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Originally published in the early 1900s. The book was written to assist Choral Conductors and Choirmasters, though its scope is not limited to these, as many of the principles embodied in the illustrated text are applicable to Soloists as well as to Orchestral and Military Conductors. Contents Include: Methods of Rehearsal, Power of Voice, Breathing, Articulation and Diction, Musical Expression, The Messiah, Conducting Technique and Interpretation etc.
Originally published in the early 1900s. The book was written to assist Choral Conductors and Choirmasters, though its scope is not limited to these, as many of the principles embodied in the illustrated text are applicable to Soloists as well as to Orchestral and Military Conductors. Contents include: Methods of Rehearsal - Power of Voice - Breathing - Articulation and Diction - Musical Expression - The Messiah - Conducting - Technique and Interpretation etc. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
It is a truism in teaching choral conducting that the director should look like s/he wishes the choir to sound. The conductor's physical demeanour has a direct effect on how the choir sings, at a level that is largely unconscious and involuntary. It is also a matter of simple observation that different choral traditions exhibit not only different styles of vocal production and delivery, but also different gestural vocabularies which are shared not only between conductors within that tradition, but also with the singers. It is as possible to distinguish a gospel choir from a barbershop chorus or a cathedral choir by visual cues alone as it is simply by listening. But how can these forms of physical communication be explained? Do they belong to a pre-cultural realm of primate social bonding, or do they rely on the context and conventions of a particular choral culture? Is body language an inherent part of musical performance styles, or does it come afterwards, in response to music? At a practical level, to what extent can a practitioner from one tradition mandate an approach as 'good practice', and to what extent can another refuse it on the grounds that 'we don't do it that way'? This book explores these questions at both theoretical and practical levels. It examines textual and ethnographic sources, and draws on theories from critical musicology and nonverbal communication studies to analyse them. By comparing a variety of choral traditions, it investigates the extent to which the connections between conductor demeanour and choral sound operate at a general level, and in what ways they are constructed within a specific idiom. Its findings will be of interest both to those engaged in the study of music as a cultural practice, and to practitioners involved in a choral conducting context that increasingly demands fluency in a variety of styles.
This classic work offers a comprehensive guide to choral technique and interpretation. Coward draws on his extensive experience as a choral conductor to provide practical advice for all aspects of choral singing, including tone, diction, and expression. He also provides insights into the interpretation of choral works from a wide range of composers, including Bach, Handel, and Beethoven. This book is a valuable resource for choir directors, music educators, and all those seeking to improve their choral singing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.
Originally published in 1933, this book presents a report prepared by the Cambridgeshire Council of Music Education. The text provides a comprehensive study regarding the nature of music education in the region and the possibilities for its improvement, taking into account the changes to musical experience brought about by the gramophone and broadcasting.
DigiCat Publishing presents to you this special edition of "Essentials in Conducting" by Karl Wilson Gehrkens. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.