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This book revolves around the author's experience in Burma. The author, who spent over thirty years as a civil servant in Burma, provides a narrative of his official life, offering personal impressions of the people and character of Burma, as well as his observations on the events he experienced. The book includes illustrations and a glossary of Burmese words.
Excerpt from A Civil Servant in Burma This is not a guide-book, or a history, or a study of manners and customs. It is a plain story of official life for more than thirty years. It does not compete with any of the books already written about Burma, except, perhaps, the monumental work of General Fytche. While pursuing as a rule a track of chronological order, I have not hesitated to wander into by-paths of dissertation and description. I could not write without attempting to give fragmentary impressions of the people and their character. As far as possible I have limited my narrative to events within my own knowledge; my judgments are based on my own observation. I have to express my acknowledgments to the friends who have given me photographs to illustrate the book. My special thanks are due to Mr. A. Leeds, I.C.S. (retired), for a large number of characteristic and charming pictures. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is the first comprehensive history of Burmese painting, from eleventh-century Pagan to the present, including over 175 painters and more than 300 photographs of work. The book explores the historical transformations of the art, with psychological interpretations of major artists, the legends which followed them, and analysis of their oeuvres. It also probes the unusual lateral dimensions of Burmese painting, where 1,000 years of tradition have continued to survive and shape a rich corpus of largely unknown work. Ranard links the traditional roots of Burmese painting in India with later influences from China, Thailand, Britain, Northern Europe, and America. Burma is an isolated country, but its art has been a major wellspring of inspiration in Southeast Asia. Today, the country struggles to reconcile complex pressures, and Ranard digs deeply to uncover layers of conflict reflected in Burmese painting.
A major contribution to the literature of Burmese history and politics, this book traces the rich and tragic history of the Mon people of Burma and Thailand, from the pre-colonial era to the present day. This vivid account of ethnic politics and civil war situates the story of Mon nationalism within the 'big picture' of developments in Burma, Thailand and the region. Primarily an empirical study, it also addresses issues of identity and anticipates Burmese politics in the new millennium. A particular feature of the book is its first-hand descriptions of insurgency and displacement, drawn from the author's experiences as an aid worker in the war zone.