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Description: A bird's-eye-view, pictorial map of the fair. Includes index to buildings.
Description: A guide to the fair advertising transport via the Pennsylvania Railroad.
Reclaimed from a sandy shoal in the San Francisco Bay, Treasure Island is a man-made creation built in 1936 during the same era that saw the construction of such California icons as the Golden Gate Bridge and the Bay Bridge. Situated next to rocky Yerba Buena Island, it was initially planned to serve as the location of the new San Francisco airport, but its first official duty was to host the 1939 World's Fair. The island's amazing and varied history includes the Golden Gate International Exposition, a U.S. naval station, a Pan-American seaplane base, mock nuclear tests, tragic fires, and many more dramatic events since it rose from the bay. In addition, a number of historic structures remain on Treasure Island, largely frozen in time since they were constructed in 1936.
Though tourism now plays a recognized role in historical research and regional studies, the study of popular touristic images remains sidelined by chronological histories and objective statistics. Further, Arizona remains underexplored as an early twentieth-century tourism destination when compared with nearby California and New Mexico. With the notable exception of the Grand Canyon, little has been written about tourism in the early days of Arizona’s statehood. Mapping Wonderlands fills part of this gap in existing regional studies by looking at early popular pictorial maps of Arizona. These cartographic representations of the state utilize formal mapmaking conventions to create a place-based state history. They introduce illustrations, unique naming conventions, and written narratives to create carefully visualized landscapes that emphasize the touristic aspects of Arizona. Analyzing the visual culture of tourism in illuminating detail, this book documents how Arizona came to be identified as an appealing tourism destination. Providing a historically situated analysis, Dori Griffin draws on samples from a comprehensive collection of materials generated to promote tourism during Arizona’s first half-century of statehood. She investigates the relationship between natural and constructed landscapes, visual culture, and narratives of place. Featuring sixty-six examples of these aesthetically appealing maps, the book details how such maps offered tourists and other users a cohesive and storied image of the state. Using historical documentation and rhetorical analysis, this book combines visual design and historical narrative to reveal how early-twentieth-century mapmakers and map users collaborated to imagine Arizona as a tourist’s paradise.