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Cairo (Egypt); description and travel.
A corrupt police officer trawls the streets of Cairo on the most important assignment of his career: the answer to the truth of all existence… A young journalist struggles over the obituary of a nightclub dancer… A man slowly loses his mind in one of the city’s new desert developments... There is a saying that, whoever you are, if you come to Cairo you will find a hundred people just like you. For over a thousand years, the city on the banks of the Nile has welcomed travellers from around the world. But in recent years Cairo has also been a stage for expressions of short-lived hope, political disappointments and a violent repression that can barely be written about. These ten short stories showcase some of the most exciting, emerging voices in Egypt, guiding us through one of the world’s largest and most historic cities as it is today – from its slums to its villas, its bars and its balconies, through its infamous traffic. Appearing in English for the first time, these stories evoke the sadness and loss of the modern city, as well as its humour and beauty. Translated by Adam Talib, Raphael Cohen, Basma Ghalayini, Thoraya El-Rayyes, Raph Cormack, Andrew Leber, Ruth Ahmedzai Kemp, Elisabeth Jaquette, Kareem James Abu-Zeid & Yasmine Seale. One of World Literature Today's 75 Notable Translations of 2019. '[The Book of Cairo] has no need for camels or pyramids or an exaggeration of whatever the Western eye is looking for. Reading it feels like sitting in a cafe in Cairo with young literary men and women, listening to their stories that dig deep into what Cairo is and is not.' - Asymptote Journal 'Though each story in The Book of Cairo is unique – ten stories by ten writers, translated by ten translators – they feed into one another artfully, like a movie soundtrack, a concept album, or a full novel. The cogs of Cairo turn through this book, and they move faster and more erratically as the pages turn – just as life in Cairo itself does.' - Books and Bao
“For many of us in the disconnected 21st century, it is time to speak about our heritage. This memoir creates a whole world bridging memory and narrative. It has a sense of longevity, no so much in the number of years, but with the depth and range of felt experiences. The writer is an artist who brings to the page an astute eye for the meaning of belonging and identity as she shifts between her many selves. There’s a real sense of looking at people in the Middle Eastern world through the lens of her mixed ethnicity—Egyptian, British, Armenian. The sense of tension with her characters, particularly her roguish, bon-vivant father, who gambled away the family fortune, and her strong-willed, fashionable but secretive mother ever vigilant about neighbors gossiping as they lived in gentile poverty. Nevertheless, she maintained a sense of normalcy while railing in her “headstrong” daughter. “The memoir finds humor in dark places like a childhood spent in trauma, cowering from overhead bombing raids during WWII, telling how entire families were able to find resilience to survive constant danger. Following WWII, Peggy’s fascination with American GIs stationed in Cairo sets her off on a life path. When the Suez Canal political upheaval after “Black Saturday” happens, it catapults her to leave Egypt. “The author’s coming of age story is composed of her education in a Catholic Girls’ School, her sexual awakening, her first love, and her childhood daydreams of becoming a film star or a fashion designer that sets her on a journey through several countries: Canada, Switzerland and the U.S.A. The narrative plays on the reader’s question of ‘what’s next?’ as the writer weaves her family story with compassion, finding inspiration in the ‘showing’ of ordinary people living their lives against an exotic and, often, foreign backdrop.” “Frances Roberts Reilly--poet, playwright and memoirist”.
Welcome to the land of the Pharaohs... Clockwork mummies, thieving deities, airship pirates, psychic queens, mechanical scarabs, unrepentant scoundrels, mysterious museums, trickster djinns, suspicious werewolves, abducted scientists, fearless spies, and vengeful gods... All this and more wait inside the pages of Clockwork Cairo. Featuring stories from: George Mann, Gail Carriger, Nisi Shawl, Tee Morris & Pip Ballantine, David Barnett, Rod Duncan, Tiffany Trent, P. Djeli Clark, Jonathan Green, E. Catherine Tobler, Chaz Brenchley, K. Tempest Bradford, Benjanun Sriduangkaew and others...
This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo.
An Egyptian woman's reflections on her changing homeland—updated with an afterword on the Arab Spring In language that vividly evokes the lush summers of Cairo and the stark beauty of the Arabian desert, Leila Ahmed movingly recounts her Egyptian childhood growing up in a rich tradition of Islamic women and describes how she eventually came to terms with her identity as a feminist living in America. As a young woman in Cairo in the forties and fifties, Ahmed witnessed some of the major transformations of this century—the end of British colonialism, the rise of Arab nationalism, and the breakdown of Egypt's once multireligious society. As today's Egypt continues to undergo revolutionary change, Ahmed's inspirational story remains as poignant and relevant as ever.
A stunning photographic compilation of Egypt’s abandoned palaces and grand buildings Between 1860 and 1940, Cairo and other large cities in Egypt witnessed a major construction boom that gave birth to extraordinary palaces and lavish buildings. These incorporated a mix of architectural styles, such as Beaux-Arts and Art Deco, with local design influences and materials. Today, many lie empty and neglected, rapidly succumbing to time, a real-estate frenzy, and an ongoing population crisis. In 2006 Russian-born photographer Xenia Nikolskaya began the process of documenting these structures. She gained exceptional access to them, taking photographs at some thirty locations, including Cairo, Alexandria, Luxor, Minya, Esna, and Port Said. These photographs were documented in the first edition of Dust: Egypt’s Forgotten Architecture, which soon after its release in 2012 became a rare collector’s item. This revised and expanded edition includes photographs from the first edition together with extra unseen images and new photographs taken by Nikolskaya between 2013 and 2021. It also includes previously unpublished essays by Heba Farid, co-owner of the Cairo-based photo gallery Tintera, and architect and urban planner Omar Nagati, co-founder of CLUSTER, an urban design and research platform also in Cairo. Dust: Egypt's Forgotten Architecture leads us seductively into some of the most breathtaking architectural spaces of Egypt's recent past, filled with a sense of both the immense weight and the impermanence of history.
“As a bookseller, I loved Shelf Life for the chance to peer behind the curtain of Diwan, Nadia Wassef’s Egyptian bookstore—the way that the personal is inextricable from the professional, the way that failure and success are often lovers, the relationship between neighborhoods and books and life. Nadia’s story is for every business owner who has ever jumped without a net, and for every reader who has found solace in the aisles of a bookstore.” —Emma Straub, author of All Adults Here “Shelf Life is such a unique memoir about career, life, love, friendship, motherhood, and the impossibility of succeeding at all of them at the same time. It is the story of Diwan, the first modern bookstore in Cairo, which was opened by three women, one of whom penned this book. As a bookstore owner I found this fascinating. As a reader I found it fascinating. Blunt, honest, funny.” —Jenny Lawson, author of Broken (in the best possible way) The warm and winning story of opening a modern bookstore where there were none, Shelf Life: Chronicles of a Cairo Bookseller recounts Nadia Wassef’s troubles and triumphs as a founder and manager of Cairo-based Diwan The streets of Cairo make strange music. The echoing calls to prayer; the raging insults hurled between drivers; the steady crescendo of horns honking; the shouts of street vendors; the television sets and radios blaring from every sidewalk. Nadia Wassef knows this song by heart. In 2002, with her sister, Hind, and their friend, Nihal, she founded Diwan, a fiercely independent bookstore. They were three young women with no business degrees, no formal training, and nothing to lose. At the time, nothing like Diwan existed in Egypt. Culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Ten years later, Diwan had become a rousing success, with ten locations, 150 employees, and a fervent fan base. Frank, fresh, and very funny, Nadia Wassef’s memoir tells the story of this journey. Its eclectic cast of characters features Diwan’s impassioned regulars, like the demanding Dr. Medhat; Samir, the driver with CEO aspirations; meditative and mythical Nihal; silent but deadly Hind; dictatorial and exacting Nadia, a self-proclaimed bitch to work with—and the many people, mostly men, who said Diwan would never work. Shelf Life is a portrait of a country hurtling toward revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home.
A new paperback edition of a best-selling anthology.
Indiana Jones meets The Da Vinci Code in an old Egyptian synagogue--the amazing story of one of the most important discoveries in modern religious scholarship. In 1896, Rabbi Solomon Schechter of Cambridge University stepped into the attic of the Ben Ezra Synagogue in Cairo, Egypt, and there found the largest treasure trove of medieval and early manuscripts ever discovered. He had entered the synagogue's genizah--its repository for damaged and destroyed Jewish texts--which held nearly 300,000 individual documents, many of which were over 1,000 years old. Considered among the most important discoveries in modern religious history, its contents contained early copies of some of the Dead Sea Scrolls, early manuscripts of the Hebrew Bible, and other sacred literature. The importance of the genizah's contents rivals that of the Rosetta Stone, and by virtue of its sheer mass alone, it will continue to command our attention indefinitely. This is the first accessible, comprehensive account of this astounding discovery. It will delight you with its fascinating adventure story--why this enormous collection was amassed, how it was discovered and the many lessons to be found in its contents. And it will show you how Schechter's find, though still being "unpacked" today, forever transformed our knowledge of the Jewish past, Muslim history and much more.