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Manuscript copy of a portion of the card catalog of the Petrarch collection as it came to the Cornell Library from Florence. Volume 1 covers A to Bergantini, and volume 2 covers Berluc-Perussis to Bidelli and Petrarca--Rime to Rime--Danish. Bound in limp red morocco bordered in gilt, with marbled endpapers.
Excerpt from A Catalogue of Petrarch Books Campbell, T. Life and times of Petrarch, with notices of Boccaccio and his illustrious contempo raries second edition. London, Col. Burn, 1843. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reprint of the original, first published in 1882.
Excerpt from Cornell University Library: Catalogue of the Petrarch Collection The Petrarch collection, when it came to Cornell University in 1905, included a card catalogue of author entries, prepared in greater part in 188 5 - 86 by Mr. Horace Kephart, under Mr. F 1ske 5 direction. Mr. Fiske' s intention to publish a second catalogue of the collection is intimated in the preliminary note to his bibliography of De remea'zzs, printed in 1888 'the essay here attempted is to be regarded as a chapter of the still unprinted second catalogue of my'petrarch collection.' The card catalogue with its ve1y full titles and collations was thus ready to serve as the basis of the work. Of the notes or essays which might have been looked for at intervals upon its pages, had the collector been able at that time to execute his intention, the two (found among his papers) printed as the second appendix of the present catalogue may perhaps be considered specimens. But the new interests of his later years delayed the undertaking until his strength was spent. After the collection reached its final home, Professor H. S. White of Harvard University, literary executor of the Fiske estate, made arrangements for carrying out the delayed project. In 1910 Professor Arthur Livingston was appointed to the task of preparing the catalogue for printing, but relinquished it upon his call to the Faculty of Columbia University in the spring of 1911, when the work was assigned to the present compiler. The preparation of the Dante catalogue by Mr. T. W. Koch, 1896-1900, was carried on in intimate consultation with Mr. F iske. Its plan, while showing cur tailment in certain respects - as in the fullness of title transcription and collation characterizing the Petrarch entries of the card catalogue - was extended to include analytical titles, editor and translator references, etc. Mr. Fiske's approval of this work, and its commendation by students generally, made it seem probable that he would now, have chosen to print a Petrarch catalogue on a similar plan.' This has been done. It was again thought best to include pertinent articles in periodical and general literature in the University library' not in the Fiske collection. Such articles are indicated by a press number lacking the initial Pet', which belongs to those of the collection. Certain differences of detail will be noted by the curious. Titles have been copied at greater length. Names of publishers are given in Part II as well as in Part I. The most important variation is in the expansmn of the subject index to include abbreviated titles. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Petrarch was the leading spirit in the Renaissance movement to revive literary Latin, the language of the Roman Empire, and Greco-Roman culture in general. My Secret Book reveals a remarkable self-awareness as he probes and evaluates the springs of his own morally dubious addictions to fame and love.
Franceso Petrarch (1304-1374), creator of the sonnet form, remained for more than three hundred years the most influential poet in Europe, his works more widely read than even those of Dante. This collection contains English language versions of his poems from across six centuries, in a wide variety of translations and reinterpretations. Spanning the Trionfi series and the Canzoniere - Petrarch's empassioned sonnet-sequence concerning his beloved Laura - it also includes great English poems influenced by Petrarch. From Chaucer's early adaptation of a Petrarchan sonnet in Troilus and Criseyde to the sixteenth century translations by the Earl of Surrey, Byron's mocking consideration of the Canzoniere in Don Juan and Ezra Pound's parody Silet, all provide a unique insight into the significance of the founder of the European lyric tradition.
Francesco Petrarca's 'Petrarch's Letters to Classical Authors' is an illuminating and fascinating insight into the correspondence of the leading learned man of his era. In this work, Petrarch exchanges letters with prominent political, religious, and scholarly figures, sharing opinions and information on a wide range of topics. The letters, translated from Latin and Italian, provide insight into Petrarch's character, attitudes, and experiences. The notes to the letters are detailed and illuminating, providing context and analysis of the correspondence. This is an essential work for scholars of Petrarch and the intellectual history of the Renaissance.