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A Brontë Encyclopedia is an A- Z encyclopedia of the most notable literary family of the 19th century highlighting original literary insights and the significant people and places that influenced the Brontës’ lives. Comprises approximately 2,000 alphabetically arranged entries Defines and describes the Brontës' fictional characters and settings Incorporates original literary judgements and analyses of characters and motives Includes coverage of Charlotte's unfinished novels and her and Branwell's juvenile writings Features over 60 illustrations
Initially published under the pseudonym Currer Bell in 1847, Charlotte Brontë's Jane Eyreerupted onto the English literary scene, immediately winning the devotion of many of the world's most renowned writers, including William Makepeace Thackeray, who declared it a work "of great genius." Widely regarded as a revolutionary novel, Brontë's masterpiece introduced the world to a radical new type of heroine, one whose defiant virtue and moral courage departed sharply from the more acquiescent and malleable female characters of the day. Passionate, dramatic, and surprisingly modern, Jane Eyre endures as one of the world's most beloved novels.
The literary masterpieces of the three Brontë sisters in one volume: Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall. This handsome leather-bound edition includes the most acclaimed novels of each of the Brontë sisters: Charlotte’s Jane Eyre, Emily’s Wuthering Heights, and Anne’s The Tenant of Wildfell Hall. Originally published under male pseudonyms in the 1840s, these three novels later helped give rise to the feminist literary movement of the late nineteenth century, in which women’s perspectives became more accepted by the mainstream reading public. A scholarly introduction provides an overview of the sisters’ childhood in northern England, their literary influences, and their enduring legacy.
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
As the daughter of a modest minister, Agnes Grey has low prospects in life. After her father loses most of the family’s savings, Agnes is determined to help out and takes a position as governess for a wealthy family. Being a governess turns out to be more challenging than she could have predicted as she has to manage spoiled children and petty parents, while dependent on their approval for her livelihood. Agnes Grey is the first novel by Anne Brontë, published in 1847, and today considered an everlasting classic. Like the famous Jane Eyre, by Anne’s sister Emily Brontë, it deals with the precarious position of the governess and how the young women taking on that role were treated. It is a poignant and insightful novel that explores rigid class structures and the challenges it poses to women. ANNE BRONTË [1820-1849] was an English poet and novelist. She was the youngest of the three Brontë authors, her older sisters being Emily and Charlotte. Anne died young, probably from tuberculosis, having published the novels Agnes Grey and The Tenant of Wildfell Hall, the latter hailed today as one of the first feminist novels.
The extraordinary works of the three sisters Charlotte, Emily and Anne Brontë have entranced and challenged scholars, students, and general readers for the past 150 years. This Companion offers a fascinating introduction to those works, including two of the greatest novels of the nineteenth century - Charlotte's Jane Eyre and Emily's Wuthering Heights. In a series of original essays, contributors explore the roots of the sisters' achievement in early nineteenth-century Haworth, and the childhood 'plays' they developed; they set these writings within the context of a wider history, and show how each sister engages with some of the central issues of her time. The essays also consider the meaning and significance of the Brontës' enduring popular appeal. A detailed chronology and guides to further reading provide further reference material, making this a volume indispensable for scholars and students, and all those interested in the Brontës and their work.
A graphic novel about the Brontë siblings and their inventive childhood from the New York Times–bestselling author of The Encyclopedia of Early Earth. NPR Best Book of 2020 Glass Town is an original graphic novel by Isabel Greenberg that encompasses the eccentric childhoods of the four Brontë children—Charlotte, Branwell, Emily, and Anne. The story begins in 1825, with the deaths of Maria and Elizabeth, the eldest siblings. It is in response to this loss that the four remaining Brontë children set pen to paper and created the fictional world that became known as Glass Town. This world and its cast of characters would come to be the Brontës’ escape from the realities of their lives. Within Glass Town the siblings experienced love, friendship, war, triumph, and heartbreak. Through a combination of quotes from the stories originally penned by the Brontës, biographical information about them, and Greenberg’s vivid comic book illustrations, readers will find themselves enraptured by this fascinating imaginary world. “This lyrical, endlessly inventive book will appeal equally to lovers of history, literature, and metatextual fantasy.” —Publishers Weekly (starred review) “Drawn with a cheery and expansive sweep that belies its sometimes somber subject, Glass Town is a testament to the (usually) redemptive powers of imagination.” —Minneapolis Star-Tribune “Greenberg pulls Glass Town and its characters directly from the Brontës’ juvenilia, giving readers a look into the early creativity of an iconic literary family with a playful visual style that captures the Brontës’ enthusiasm as they discover what fiction can do.” —AV Club
A Companion to the Brontës brings the latest literary research and theory to bear on the life, work, and legacy of the Brontë family. Includes sections on literary and critical contexts, individual texts, historical and cultural contexts, reception studies, and the family’s continuing influence Features in-depth articles written by well-known and emerging scholars from around the world Addresses topics such as the Gothic tradition, film and dramatic adaptation, psychoanalytic approaches, the influence of religion, and political and legal questions of the day – from divorce and female disinheritance, to worker reform Incorporates recent work in Marxist, feminist, post-colonial, and race and gender studies
The Professor was the first novel by Charlotte Brontë. It was written before Jane Eyre, but was rejected by many publishing houses. It was eventually published, posthumously, in 1857, with the approval of Charlotte Brontë's widower, Arthur Bell Nicholls, who took on the task of reviewing and editing the text.