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Master the art of chess, the game of kings. Learn the key techniques and classic moves of the Chess Master, including basic and advanced tactics, combinations, sacrifices and pawn structures. This unique visual guide is arranged so that you can quickly identify your problem and locate the appropriate solution. Over 300 examples demonstrate attacking and defensive strategies for the opening, middle and end phase of the game. Each move is accompanied with annotated 3-D illustrations so you can easily follow the game, and the spiral-binding allows you to lay the book flat for ease of reference.
This wide-ranging collection of essays seeks to challenge the ‘common-sense’ assumption that entertainment activities have no function but to fill up otherwise empty moments. As such it builds on the term – coined by the Victorians – ‘Recreation’, and argues that in the entertainments people pursue they do not simply divert themselves, but actively create and re-create their identities. The collection shows this process can only take place for those who enjoy the benefits of leisure; hence, in the medieval period leisure and entertainments are largely confined to the wealthy minority. In periods of rapid social change, like 19th century Britain, the inter-linked question of identity and entertainment became an issue of great concern. Orderly and respectable activities were seen by many commentators as the key to containing the potential menace of the new urban population. In the 20th century the development of new forms of mass entertainment, such as cinema, radio and television, has generated new debates, in particular about the potential of these new media to manipulate their audiences. The essays, arranged in broadly chronological order, give fascinating and detailed ‘snapshots’ of these processes as they unfold from the middle ages to the present-day. As such the collection makes a very valuable contribution to the historical study of the social and, broadly defined, political role played by entertainments in shaping and reinforcing identities. 'In recent years the history of leisure and, more particularly, the history of leisure pursuits, amusements and "entertainments", has engaged the attention of social historians who, as well as highlighting their intrinsic interests, have demonstrated the contribution which such studies can make to an understanding on social identities and class relationships. This collection of essays explores a wide and eclectic range of "entertainments" - from medieval pet-keeping, Victorian chess tournaments and late 19th century museums of curiosities to French anarchist theatre and the career of Harry Belafonte - themes which until now received little or no scholarly analysis. As such it fills a significant gap in the historical literature.' G. R. Searle, Emeritus Prof. of History, University of East Anglia and Fellow of the British Academy
Reprint of the original, first published in 1875.
“Masterfully told.”—School Library Journal A great story for children learning mathematical concepts, The King’s Chessboard tells the story of a wise man who refuses the king’s reward for completing a favor. When the king insists the man accept a reward, the man proposes a deal: He will take a payment of rice equal to each square on the king’s chessboard—doubling the amount he receives with each day. This quickly empties out the royal coffers. . . . A Notable Children’s Trade Book in the Field of Social Studies and Outstanding Science Trade Book for Children
The First - and Sadly the Last - Book by Larry Evans Vienna 1922 is remembered as one of the first great tournaments after World War I. All the stars of the day (Alekhine, Bogoljubow, Grünfeld, Maróczy, Réti, Spielmann, Tarrasch and Tartakover) played except Capablanca and Lasker, but it was Akiba Rubinstein who was to turn in an outstanding success scoring an undefeated 111⁄2 from 14 to finish a point and half ahead of second place Tartakover and two and a half (!) points ahead of Alekhine. This was the first book ever written by American grandmaster Larry Evans. The then 16-year-old master self-published it in 1948 with English descriptive notation, no diagrams, with a plastic ring binding, mimeographed. He was persuaded to revise and update it, making use of modern figurine algebraic notation, many diagrams not to mention annotations that have made him one of the most popular chess writers of our era. Just when this book was being prepared to go to press, however, the tragic news flashed around the world: Larry Evans had died. As far as chess in America was concerned, he had been a national treasure. But his loss was not felt only in the U.S. He was admired as a chessplayer, journalist and author worldwide. As noted by John Donaldson in his Foreword, this book marked the beginning of what turned out to be one of the longest and most productive literary careers in American chess history. It also tragically turned out to be Larry's swan song. It is unlikely that the chess world will ever see another chessplayer who accomplished so much both with the pieces and with the pen.