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Norwich is an important city today, but in Medieval times it was our second city and a centre of government power. Here is its story.
Norwich Cathedral, founded in 1096 by Bishop Herbert de Losinga, is of outstanding importance both architecturally and historically. Its archives, dating back to the time of its foundation, as well as the building itself, its decoration and contents, constitute an unbroken and fascinating record. Norwich Cathedral, 1096-1996 deals with all aspects of the church's history, both institutional and artistic. Written by experts, and heavily illustrated, it has been designed to be accessible to the general reader. The building itself is Romanesque, augmented by later Gothic campaigns. It has of course also undergone repair and modification throughout the centuries both in detail and occasionally in substance. It nevertheless keeps its early identity essentially intact. Its contents, from all periods of its history but notably the middle ages, are themselves of great interest: the medieval roof bosses are uniquely rich, as are the wall paintings.
The biography of an enigmatic Victorian pioneer. The first critical appraisal of this sporting legend and antiquary, using his own archives and writings. Important glimpses of everyday Victorian life. Suitable for those with interests in sport, local history, genealogy and record editing. Walter Rye was a London solicitor until he retired to Norwich, but it was three spare-time passions that earned him his place in the Dictionary of National Biography: physical exercise, record-searching, and a devotion to his ancestral county of Norfolk. His love of the outdoors was unbounded: athlete, cyclist, sailor and archer, keen amateur gardener and naturalist. Despite this, mortal illness seemed to stalk him, and yet he lived well into his eighties. In A Passion for Records, Rye’s prolific writings as author, columnist and correspondent, replete with witty put-downs, offer many laugh-out-loud moments. His antiquarian writings invite more serious attention, after cautionary tales about his editorial techniques.
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.