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These disjointed thoughts about one of Leonard Merrick's most articulate books must begin with a personal confession. For many years I walked about this earth avoiding the works of Leonard Merrick, as other men might have avoided an onion. This insane aversion was created in my mind chiefly by admirers of what is called the "cheerful" note in fiction. Such people are completely agreed in pronouncing Mr. Merrick to be a pessimistic writer. I hate pessimistic writers. Years ago, when I was of an age when the mind responds acutely to exterior impressions, some well-meaning uncle, or other fool, gave me a pessimistic book to read. This was a work of fiction which the British Public had hailed as a masterpiece of humour. It represented, with an utter fury of pessimism, the spiritual inadequacies of-but why go into details. Now, I have to confess that for a long time I did Mr. Merrick the extraordinary injustice of believing him to be the author of that popular masterpiece.
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There is a byway between reality and dream. A transit we call Möbius Blvd … Inspired by the enigmatic Möbius strip, a mathematical construct that defies conventional notions of linearity and infinity, Möbius Blvd has no beginning or end but exists in a place where reality and dream have fused … coalesced … merged. With each turn of the page, you'll encounter a unique blend of horror, fantasy, and science-fiction—fiction that will challenge your perceptions and leave you in awe of the infinite possibilities that exist within the written word. Indeed, Möbius Blvd is far more than a magazine; it's an experience. It's an exploration of the infinite, a passage through dimensions where the only constant is storytelling at its most daring, a kaleidoscope of wonder and terror. Join us on this winding, never-ending journey of speculative fiction that will keep you entranced from the first twist to the last loop. Open your mind to the limitless worlds of Möbius Blvd … and discover that the boundary between fiction and reality is as thin as a strip of paper with a twist. In this issue: THE NEXT STOP IS GRAND CENTRAL Judith Pancoast ARNOU THE PAINTER Lawrence Buentello IN THE DARK THERE IS A HAND Michael Paul Kozlowsky TOMATO KING Nick Marsan EPIPHANY FOR A FERRYMAN Wayne Kyle Spitzer ROAD STORY Mike A. Rhodes DECEMBER’S CAT Michael Schulman TALES FROM BEYOND THE MIRROR Simina Lungu THE MELLIFIED MAN Dante Bilec THE WINDOW Gerald A. Jennings
There is a byway between reality and dream. A transit we call Möbius Blvd … Inspired by the enigmatic Möbius strip, a mathematical construct that defies conventional notions of linearity and infinity, Möbius Blvd has no beginning or end but exists in a place where reality and dream have fused … coalesced … merged. With each turn of the page, you'll encounter a unique blend of horror, fantasy, and science-fiction—fiction that will challenge your perceptions and leave you in awe of the infinite possibilities that exist within the written word. Indeed, Möbius Blvd is far more than a magazine; it's an experience. It's an exploration of the infinite, a passage through dimensions where the only constant is storytelling at its most daring, a kaleidoscope of wonder and terror. Join us on this winding, never-ending journey of speculative fiction that will keep you entranced from the first twist to the last loop. Open your mind to the limitless worlds of Möbius Blvd … and discover that the boundary between fiction and reality is as thin as a strip of paper with a twist. In this issue: SETT Jon Gluckman WHERE THE TALL CORN GROWS Mary Jo Rabe DRAG MARKS Rutger Middelburg LAST SUPPER Patrick Crerand FLASHBACK DAWN Wayne Kyle Spitzer LONGEVITY Vivian Doolittle MESSAGE IN A BOTTLE Charmaine Arjoonlal A SPECIAL GAME Troy Ernest Hill KILL THE FINNISH WOLF Robb T. White HOLLY WOODS MAGIC: GARDEN GNOME DAY Ross Kimble
Better Nate than Ever meets Love Sugar Magic in this spooky second novel in the Fearless middle grade series from Hamilton and Broadway star Mandy Gonzalez about a group of young thespians who time travel back to 1950s Broadway. Twelve-year-old Relly can’t wait for his beloved grandfather to finally see him on stage! Along with the rest of the Fearless Squad, Relly has just opened Our Time, a brand-new musical at the infamous Ethel Merman Theater. Though his grandfather would prefer his grandson pursue something more “practical,” Relly just knows when he sees the show, he will change his mind and come around on Relly’s love of theater and dance. But right before their night show, a member of the Squad loses their phone down an open manhole. When the entire Squad goes down to help retrieve it, they find themselves in 1950s Manhattan. A big problem, considering the curtain goes up in about two hours—and over sixty years in the future! With a series of clues, Relly discovers that his grandfather was a popular tap dancer, working the nightclub circuit and pursuing his dream of performing—something he’s been discouraging Relly from doing lately. Perhaps this accidental fall into a different time wasn’t so accidental after all. Can Relly help his grandfather and make it back in time for places in the show?