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Mark Twain's quasi-autobiographical musings.
A record of literary properties sold at auction in the United States.
"Livy darling, it was flattering, at the Lord Mayor's dinner, tonight, to have the nation's honored favorite, the Lord High Chancellor of England, in his vast wig & gown, with a splendid, sword-bearing lackey, following him & holding up his train, walk me arm-in-arm through the brilliant assemblage, & welcome me with all the enthusiasm of a girl, & tell me that when affairs of state oppress him & he can't sleep, he always has my books at hand & forgets his perplexities in reading them!" (10 November 1872) On his first trip to England to gather material for a book and cement relations with his newly authorized English publishers, Samuel Clemens was astounded to find himself hailed everywhere as a literary lion. America's premier humorist had begun his long tenure as an international celebrity. Meanwhile, he was coming into his full power at home. The Innocents Abroad continued to produce impressive royalties and his new book, Roughing It, was enjoying great popularity. In newspaper columns he appeared regularly as public advocate and conscience, speaking on issues as disparate as safety at sea and political corruption. Clemens's personal life at this time was for the most part fulfilling, although saddened by the loss of his nineteen-month-old son, Langdon, who died of diphtheria. Life in the Nook Farm community of writers and progressive thinkers and activists was proving to be all the Clemenses had hoped for. The 309 letters in this volume, more than half of them never before published, capture the events of these years with detailed intimacy. Thoroughly annotated and indexed, they are supplemented by genealogical charts of the Clemens and Langdon families, a transcription of the journals Clemens kept during his 1872 visit to England, book contracts, his preface to the English edition of The Gilded Age, contemporary photographs of family and friends, and a gathering of all newly discovered letters written between 1865 and 1871. This volume is the fifth in the only complete edition of Mark Twain's letters ever attempted, and the twenty-fourth in the comprehensive edition known as The Mark Twain Papers and Works of Mark Twain.
"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion—to "talk only about the thing which interests you for the moment"—meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick
Autobiography of Mark Twain Volume 1 by Harriet Elinor pdf free download. Between 1870 and 1905 Mark Twain (Samuel L. Clemens) tried repeatedly, and at long intervals, to write (or dictate) his autobiography, always shelving the manuscript before he had made much progress. By 1905 he had accumulated some thirty or forty of these false starts—manuscripts that were essentially experiments, drafts of episodes and chapters; many of these have survived in the Mark Twain Papers and two other libraries. To some of these manuscripts he went so far as to assign chapter numbers that placed them early or late in a narrative which he never filled in, let alone completed.