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Tens of thousands of music students enroll in group piano classes each year in colleges and conservatories in the United States. Degree programs related to Music Industry are attracting increasingly diverse student populations and in turn are requiring curricular and instructional modifications that better accommodate the needs of these students. The basis of this dissertation is the development of a series of contemporary class piano workbooks that focus on contemporary popular music and jazz in ways that optimize student learning, combining wide-ranging repertoire with assignments that encourage independent application of knowledge and skills. The workbooks illuminate how the piano is used in professional performance and recording; develop skills that can translate directly into professional music settings; and afford students opportunities to understand, learn, and play music that friends, family, and students themselves know and enjoy.
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.
Alfred's Premier Piano Course: Jazz, Rags & Blues Book 1B includes original pieces that reinforce concepts introduced in the Lesson Book 1B. Popular composer Martha Mier has composed all new music in a variety of styles, including ragtime, boogie, and jazz. Each piece has a duet accompaniment that adds harmonic interest and rhythmic stability. The pieces in the book correlate page-by-page with the materials in Lesson Book 1B.
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.
Premier Piano Course, Jazz, Rags & Blues 5 includes original pieces that reinforce concepts introduced in Lesson Book 5. Popular composer Martha Mier has composed all new music in a variety of styles, including ragtime, boogie, and jazz. The pieces in the book correlate page by page with the materials in Lesson Book 5.
Alfred's Premier Piano Course: Jazz, Rags & Blues Book 3 includes original pieces that reinforce concepts introduced in Lesson Book 3. Popular composer Martha Mier has composed all new music in a variety of styles, including ragtime, boogie, and jazz. The pieces in the book correlate page by page with the materials in Lesson Book 3.
Premier Piano Course, Jazz, Rags & Blues 6 includes original pieces that reinforce concepts introduced in Lesson Book 6. Popular composer Martha Mier has composed all new music in a variety of styles, including ragtime, boogie, and jazz. The pieces in the book correlate page by page with the materials in Lesson Book 6.
Alfred's Premier Piano Course: Jazz, Rags & Blues Book 2A includes original pieces that reinforce concepts introduced in Lesson Book 2A. Popular composer Martha Mier has composed all new music in a variety of styles, including ragtime, boogie, and jazz. Each piece has a duet accompaniment that adds harmonic interest and rhythmic stability. The pieces in the book correlate page-by-page with the materials in Lesson Book 2A.
Jazz Piano Fundamentals is master-teacher Jeremy Siskind’s welcoming, clear, and detailed guide to the first stages of jazz piano study. This two-book set contains enough material to study for more than a year. Each book contains twelve units that each present lessons, exercises, licks, activities, listening guides, and practice plans to keep studies organized, productive, and creative. Book 1 presents improvisation, chord symbols, leadsheet reading, voicings, swing rhythm and articulation, comping, playing basslines, personalizing a melody, the blues, bossa nova, and more. Book 2 presents shout-chorus voicings, transcription projects, closed-position voicings, drop two voicings, altered scales, coordination exercises, minor ii-V-i's, rhythm changes, and more. Praise for Jazz Piano Fundamentals, Book 1 "Jeremy's book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity." - Aimee Nolte, jazz pianist/vocalist and YouTube Star "I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!" - Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami "Jazz Piano Fundamentals creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. Jeremy breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets." - Mark Shilansky, pianist/composer, professor, Berklee College of Music "Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!" Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA