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Through a close look at the history of the modernist hooked rug, this book raises important questions about the broader history of American modernism in the first half of the twentieth century. Although hooked rugs are not generally associated with the avant-garde, this study demonstrates that they were a significant part of the artistic production of many artists engaged in modernist experimentation. Cynthia Fowler discusses the efforts of Ralph Pearson and of Zoltan and Rosa Hecht to establish modernist hooked rug industries in the 1920s, uncovering a previously undocumented history. The book includes a consideration of the rural workers used to create the modernist narrative of the hooked rug, as cottage industries were established throughout the rural Northeast and South to serve the ever increasing demand for hooked rugs by urban consumers. Fowler closely examines institutional enterprises that highlighted and engaged the modernist hooked rugs, such as key exhibitions at the Museum of Modern Art and the Metropolitan Museum of Art in the 1930s and '40s. This study reveals the fluidity of boundaries among art, craft and design, and the profound efforts of a devoted group of modernists to introduce the general public to the value of modern art.
Twenty-five original dollhouse patterns for making your own Chinese rugs and carpets provide a way to decorate your dolls’ house with hand-made treasures. Needlework instructions for stitching and finishing techniques come with color charts, and use only ordinary materials and equipment. “This book will help you turn an enjoyable hobby into an elegant investment.”—Doll Castle News.
Learn the art of designing and making a Nordic traditions rya rug. With this book, you can make authentic, heirloom-quality rya rugs without a loom or special equipment and enjoy them as art on the walls, floors, beds, and more. Ryas have a long history. In the days of the Vikings, ryas were woven on looms with a wool pile that gave warm insulation in the cold winters as warm cloaks on a freezing sea, sleigh blankets, and as bed coverings. After World War II, Nordic countries marketed their signature crafts around the world. They wove backings, spun hardy rya yarns, and designed kits easily made by beginners. These industries thrived throughout the midcentury modern era, but suddenly supplies became difficult to find when fashions trends changed. From the late 1970s to recent times, not only supplies, but experienced teachers were very hard to find. Melinda Purcell Byrd was born into a rya rug family. Her grandparents, Bill and Angelina Lundgren from Northboro, Massachusetts began importing Swedish rya supplies the year she was born. They established a thriving business by providing kits and custom designs in rya across the United States. Melinda designed and made her first when she was 11 years old. After college, she worked with her grandparents as designer, teacher, and business manager becoming proficient in all things rya. After fashions trends changed, Lundgren Rya, along with dozens of other suppliers in the USA and Europe closed their doors.Thirty years later Byrd has used her experience and the Internet to revive rya rug making and provide a resource for currently available supplies as well as teach how to use them. In her book, history of how this craft began, thrived, and was nearly lost is shared. She demystifies the designing process and gives detailed examples of various designing techniques for right-brained and left-brained thinkers. You'll find personal story profiles of other rya pilgrims, innovators, and visionaries to inspire you. Full of colorful illustrative photos by award-winning photographer, Ken Koons, this book will move you to join the rya rug revival and make your own rya rugs!
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Filled with hundreds of gorgeous examples, this book is a comprehensive study of European and American carpets and rugs from the Middle Ages to the present day. The rich and inventive tradition of European and American carpets continues to inspire artists, designers, and decorators, while collectors and historians increasingly value carpets as important works of art. In this comprehensive volume, Sarah Sherrill examines Western carpet design and production from the Middle Ages to the present, in styles that range from magnificent palatial creations to delightful folk designs. With hundreds of dazzling illustrations, Sherrill's authoritative text includes chapters on Moorish weavers and the golden age of carpets in Spain; the exquisite carpets of the Savonnerie, Aubusson, and Beauvais in France; productions from Moorfields, Exeter, and Axminster in England; the intriguing but little-studied rugs of Eastern European countries; the charming and resourceful rugs of America; and an important chapter on modern designs that offers an extensive survey of rugs created by leading artists and architects of the nineteenth and twentieth centuries. Sherrill's stimulating text, based on years of research, brims with interesting new findings, not only on the history and design of these works, but also technological developments that had an often unrecognized effect on rug design and production. Supplementing the hundreds of reproductions of carpets are many views of the lavish rooms for which they were designed, as well as brilliant watercolor carpet designs, technical drawings clarifying weave and knot structures, and maps, making this an indispensable resource for historians, collectors, and anyone interested in beautiful furnishings and textiles. Sarah B. Sherrill, an authority on Western and Eastern carpets and rugs, has published many articles on the subject over the last two decades. She is on the faculty of The Bard Graduate Center for Studies in the Decorative Arts in New York and has taught in the graduate program in the history of decorative arts at the Cooper-Hewitt, National Design Museum/Parsons School of Design in New York. She is editor in chief of The Bard Graduate Center's journal Studies in the Decorative Arts and was an editor for over twenty years at the magazine Antiques. 400 illustrations