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Handlist to manuscripts in one of Britain's major medieval repositories. Lambeth Palace Library, which dates from a bequest by Archbishop Bancroft in 1610, is one of England's major repositories of medieval manuscripts. More than half of the ninety-six manuscripts and documents containing items of Middle English prose were already present when the library was temporarily transferred to Cambridge in 1647. In the succeeding centuries further manuscript materials have continually been added, and within the last few years the library has become home to the older part of Sion College Library, an event that has added a further seven manuscripts to the present handlist. The collection at Lambeth is large enough to be fully representative of the corpus of Middle English prose: the Brut, the Wycliffite Bible, and Love's Mirror, for example, are all present, in some cases in multiple copies, as are writings by Hilton and Rolle. There are sermon cycles (including an almost complete set of Wycliffite sermons), medical recipes, historical works, and anthologies of religious treatises. Altogether the current handlist indexes almost 800 separate items, ranging from the veterinary to the liturgical. O.S. PICKERINGis Senior Assistant Librarian and Associate Lecturer in English at the University of Leeds; V.M. O'MARAis Lecturer in English at the University of Hull.
This catalogue describes MSS 1-247 and 298 in the Chapter Library of Lincoln Cathedral, plus ten former Lincoln MSS now elsewhere. About half of the MSS were part of the cathedral's medieval Library; nearly all the rest came therebefore the late seventeenth century. Among the MSS, which date from the eighth to the early sixteenth century, are biblical commentaries and sermons, works of pastoral theology and an important corpus of Middle English texts, including the famous Thornton Romances. A group of MSS written at the Cathedral c.1100 is notable for its distinctive decoration. The Catalogue is preceded by a history of the Cathedral Library, based on the rich documentaryevidence, which includes two medieval catalogues. The plates illustrate bindings, ownership marks, important decoration and noteworthy script, including samples from all signed and dated books.
The "Iter Italicum" serves as a useful reference work for scholars in the history of philosophy, the sciences, classical learning, grammar and rhetoric, Neolatin literature, historiography of the theory of the arts and of music and related subjects. By scanning the volume or through this index, scholars will be able to find source material for individual writers as well as for certain subjects, problems or themes. By indicating for each manuscript its location and shelf-mark, scholars will find it easier to order microfilms or to pursue more detailed studies of some of the manuscripts listed. The volumes should also prove useful for librarians as a reference for the holdings of their own or other libraries.
In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.