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The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.
How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts and of the classical past? This is the first scholarly volume devoted to the exploration of drawings, prints, and photographs of Greek vases in modernity. Case studies of the seventeenth to the twentieth century foreground ways that artists have depicted Greek vases in a range of styles and contexts within and beyond academia. Questions addressed include: how do these images translate three-dimensional ancient utilitarian objects with iconography central to the tradition of Western painting and decorative arts into two-dimensional graphic images carrying aesthetic and epistemic value? How does the embodied practice of drawing enable people to engage with Greek vases differently from museum viewers, and what insights does it offer on ancient producers and users? And how did the invention of photography impact the tradition of drawing Greek vases? The volume addresses art historians of the seventeenth to twentieth centuries, archaeologists and classical reception scholars.
The finds in the Athenian Agora from the Neolithic and Bronze Ages have added important chronological context to the earliest eras of Athenian history. The bulk of the items are pottery, but stone, bone, and metal objects also occur. Selected material from the Neolithic and from the Early and Middle Helladic periods is catalogued by fabric and then shape and forms the basis of detailed discussions of the wares (by technique, shapes, and decoration), the stone and bone objects, and their relative and absolute chronology. The major part of the volume is devoted to the Mycenaean period, the bulk of it to the cemetery of forty-odd tombs and graves with detailed discussions of architectural forms; of funeral rites; of offerings of pottery, bronze, ivory, and jewelry; and of chronology. Pottery from wells, roads, and other deposits as well as individual vases without significant context, augment the pottery from tombs as the basis of a detailed analysis of Mycenaean pottery. A chapter on historical conclusions deals with all areas of Mycenaean Athens.
Includes Proceedings of the society, report of the council, lists of members, etc.
Vols. 1-8, 1880-87, plates published separately and numbered I-LXXXIII.
This volume in the Occasional Papers on Antiquities series includes analyses by Donna Kurtz and John Boardman of vase paintings depicting revelers associated with the poet Anakreon; a discussion by János Gy. Szilágyi of Etrusco-Corinthian vases; an examination by Martin Robertson of the Pan Painter; a commentary by Mario del Chiaro on a duck askat the Getty Museum; and Susan Matheson’s interpretation of an Iliupersis scene.