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This vibrant collection of award-winning supernatural stories from around the world offers something for every taste in the uncanny. Yes, there are ghosts. But you'll also find pieces involving revenants or reanimated corpses of different sorts, including-but not limited to-zombies, as well as stories that make literary use of fairies, vampires, demons, The Devil Himself, snakes (talking, and otherwise), time slips (aka unintentional time travel), mystery animals, ancient curses, contemporary curses, a plague even scarier than the coronavirus, Santería, and a number of haunted objects, including fine dinnerware, some smoky panes of old window glass, and a stuffed rabbit with a bad attitude. We've got several stories that fit the category of magic realism, a couple that are just plain hard to categorize, and one that has to do with dragons. Each of these 30 stories, in addition to providing the reader with a thrill, a chill, a laugh, or a new perspective on life and death, is also a small literary gem that you'll want to revisit again and again.
Over a thousand pages of haunted—and haunting—ghost tales: the most complete collection of uncanny, spooky, creepy tales ever published! Edited and with an introduction by Otto Penzler. Including stories by Joyce Carol Oates, Rudyanrd Kipling, Isaac Asimov, James MacCreigh, and many more! Featuring eerie vintage ghost illustrations. The ghost story is perhaps the oldest of all the supernatural literary genres and has captured the imagination of almost every writer to put pen to the page. Here, Edgar Award-winning editor Otto Penzler has followed his keen sense of the supernatural to collect the most chilling and uncanny tales in the canon. These spectral stories span more than a hundred years, from modern-day horrors by Joyce Carol Oates, Chet Williamson and Andrew Klavan, to pulp yarns from August Derleth, Greye La Spina, and M. L. Humphreys, to the atmospheric Victorian tales of Rudyard Kipling, Edith Wharton, and H. P. Lovecraft, not to mention modern works by the likes of Donald E. Westlake and Isaac Asimov that are already classics. Some of these stories have haunted the canon for a century, while others are making their first ghoulish appearance in book form. Whether you prefer possessive poltergeists, awful apparitions, or friendly phantoms, these stories are guaranteed to thrill you, tingle the spine, or tickle the funny bone, and keep you turning the pages with fearful delight. Including such classics as “The Monkey’s Paw” and “The Open Window” and eerie vintage illustrations, and also featuring haunted mansions, midnight frights, lovers from beyond the grave, rapping, tapping, wailing shades, and ghosts, ghouls, and specters galore! AlsoFeaturing haunted mansions, midnight frights, lovers from beyond the grave, rapping, tapping, wailing shades, and ghosts, ghouls, and specters galore!
Collection of thirty-five English ghost stories written during the Victorian Era.
The thrill and chill of the ghost story is displayed in all its variety and vitality through this marvellous anthology. Ranging from the early 19th century to the 1960s, the collection reveals the development of the genre, and showcases many of its greatest expositors - from Sir Walter Scott, H. G. Wells, M. R. James, T. H. White, Walter de la Mare, and Elizabeth Bowen in the UK to Edith Wharton in America. Though its heyday coincided with the golden age of Empire in the nineteenth century, the ghost story enjoyed a second flowering between the two World Wars and its popularity is as great as ever.
This book presents one hundred real-life stories from the nineteenth century press. Along with accounts of ghosts, poltergeists, and haunted houses, we meet extraordinary reports of the dying appearing hundreds or thousands of miles from the sight of their death, and living people who quite literally appear in two places at once. Analysing and interpreting these stories in the light of modern paranormal events and scientific findings, Century aims to show that ghosts and poltergeists certainly do exist. It offers a range of persuasive theories about what they really are and what they mean, and screws the microscope down on the details of ghost sightings and poltergeist incidents. Why are some ghosts grey or vague, and others able to pass as living people? Can ghosts speak? How do ghosts or poltergeists use human energy, and particularly the energy of the young or the traumatised? How do such phenomena relate to light, to electromagnetism, and even the body's circadian rhythms? This is a book about ghosts and poltergeists by someone who never expected to take them seriously. It is a book inspired by the strange experience of continually hearing such stories from people who kept them hidden until they were prompted to speak. It aims to help those who have suffered from the trauma of poltergeists, and to bring back into the open experiences which, in the developed world, have become a new kind of taboo. It is a book for anyone interested in the extraordinary effects of human emotion; the fringes of biology and physics; and the possible survival of human consciousness after death.
A masterful collection of ghost stories that have been overlooked by contemporary readers—including tales by celebrated authors such as Charles Dickens, Sir Walter Scott, Mark Twain, and Edith Wharton—presented with insightful annotations by acclaimed horror anthologists Leslie S. Klinger and Lisa Morton. The ghost story has long been a staple of world literature, but many of the genre's greatest tales have been forgotten, overshadowed in many cases by their authors' bestselling work in other genres. In this spine-tingling anthology, little known stories from literary titans like Charles Dickens and Edith Wharton are collected alongside overlooked works from masters of horror fiction like Edgar Allan Poe and M. R. James. Acclaimed anthologists Leslie S. Klinger (The New Annotated Sherlock Holmes) and Lisa Morton (Ghosts: A Haunted History) set these stories in historical context and trace the literary significance of ghosts in fiction over almost two hundred years—from a traditional English ballad first printed in 1724 up to the science fiction–tinged tales of the early twentieth century. In bringing these masterful tales back from the dead, Ghost Stories will enlighten and frighten both longtime fans as well as new readers of the genre. Including stories by: Charles Dickens, Nathaniel Hawthorne, Henry James, M. R. James, Elizabeth Stuart Phelps, Edgar Allan Poe, Sir Walter Scott, Mark Twain, Edith Wharton, and more.
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
From North Beach to South of Market to Golden Gate Park and points in between, ghosts have made their spectral presences known.
Eight classics by great Edwardian scholar and storyteller. "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre.
25 chilling short stories by outstanding female writers. Women have always written exceptional stories of horror and the supernatural. This anthology aims to showcase the very best of these, from Amelia B. Edwards's 'The Phantom Coach', published in 1864, through past luminaries such as Edith Wharton and Mary Elizabeth Braddon, to modern talents including Muriel Gray, Sarah Pinborough and Lilith Saintcrow. From tales of ghostly children to visitations by departed loved ones, and from heart-rending stories to the profoundly unsettling depiction of extreme malevolence, what each of these stories has in common is the effect of a slight chilling of the skin, a feeling of something not quite present, but nevertheless there. If anything, this showcase anthology proves that sometimes the female of the species can also be the most terrifying . . .