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Contains summaries of nearly two hundred Christian-themed movies made between 1905 and 2008, each with commentary; arranged chronologically by decade to highlight the decline in positive portrayals.
This book highlights the faith of the Tongan Saints from contact with our first missionaries in 1891 until the centennial commemoration held in Tonga in 1991, with an epilogue that will highlight events until the present. At that centennial commemoration, rain fell upon the Tonga Saints, and so did revelation from the mouth of Apostle Russell M. Nelson. After thanking the congregation for their "great example as Latter-day Saints," he pronounced a blessing upon the local Church members, "that from this island kingdom, faith may radiate through the entire world and affect the lives of people all over the world."
What drove U.S. Catholics in their arduous quest, full of twists and turns over more than a century, to win an American saint? The absence of American names in the canon of the saints had left many of the faithful feeling spiritually unmoored. But while canonization may be fundamentally about holiness, it is never only about holiness, reveals Kathleen Sprows Cummings in this panoramic, passionate chronicle of American sanctity. Catholics had another reason for petitioning the Vatican to acknowledge an American holy hero. A home-grown saint would serve as a mediator between heaven and earth, yes, but also between Catholicism and American culture. Throughout much of U.S. history, the making of a saint was also about the ways in which the members of a minority religious group defined, defended, and celebrated their identities as Americans. Their fascinatingly diverse causes for canonization—from Kateri Tekakwitha and Elizabeth Ann Seton to many others that are failed, forgotten, or still under way—represented evolving national values as Catholics made themselves at home. Cummings's vision of American sanctity shows just how much Catholics had at stake in cultivating devotion to men and women perched at the nexus of holiness and American history—until they finally felt little need to prove that they belonged.
Royal presents the first comprehensive history of 20th-century martyrs. This guide traces the specific situations of each area and time when martyrdom occurred and studies the political systems and the reasons for confrontation.
Nile Green reveals the politics and poetry of Indian Sufism through the study of Islamic sainthood in the midst of a cosmopolitan Indian society comprising migrants, soldiers, litterateurs and princes.
Hagiography, or writing about and illustrating the lives of saints, was one of the most creative areas for artistic inspiration in the literature and arts of the Middle Ages. This book explores the sumptuously illustrated saints' lives that were made in medieval Europe. Cynthia Hahn discusses a broad range of manuscripts and other artifacts, many of which are reproduced here, and provides an analysis of their pictorial and narrative structure. Hahn's book is a virtual compendium of images-many rarely published-as well as a learned study that deepens our understanding of the role of various types of saints, the nature of their audience, and the historical moment when individual works were produced. After two informative introductory chapters setting the historical and narrative context of pictorial hagiography, Hahn considers the Lives of Martyrs and Virgins, Bishops, Monks and Abbots, and Kings and Queens, and concludes with an examination of the extraordinary chronicles and illustrations of the lives of saints by the English monk Matthew Paris. She considers such questions as: Why were illustrated saints' lives produced in such great numbers during this period? Why were they illustrated at all given the trouble and expense of such illustration? And to whom did the saints' lives appeal, and how did their readers use them? As she addresses these and other intriguing questions, Hahn traces changes that occurred over time both in the images and the stories, and shows how their creators, mostly the intellectual elite, were finely attuned to audience reception. This important aspect of hagiographic production has received scant attention in the past, and as she considers this issue in light of contemporary narrative theory, Hahn brings us to a fresh appreciation of these intricately illustrated manuscripts and their multiple audiences.
How did a thirteenth-century Italian friar become one of the best-loved saints in America? Around the nation today, St. Francis of Assisi is embraced as the patron saint of animals, beneficently presiding over hundreds of Blessing of the Animals services on October 4, St. Francis's Catholic feast day. Not only Catholics, however, but Protestants and other Christians, Hindus, Buddhists, Jews, and nonreligious Americans commonly name him as one of their favorite spiritual figures. Drawing on a dazzling array of art, music, drama, film, hymns, and prayers, Patricia Appelbaum explains what happened to make St. Francis so familiar and meaningful to so many Americans. Appelbaum traces popular depictions and interpretations of St. Francis from the time when non-Catholic Americans "discovered" him in the nineteenth century to the present. From poet to activist, 1960s hippie to twenty-first-century messenger to Islam, St. Francis has been envisioned in ways that might have surprised the saint himself. Exploring how each vision of St. Francis has been shaped by its own era, Appelbaum reveals how St. Francis has played a sometimes countercultural but always aspirational role in American culture. St. Francis's American story also displays the zest with which Americans borrow, lend, and share elements of their religious lives in everyday practice.
Today there are many websites and Hildegard groups that celebrate and honor Hildegard's teachings, philosophy, art, and music. Author Matthew Fox writes in Hildegard of Bingen about this amazing woman and what we can learn from her.
When young Vittorio Innocente’s mother, Cristina, is bitten by a snake in the family stable, no one sees the blue-eyed stranger leaving except for Vittorio. He struggles to keep his mother’s secret but secrets in a small village are hard to keep, and while Cristina’s belly gradually grows under her loose dresses, they find themselves shunned by their superstitious neighbours. A classic of Canadian literature, Lives of the Saints has earned many distinctions since it was originally published in 1990. It was a national bestseller for seventy-five weeks, received the Governor Generals Literary Award for Fiction, the W.H. Smith / Books in Canada First Novel Award, and the F.G. Bressani Prize. In England it won the Betty Trask Award and Winifred Holtby Memorial Prize, in the U.S. was shortlisted for the Los Angeles Times Art Seidenbaum Award for First Fiction, and in France was an Oeil de la letter Selection of the National Libraries Association. It was also adapted into a miniseries starring Sophia Loren.
For 2,000 years, Catholicism—the largest religion in the world and in the United States—has shaped global history on a scale unequaled by any other institution. But until now, Catholics interested in their faith have been hard-pressed to find an accessible, affirmative, and exciting history of the Church. Triumph is that history. Inside, you'll discover the spectacular story of the Church from Biblical times and the early days of St. Peter—the first pope—to the twilight years of John Paul II. It is a sweeping drama of Roman legions, great crusades, epic battles, toppled empires, heroic saints, and enduring faith. And, there are stormy controversies: Dark Age skullduggery, the Inquistition, the Renaissance popes, the Reformation, the Church's refusal to accept sexual liberation and contemporary allegations like those made in Hitler's Pope and Papal Sin. A brawling, colorful history full of inspiring pageantry and spirited polemic, Triumph will exhilarate, amuse, and infuriate as it extols the glories of Catholic history and the gripping stories of its greatest men and women.