wright’s Fallingwater explores the relationship between the economic tumult in the United States in the 1930s, Frank Lloyd Wright, and the construction of his most famous house, Fallingwater. The book reinterprets the history of this iconic building, recognizing it as a Depression-era monument that stands as a testimony to what an American architect could achieve with the right site, client, and circumstance, even in desperate economic circumstances. Using newly available resources, author Catherine W. Zipf examines Wright’s work before and after Fallingwater to show how it was influenced by the economic climate, public architectural projects of the Great Depression, and America’s changing relationship with Modernist style and technology. Including over 50 black-and-white images, this book will be of great interest to students, historians, and researchers of art, architecture, and Frank Lloyd Wright.
Frank Lloyd Wright designed and realized over 500 buildings between 1886 and 1959 for a wide range of clients. In Frank Lloyd Wright's Pope-Leighey House, architect Steven M. Reiss presents the updated and detailed story of one of Wright's few Virginia commissions. Designed and built for Loren and Charlotte Pope and later purchased by Marjorie and Robert Leighey, the Pope-Leighey House stands as a stunning example of an innovative form of shelter--which Wright called Usonian--for families beset by the Great Depression. Here, and elsewhere, Wright offered a unique and unprecedented approach for homes that would be small yet architecturally significant, carefully sited, and constructed of readily available local materials. He believed that anyone with an acre of land should have the opportunity to own a Usonian home. Set in Northern Virginia, the Pope-Leighey House has an unusual history in that it has been moved twice, first to the grounds of the National Trust's Woodlawn to rescue it from the path of Route 66 in Falls Church, then to re-site it to better correspond to its original orientation. Wright's mission was to remind us that "we need to see life in simpler terms." In this amply illustrated book, Reiss echoes Wright's reminder that small, carefully built structures should be the starting point of sustainable and environmentally responsible house design.
This book examines a period which is far more than a prelude to the age of steel and concrete. The first half-century culminated in the bold iron and glass of the Crystal Palace. There follows the creation of the modern styles of the era based on traditions of the past, and finally, in the 20th century, Art Nouveau and the modern architects in their generations - Perret, Wright, Gropius, Corbusier, Mies van der Rohe and others in many parts of the world.