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Bethany Blake, author of the nationally bestselling Lucky Paws Petsitting Mysteries, launches a charming new spinoff mystery series featuring an artist and art teacher with a magical gift for solving murders. Near the creek that runs behind her Pennsylvania house, Willow Bellamy has converted an old barn into an art school--though the place does still have some animal inhabitants, including Rembrandt, the owl who lives up in the rafters. And while it's important for any artist to have a vision, Willow can sometimes see things others can't, just like her mother and grandmother before her. Not that she would exactly call herself a witch... When some local merchants gather in the studio for a painting party, they focus their attention on a still life with flowers and an assortment of garden tools, including antique pruning shears that disappear--at the same time despised restaurant owner Evangeline Fletcher is murdered. Willow must use all her gifts to find the killer, although it means teaming up with a handsome, mysterious detective whom Willow fears she may have accidentally conjured from a canvas. This investigation is sure to be a hoot...
A heart-stirring story about a woman's journey to self-discovery through art and her family's history. Forbidden. Hidden. Denied. Can art be powerful enough to endure? Ragni Clauson’s work, relationships, and body all seem to be falling apart. And she isn’t convinced that spending her vacation fixing up her great-grandmother’s cabin and supervising her rebellious teenage niece, Erika, will offer any much-needed rejuvenation. As Ragni and Erika clean, they begin to uncover the secret paintings and life of Nilda, Ragni’s ancestor who lived in the cabin in the early 1900s. Ragni doesn’t know how much she has in common with her great-grandmother, but it becomes clear Nilda faced her own struggles. Taking care of home and menfolk, fighting off locusts, raising her daughter, and finding time to paint in the midst of it all were not easy tasks. Will Nilda’s passion for enduring art re-ignite Ragni’s artistic soul a century later? Weaving together the stories of three generations of women, The Brushstroke Legacy stirs us to believe that no matter the circumstances, we are called to use our gifts—never knowing when they might bring a stranger to a new place of hope.
It’s time for Sylvan Creek’s annual “Chili for Dogs” charity event—and when Daphne Templeton-Black’s father, Ben, rolls into town with his food truck and his faithful mutt, it’s sure to spice up the Memorial Day weekend. But another kind of memorial is in the cards when Ben’s business partner downs some poisoned chili. As if Daphne didn’t have enough family commitments helping her pregnant sister, now she has to figure out who had a beef with the victim and clear her father of murder. And as she peppers witnesses and suspects with questions, she’s worried that if she can’t get someone to spill the beans, her efforts won’t amount to a hill of beans . . . Includes recipes for homemade pet treats! “Doggone charming from start to finish!” —Cleo Coyle, New York Times bestselling author on Death by Chocolate Lab
The industry-standard manual for aspiring inkers and working professionals returns in a new expanded edition. Gain insights into the techniques, tools, and approaches of some of the finest ink artists in comics, including Terry Austin, Mark Farmer, Scott Williams, Alex Garner, and many more. This expanded edition features new art and text by author Gary Martin and a bonus chapter on digital inking by artist Leo Vitalis. Also included are eight full-sized blue-lined art boards featuring pencil art by top comics illustrators, present and past, to use for practice or as samples to show editors and publishers. Along with pen, brush, and stylus, no inking tool is more useful than The Art of Comic-Book Inking.
In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen investigates the nocturnal spaces in which extraordinary events unfold, and casts a critical eye into the darkness that enables the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with an analysis of classical myths depicting the creation of the world and then moves through night scenes in Shakespeare and Milton, Gothic novels and novellas, Hegel's romantic philosophy, and Freud's psychoanalysis. Bronfen also demonstrates how modern works of literature and film, particularly film noir, can convey that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and comprehensible from the dark realms of the unknown.
Twenty-three of the most important writings by contemporary continental thinkers on the work of Hegel.
A bear and his cub walk the haunted roads of Aesop Street, a shantytown where beasts speak and struggle for survival while men dwell in comfort. There is no food but what they can find, and to venture into the nearby woods to search for it means death. For that is where the bad men lurk, hiding with their guns. All they have is the other, each the other's only faith. But another winter approaches, cold enough to draw last breaths, and the bear knows they will not survive it. Unless a desperate decision is made: To venture out into the unknown wilderness, where they discover what it means to be hated and hunted in a pitiless world. And where perhaps the true animals are the ones that walk on two legs.
"The story traces the lives and techniques of Alex Raymond (Flash Gordon, RipKirby), Stan Drake (Juliet Jones), Hal Foster (Prince Valiant), and more, dissecting their techniques through recreations of their artwork,and highlighting the metatextual resonances that bind them together"--Page 4 of cove
They didn't start out as environmental warriors. Clair Patterson was a geochemist focused on determining the age of the Earth. Herbert Needleman was a pediatrician treating inner-city children. But in the chemistry lab and the hospital ward, they met a common enemy: lead. It was literally everywhere-in gasoline and paint, of course, but also in water pipes and food cans, toothpaste tubes and toys, ceramics and cosmetics, jewelry and batteries. Though few people worried about it at the time, lead was also toxic. In Toxic Truth, journalist Lydia Denworth tells the little-known stories of these two men who were among the first to question the wisdom of filling the world with such a harmful metal. Denworth follows them from the ice and snow of Antarctica to the schoolyards of Philadelphia and Boston as they uncovered the enormity of the problem and demonstrated the irreparable harm lead was doing to children. In heated conferences and courtrooms, the halls of Congress and at the Environmental Protection Agency, the scientist and doctor were forced to defend their careers and reputations in the face of incredible industry opposition. It took courage, passion, and determination to prevail against entrenched corporate interests and politicized government bureaucracies. But Patterson, Needleman, and their allies did finally get the lead out - since it was removed from gasoline, paint, and food cans in the 1970s, the level of lead in Americans' bodies has dropped 90 percent. Their success offers a lesson in the dangers of putting economic priorities over public health, and a reminder of the way science-and individuals-can change the world. The fundamental questions raised by this battle-what constitutes disease, how to measure scientific independence, and how to quantify acceptable risk-echo in every environmental issue of today: from the plastic used to make water bottles to greenhouse gas emissions. And the most basic question-how much do we need to know about what we put in our environment-is perhaps more relevant today than it has ever been.