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An articulate and vivid artist, Randolph describes action in key areas of the eastern theater-northern Virginia, Charleston, and Richmond and its surrounds. His record of the Peninsula Campaign, the siege of Charleston, and finally the Bermuda Hundred and Petersburg Campaigns offers a rare look at the role which common soldiers played in master strategies. A former theology student and an unusually thoughful man, Randolph questions the military predation of civilian property and condemns the racial prejudices of his fellow soldiers. In addition to the immediacy of the diary, readers will appreciate the informative commentary and annotations supplied by Civil War historian, Stephen R. Wise.
A well-educated, outspoken member of a politically prominent family in Bowling Green, Kentucky, Josie Underwood (1840–1923) left behind one of the few intimate accounts of the Civil War written by a southern woman sympathetic to the Union. This vivid portrayal of the early years of the war begins several months before the first shots were fired on Fort Sumter in April 1861. “The Philistines are upon us,” twenty-year-old Josie writes in her diary, leaving no question about the alarm she feels when Confederate soldiers occupy her once-peaceful town. Offering a unique perspective on the tensions between the Union and the Confederacy, Josie reveals that Kentucky was a hotbed of political and military action, particularly in her hometown of Bowling Green, known as the Gibraltar of the Confederacy. Located along important rail and water routes that were vital for shipping supplies in and out of the Confederacy, the city linked the upper South’s trade and population centers and was strategically critical to both armies. Capturing the fright and frustration she and her family experienced when Bowling Green served as the Confederate army’s headquarters in the fall of 1861, Josie tells of soldiers who trampled fields, pilfered crops, burned fences, cut down trees, stole food, and invaded homes and businesses. In early 1862, Josie’s outspoken Unionist father, Warner Underwood, was ordered to evacuate the family’s Mount Air estate, which was later destroyed by occupying forces. Wartime hardships also strained relationships among Josie’s family, neighbors, and friends, whose passionate beliefs about Lincoln, slavery, and Kentucky’s secession divided them. Published for the first time, Josie Underwood’s Civil War Diary interweaves firsthand descriptions of the political unrest of the day with detailed accounts of an active social life filled with travel, parties, and suitors. Bringing to life a Unionist, slave-owning young woman who opposed both Lincoln’s policies and Kentucky’s secession, the diary dramatically chronicles the physical and emotional traumas visited on Josie’s family, community, and state during wartime.
This previously unpublished diary is the best-surviving firsthand account of life in Civil War-era Atlanta. Bookseller Samuel Pearce Richards (1824-1910) kept a diary for sixty-seven years. This volume excerpts the diary from October 1860, just before the presidential election of Abraham Lincoln, through August 1865, when the Richards family returned to Atlanta after being forced out by Sherman's troops and spending a period of exile in New York City. The Richardses were among the last Confederate loyalists to leave Atlanta. Sam's recollections of the Union bombardment, the evacuation of the city, the looting of his store, and the influx of Yankee forces are riveting. Sam was a Unionist until 1860, when his sentiments shifted in favor of the Confederacy. However, as he wrote in early 1862, he had "no ambition to acquire military renown and glory." Likewise, Sam chafed at financial setbacks caused by the war and at Confederate policies that seemed to limit his freedom. Such conflicted attitudes come through even as Sam writes about civic celebrations, benefit concerts, and the chaotic optimism of life in a strategically critical rebel stronghold. He also reflects with soberness on hospitals filled with wounded soldiers, the threat of epidemics, inflation, and food shortages. A man of deep faith who liked to attend churches all over town, Sam often commments on Atlanta's religious life and grounds his defense of slavery and secession in the Bible. Sam owned and rented slaves, and his diary is a window into race relations at a time when the end of slavery was no longer unthinkable. Perhaps most important, the diary conveys the tenor of Sam's family life. Both Sam and his wife, Sallie, came from families divided politically and geographically by war. They feared for their children's health and mourned for relatives wounded and killed in battle. The figures in Sam Richards's Civil War Diary emerge as real people; the intimate experience of the Civil War home front is conveyed with great power.
William Wiley was typical of most soldiers who served in the armies of the North and South during the Civil War. A poorly educated farmer from Peoria, he enlisted in the summer of 1862 in the 77th Illinois Infantry, a unit that participated in most of the major campaigns waged in Mississippi, Louisiana, Texas, and Alabama. Recognizing that the great conflict would be a defining experience in his life, Wiley attempted to maintain a diary during his years of service. Frequent illnesses kept him from the ranks for extended periods of time, and he filled the many gaps in his diary after the war. When viewed as a postwar memoir rather than a period diary, Wiley's narrative assumes great importance as it weaves a fascinating account of the army life of Billy Yank. Rather than focus on the noble and heroic aspects of war, Wiley reveals how basic the lives of most soldiers actually were. He describes at length his experiences with sickness, both on land and at sea, and the monotony of daily military life. He seldom mentions army leaders, evidence of how little private soldiers knew of them or the larger drama in which they played a part. Instead, he writes fondly of his small circle of regimental friends, fills his pages with refreshing anecdotes, records troop movements, details contact with civilians, and describes the appearance of the countryside through which he passed. In the epilogue, Terrence J. Winschel recounts Wiley's complex and often frustrating struggle to obtain his military pension after the war. Wiley was an ingenious misspeller, and his words are transcribed just as he wrote them more than 130 years ago. Through his simple language, we come to know and care for this common man who made a common soldier. His story transcends the barriers of time and distance, and places the reader in the midst of men who experienced both the horror and the tedium of war. Winschel's rich annotation fleshes out Wiley's narrative and provides an enlightening historical perspective. Scholars and buffs alike, especially those fascinated by operations in the lower Mississippi Valley and along the Gulf Coast, will relish Wiley's honest portrait of the ordinary serviceman's Civil War.
A remarkable account of the collapse of the Old South and the final years of a young boy’s privileged but afflicted life. LeRoy Wiley Gresham was born in 1847 to an affluent slave-holding family in Macon, Georgia. After a horrific leg injury left him an invalid, the educated, inquisitive, perceptive, and exceptionally witty twelve-year-old began keeping a diary in 1860—just as secession and the Civil War began tearing the country and his world apart. He continued to write even as his health deteriorated until both the war and his life ended in 1865. His unique manuscript of the demise of the Old South is published here for the first time in The War Outside My Window. LeRoy read books, devoured newspapers and magazines, listened to gossip, and discussed and debated important social and military issues with his parents and others. He wrote daily for five years, putting pen to paper with a vim and tongue-in-cheek vigor that impresses even now, more than 150 years later. His practical, philosophical, and occasionally Twain-like hilarious observations cover politics and the secession movement, the long and increasingly destructive Civil War, family pets, a wide variety of hobbies and interests, and what life was like at the center of a socially prominent wealthy family in the important Confederate manufacturing center of Macon. The young scribe often voiced concern about the family’s pair of plantations outside town, and recorded his interactions and relationships with servants as he pondered the fate of human bondage and his family’s declining fortunes. Unbeknownst to LeRoy, he was chronicling his own slow and painful descent toward death in tandem with the demise of the Southern Confederacy. He recorded—often in horrific detail—an increasingly painful and debilitating disease that robbed him of his childhood. The teenager’s declining health is a consistent thread coursing through his fascinating journals. “I feel more discouraged [and] less hopeful about getting well than I ever did before,” he wrote on March 17, 1863. “I am weaker and more helpless than I ever was.” Morphine and a score of other “remedies” did little to ease his suffering. Abscesses developed; nagging coughs and pain consumed him. Alternating between bouts of euphoria and despondency, he often wrote, “Saw off my leg.” The War Outside My Window, edited and annotated by Janet Croon with helpful footnotes and a detailed family biographical chart, captures the spirit and the character of a young privileged white teenager witnessing the demise of his world even as his own body slowly failed him. Just as Anne Frank has come down to us as the adolescent voice of World War II, LeRoy Gresham will now be remembered as the young voice of the Civil War South. Winner, 2018, The Douglas Southall Freeman Award
This book offers a meticulous reconstruction of the life of Rufus Kinsley - an ordinary New England soldier who during the Civil War became an officer in one of the nations's first and most famous black regiments - and an expertly edited transcription of Kinsley's hitherto unpublished wartime diary. Kinsley's diary sheds light on a long neglected theater of the war - the battle for the bayou country of southwestern Louisiana - and it illuminates the workaday routines of black and white soldiers stationed behind Union lines but thoroughly immersed in the unprecedented improvisations that accompanied the social revolution that was emancipation. Kinsley's perspective is that of a too often neglected type: the absolutely dedicated evangelical abolitionist soldier who believed that the war and its consequences were divine retribution for the sin of slavery. The introductory biography places Kinsley's civil war experience in the context of his life and his times.
Lucy Wood Butler's diary provides a compelling account of an ordinary woman's struggle to come to terms with realities of war on the Confederate home front. Married at the start of the war, she would become a widow by mid-1863; her account of life in the Confederacy explores her life in Virginia, her mourning period for her deceased husband, and her views on the waning prospect of Confederate victory. Now available in book form for the first time, The Diary of a Civil War Bride brings to light a vital archival resource that reveals the mindset of women in the Civil War South.
The soldiers on both sides of the Civil War were united by a common history, and yet the legacy of this past was ambiguous, upholding both rebellion and union. Union and Confederate men went to war as Americans, convinced they fought an un-American, savage enemy. The war they fought was as emotional and catastrophic as any in history, a violent crucible that forged a new national identity. Civil War Soldiers is a fresh and compelling attempt to fathom the war's significance—then and now—and makes immediate the charged issues and bitter ironies of a nation torn by a conflict over the common ideals of liberty and justice. Drawing on diaries and letters, the focus of this pioneering study is on the men who fought, caught up in a conflict whose causes and consequences seemed as complex and contradictory to the soldiers themselves as they do to us. Reid Mitchell re-creates their experience and discusses the questions one would have most wanted to ask them: Why did you fight? How did you feel about slavery and race? What did you take home from the war? What legacy have you left us? "Fresh insights, startling descriptions, and poignant human detail about the war from the men who fought it."—Chicago Tribune
All for the Union is the eloquent and moving diary of Elisha Hunt Rhodes, featured throughout Ken Burns' PBS documentary The Civil War. Rhodes enlisted into the Union Army as a private in 1861 and left it four years later as a twenty-three-year-old colonel after fighting hard and honorably in battles from Bull Run to Appomattox. Anyone who heard these diaries excerpted in The Civil War will recognize his accounts of those campaigns, which remain outstanding for their clarity and detail. Most of all, Rhodes's words reveal the motivation of a common Yankee foot soldier, an otherwise ordinary young man who endured the rigors of combat and exhausting marches, short rations, fear, and homesickness for a salary of $13 a month and the satisfaction of giving "all for the union."
A bibliographical guide to recently published Civil War diaries, journals, letters, and memoirs.