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This Companion, designed as an authoritative biographical and critical guide to Burns, is in six sections. Part I places Burns in context with a Chronology, 'The Burns Circle' and a Topography. Part II looks at the Burnsian issues of religion, politics, philosophy, drink, drama and sex. Part III an essay on Burns as a poetic phenomenon, is sure to provoke debate about the relevance of Burns to his time and ours. Part IV examines twenty-five poems, eighteen verse epistles and twenty-six songs as well as commenting on the letters, political ballads and Common Place Books. A Select Bibliography (Part V) and four Appendixes (Part VI) are followed by a glossary of Scots words, and index of poems and a general index.
The Edinburgh Companion to Robert Burns provides both a comprehensive introduction to and the most contemporary critical contexts for the study of Robert Burns. Detailed commentary on the artistry of Burns is complemented by material on the cultural reception and afterlife of this most iconic of world writers. The biographical construction of Burns is examined as are his relations to Scottish, Romantic and International cultures. Burns is also approached in terms of his engagements with Ecology, Gender, Pastoral, Politics, Pornography, Slavery, and Song-culture, and there is extensive coverage of publishing history including Burns's place in popular, bourgeois and Enlightenment cultures during the late eighteenth century. This is the most modern collection of critical responses to Burns from scholars from the United Kingdom and North America, which, more than ever before, seeks to place Burns as a 'mainstream' man of Enlightenment and Romantic impetus and to explain the enduring and sometimes controversial fascination for both the man and his work over more than two hundred years.
A Companion to Popular Culture is a landmark survey of contemporary research in popular culture studies that offers a comprehensive and engaging introduction to the field. Includes over two dozen essays covering the spectrum of popular culture studies from food to folklore and from TV to technology Features contributions from established and up-and-coming scholars from a range of disciplines Offers a detailed history of the study of popular culture Balances new perspectives on the politics of culture with in-depth analysis of topics at the forefront of popular culture studies
A photo-filled history of the world-renowned medical center, based on the award-winning PBS documentary by Ken Burns, Erik Ewers, and Christopher Loren Ewers. On September 30, 1889, W.W. Mayo and his sons Will and Charlie performed the very first operation at a brand-new Catholic hospital in Rochester, Minnesota. It was called Saint Mary’s. The hospital was born out of the devastation of a tornado that had struck the town six years earlier, after which Mother Alfred Moes of the Sisters of Saint Francis told the Mayos that she had a vision of building a hospital that would “become world renowned for its medical arts.” Based on the film by acclaimed documentary filmmaker Ken Burns, The Mayo Clinic: Faith, Hope, Science chronicles the history of this unique organization, from its roots as an unlikely partnership between a country doctor and a Franciscan order of nuns to its position today as a worldwide model for patient care, research, and education. Featuring more than 400 compelling archival and modern images, as well as the complete script from the film, the book demonstrates how the institution’s remarkable history continues to inspire the way medicine is practiced there today. In addition, case studies reveal patients, doctors, and nurses in their most private moments as together they face difficult diagnoses and embark on uncertain treatments. The film and this companion book tell the story of an organization that has managed to stay true to its primary value: The needs of the patient come first. Together they make an important contribution to the critical discussions about the delivery of health care today in America—and the world.
This is not another complete works collection but a personal selection of sixty favourite poems, songs and other works, chosen by the Man Who Played Burns , as well as an introduction that explores Burns' life and influences, his triumphs and tragedies. The Luath Burns Companion is a unique introduction to the works of ona of Scotland's best loved poets by a man with an obvious love and depth of understanding for Burns and his work. This selection reveals the drama, passion, pathos and humour that make Burns's work what it is. He was always a forward thinking man and remains a writer for the future.
Genre. Each novel is analyzed for plot structure, characterization, thematic elements, and Conroy's increasingly elaborate style and development as a master of the art of the novel. In addition, Burns defines and applies a variety of alternative approaches to the novels to widen the reader's perspective. A complete bibliography of Conroy's fiction as well as selected reviews and criticism complete the work. Because of Pat Conroy's popularity among adults and teenagers,
Diary entries and letters from Franklin D. Roosevelt and his private secretary Margaret Suckley offer unique insight into the character of the president and his struggles with disability.
In Experiencing Progressive Rock: A Listener's Companion, Robert G. H. Burns brings together the many strands that define the "prog rock" movement of the late 1960s and early 1970s to chart the evolution of this remarkable rock tradition over the decades. Originating in the 1960s with acts like Yes, Pink Floyd, King Crimson, The Who, Jethro Tull, Genesis, and The Moody Blues, progressive rock emerged as a response to the counterculture on both sides of the Atlantic. Prog rock drew heavily on European classical music as well as the sophisticated improvisations of American jazz to create unique fusions that defied record label and radio station categorizations. Reemerging after the 1980s, a new generation of musicians took the original influences of progressive rock and reinvented new formats within the existing style. The trend of combining influences continues to the present day, earning new audiences among the musically curious. Burns draws on his own experiences and original interviews with members of prog rock acts such as Colosseum, Renaissance, Steve Hackett’s Genesis Revisited, past and current members of King Crimson, Steven Wilson, and Brand X, as well as several others, to provide an exciting behind-the-scenes look at this unique and ever-changing musical expression'.
With more than 500 photographs -- Introduction by Roger Angell -- Essays by Thomas Boswell, Robert W. Creamer, Gerald Early, Doris Kearns Goodwin, Bill James, David Lamb, Daniel Okrent, John Thorn, George E Will -- And featuring an interview with Buck O'Neil
NATIONAL BESTSELLER • Based on the celebrated PBS television series, the complete text of an engrossing history of America’s least-understood conflict, “a significant milestone [that] will no doubt do much to determine how the war is understood for years to come.” —The Washington Post More than forty years have passed since the end of the Vietnam War, but its memory continues to loom large in the national psyche. In this intimate history, Geoffrey C. Ward and Ken Burns have crafted a fresh and insightful account of the long and brutal conflict that reunited Vietnam while dividing the United States as nothing else had since the Civil War. From the Gulf of Tonkin and the Tet Offensive to Hamburger Hill and the fall of Saigon, Ward and Burns trace the conflict that dogged three American presidents and their advisers. But most of the voices that echo from these pages belong to less exalted men and women—those who fought in the war as well as those who fought against it, both victims and victors—willing for the first time to share their memories of Vietnam as it really was. A magisterial tour de force, The Vietnam War is an engrossing history of America’s least-understood conflict.