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This catalogue of the astronomical manuscripts preserved at the Maharaja Man Singh Museum provides a substantial part of the foundation for an extensive & penetrating analysis of the astronomical activities of Saw Jayasimha Maharaja from 1700 to 1743. Jayasimha collected Sanskrit manuscripts of traditional Indian astronomy, acquired Arabic & Persian manuscripts representative of the Muslim interpretation of Ptolemaic astronomy, built five observatories at which he employed both Hindu & Muslim observers, & produced a set of astronomical tables in Persian based on the Latin tables of Philippe de La Hire.
This groundbreaking volume provides an up-to-date, accessible guide to Sanskrit astronomical tables and their analysis. It begins with an overview of Indian mathematical astronomy and its literature, including table texts, in the context of history of pre-modern astronomy. It then discusses the primary mathematical astronomy content of table texts and the attempted taxonomy of this genre before diving into the broad outlines of their representation in the Sanskrit scientific manuscript corpus. Finally, the authors survey the major categories of individual tables compiled in these texts, complete with brief analyses of some of the methods for constructing and using them, and then chronicle the evolution of the table-text genre and the impacts of its changing role on the discipline of Sanskrit jyotiṣa. There are also three appendices: one inventories all the identified individual works in the genre currently known to the authors; one provides reference information about the details of all the notational, calendric, astronomical, and other classification systems invoked in the study; and one serves as a glossary of the relevant Sanskrit terms.
A collection of manuscripts—twenty of them Persian, two Eastern Turkish, and two Arabic—was presented to the Metropolitan Museum of Art in March, 1913, by Mr. Alexander Smith Cochran, of Yonkers, New York. This publication provides insight into the authors of these texts and unpacks the painstakingly rendered imagery in these beautiful manuscript illustrations.
Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.
The present work is an analytical account of classical Sanskrit literature in its historical perspective. It is divided into six books, containing several chapters, each dealing with a particular branch of Sanskrit learning. The work is full of references; the footnotes refer to a variety of sources, legendary, inscriptional, numismatic, architectural and literary. The writer has exploited all the relevant material of the journals, catalogues, annals, reports and other documents in discussing the vexed problems of the date, place, genealogy of the authors and the literary tendencies of their compositions. His methodology of literary criticism is rationalistic and bears the stamp of the modern scientific age. The elaborate index, the critical introduction, the exhaustive bibliography, the list of abbreviations, the table of transliteration and a supplement are the most useful additions to this interesting and instructive work of literary history.