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A Choir of Honest Killers, Buddy Wakefield's first new book of prose and poetry in eight years, is an episodic novel exploring his creative climb out of the gritty underbelly of anger and shame, into the dissolution of tragedy addiction and the unmistakable clearing ahead. Having toured the world performing poetry for the last eighteen years, navigating the blunt loneliness of life on the road and a rotating cast of unlikely antagonists, Buddy keenly unpacks topics like the intense overcompensation of his masculinity, growing up terribly queer in the south, the detriments of public shame, a toxic fear of intimacy and the devastation of a failed major relationship. Wakefield revs up for his relay race to the light with refreshing humor and insight by finding meditation as the love of his life, accepting bliss and learning to let go. While the poetry in A Choir of Honest Killers undeniably throws plenty of insightful punches, it's the through-story about moving from devastation to frequent serendipity that gives the book pace. But it's worth noting, as Wakefield writes, “Perfect probably isn't what you think it is.” Wakefield is ultimately catapulted through collective misery, landing in a sustainably joyful life governed by awareness, equanimity and a constant thorough understanding of impermanence. A Choir of Honest Killers is the result of a lifetime of intense work, fervent seeking and largely takes aim at an exodus from tragedy addiction, into the transmutation of his self-admitted density.
Buddy Wakefield’s third book, Gentleman Practice, documents the figurative contents of a man’s body attempting to stand firm in the presence of all that is. It’s a poetry book, from the perspective of a journal entry in the National Archives. The National Archives live in a building in Seattle behind barbed wire, directly next door to the Center for Spiritual Living. This is no accident. Gentleman Practice is a disarming de-haunting of accidents. There are no stunt doubles performing the honesty in this book. Head raised and victorious, he has crafted a translation of the human spirit on a small, practical patch, with a very fine tooth indeed. And, while many poetry books read like a thick epic series of sections, Gentleman Practice will no doubt rest in your hands like a well-oiled novel.
“Tender, jarring and deeply human, Live For A Living is a book of poetry that is pulsing with the same electricity and honesty found in Buddy’s live performances.” - Andrea Gibson; International Poet-Activist
Four-time Denver Grand Champion, Pushcart Prize nominee, and winner of the 2008 Women of the World Poetry Slam, Andrea Gibson’s dynamic and energetic first book, Pole Dancing to Gospel Hymns, challenges us to not only read, but to react. Hauntingly vivid, the poems march through a soldier's lingering psychological wounds, tackle the curious questions of school children on the meaning of "hate", and tangle with a lover's witty and vibrant description of longing. Gibson's poems deconstruct the current political climate through stunning imagery and careful crafting. With the same velocity, the poignant and vacillating love poems sweep the air out of the room. It’s word-induced hypoxia. Pole Dancing to Gospel Hymns whispers with a bold and unforgettable internal voice rich with the kind of questioning that inspires action.
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
Winner of 2021 Write Bloody Publishing Book Award. A perfect book for readers searching for the salve of darker verse and recovery poetry. Every Little Vanishing is, at its core, a collection of poetry that will bring you to your knees with its honesty. "...our marriage / a bridge between staying for the children we had or leaving for the people we want to become." "Every Little Vanishing” might change your definition of poetry forever. If you've ever thought of the poem as something that muses and meanders, think again. Sheleen McElhinney writes poems the way novelists write page-turning fiction. Her first lines grab you by the collar and pull you––no––drag you through each word, kicking and screaming until you reach the poem's end. By the last line, you hurt so good you beg Sheleen to do it again. There were times I wanted to rip out the pages of this book and swallow them, desperate to consume the work in as many ways possible. There were times I pressed my ear to this book and heard an ocean of grief. What I mean is, this book will both drown and buoy you." --Megan Falley, Author of Drive Here and Devastate Me, Write Bloody 2018 Co-Author of How Poetry Can Change Your Heart, Chronicle Books, 2019 “Like submarines, Sheleen McElhinney's unflinching poems probe the lightless regions of memory, addiction, loss, longing, and daughter-/sister-/mother-hood. In her debut collection she illuminates the various ruthlessnesses of a ruthless personal history—an illumination powerful enough to reveal a hard won hope, even here among the grief and disappointments of living. This is a poetics of survival that, using as its instruments, a fierce attention to detail and a brazen, uncompromising candor. It wades resolutely through the terrors of inhabiting a body in time and arrives at the one true miracle: the next moment. And the next. And the next.” --Jeremy Radin, Author of Slow Dance With Sasquatch and Dear Sal. ABOUT THE BOOK: These poems drag you to the darkroom of vulnerability where everything is exposed; the wounded child, the wreckless adolescent, the life and death of a sibling to addiction, and the loss of self through marriage and motherhood. These poems hold beneath their hard exterior the soft underbelly of what it means to love and lose. They are for anyone who wants to learn how to grow a new skin, to excavate the body of its grief, to devour it, and to let it choke you.
Portrait of the Alcoholic is the first chapbook of poems from Ruth Lilly-winner and founding editor of Divedapper, Kaveh Akbar.
This powerful, true story of faith and forgiveness shows that all of us are capable of experiencing the healing and renewal that comes with truly forgiving another. Change of Heart follows the transformative journey undertaken by Jeanne Bishop after the murders of her sister and brother-in-law, a journey that challenged Jeanne's belief in the message of Jesus on the cross and eventually moved her beyond simple forgiveness to the deeper waters of redemption and grace. Jeanne's authentic story will guide readers past the temptation of anger and revenge, and help them navigate the path of truly forgiving someone whose actions have hardened their heart. From once wishing that her sister's killer languished in a cell for the rest of his life, Jeanne now visits him regularly in prison and publicly advocates for his release. "It's not okay what you did, but I am not going to hate you. I am not going to wish evil on you," writes Bishop of the murderer. "I am going to wish the opposite. I am going to wish that you will be redeemed." “The criminal justice system in the United States, which deems some people unworthy of redemptionâ€"even children who commit serious crimesâ€"urgently needs to hear voices that speak for mercy and restoration. Jeanne Bishop's is such a voice†writes Sr. Helen Prejean, activist and author of Dead Man Walking. Change of Heart confronts these serious and pressing issues of restorative justice, juvenile life sentences, and incarceration in the criminal justice system. Ultimately, Jeanne is writing more than a memoir of finding faith through extraordinary obstacles. Her compelling story offers a better understanding of what it truly means to be a person of faith. It is a call to action that is a “must-read for pastors, social workers, caregivers, and all who seek to build community with people relegated to the margins†(Greg Ellison, Emory University).
"Forgive my bluntness, but...Goddamn, Sam Sax can write some poems. Devastating, comic, inventive, weird, dangerous, smart as hell. I could talk about the diction sometimes glass and sometimes bouquet. Or the syntax jagged here, balletic there. Or the metaphors, good lord. But the bottom line is that when reading the poems in A GUIDE TO UNDRESSING YOUR MONSTERS, one after the next, I kept saying to myself, probably twisting my face a little bit or squirming in my seat, "Goddamn, Sam Sax can write some poems." Ross Gay
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.