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New South Wales, 1804. The Chancer’s Corps tells the story of the Rum Rebellion, the only military coup in Australia’s history.
Tammas is twenty, a loner and a compulsive gambler. Unable to hold a job for long, his life revolves around Glasgow bars, home with his sister and brother-in-law, the dog track, betting shops, casinos and occasionally a day at the races. Sometimes Tammy wins, more often he loses, but betting gives him as good a chance as any of discovering what he really seeks from life since society offers him no prospect of a better or more fulfilling altenative.
Centered on the volatile issue of the repatriation of Native American skeletal remains, Chancers follows a group of student Solar Dancers who set out to resurrect native remains housed in the Phoebe Hearst Museum of Anthropology at the University of California, Berkeley. Possessed by the demonic wiindigoo, a mythic monster, the Solar Dancers, in a gruesome ritual, sacrifice faculty and administrators associated with the collection and storage of native remains. The Dancers replace stored native skulls with those of the academics, and the resurrected natives become the Chancers. The Round Dancers, humane and erotic trickster figures, are natural opponents of the morbid Solar Dancers. The war between the two groups comes to a comic conclusion at a graduation ceremony attended by Pocahontas; Phoebe Hearst; Alfred Kroeber, the anthropologist; Ishi, the native who actually lived and worked in the university museum; and many Chancers.
"At last! A critical look at feminist schisms that doesn't trash either side. Chancer's analysis of the sexuality vs. sexism splits is excellent and also makes for wonderful reading. I particularly liked her ideas for a 'third wave' in feminism."—Judith Lorber, CUNY Graduate Center "Reconcilable Differences brings crucial new perspectives to long-standing problems. Chancer's insights enrich our understandings of gender inequality and the policies necessary to address them."—Deborah Rhode, Stanford Law School "In this postmodern world of fractured subjectivity and incommensurabilities, Lynn Chancer boldly argues for the possibility of feminist unity amidst and through our oft-noted differences. A book of rare intelligence and broad applicability, Chancer confronts the thorny debates that have kept feminists fighting each other and unable to reconcile around even the narrowest of agendas. She argues for the vitality of these debates (around sex, around the culture of beauty and, most tempestuously, around pornography) at the same time she pushes them to new places and draws out both new dilemmas and new resolutions for the late-twentieth century feminist. Clearly the work of a creative and complex mind, Chancer's book is destined to become a *must read* for feminists of all persuasions."—Suzanna Danuta Walters, author of Material Girls: making sense of feminist cultural theory
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