Download Free A British Achilles Book in PDF and EPUB Free Download. You can read online A British Achilles and write the review.

Son of the victor of Jutland, George Jellicoe has enjoyed power and privilege but never shirked his duty. His war exploits are legendary and, as a founder member of Stirling’s SAS and first Commander of the Special Boat Service, he saw action a-plenty. A brigadier at 26 with a DSO and MC he liberated Athens as the Germans withdrew and saved Greece from a Communist revolution. After the war Jellicoe joined the Foreign Office and worked with spies Burgess, Philby and Maclean in Washington and on the Soviet Desk. His political life saw him in the Cabinet of the Heath Government and he is frank with his biographer over the issues and characters of his fellow ministers. Jellicoe’s Achilles heel is his weakness for, and attraction to, women. His resignation over an involvement with a prostitute was a national scandal but he is refreshingly honest and devoid of self-justification. He remained an active member of the Lords pursuing a top level business career. A British Achilles is a superb biography of a major public figure and exemplary wartime soldier.
“Intriguing . . . describes a modest but exceptional man from whom the contemporary soldier, politician, and citizen can learn how to enjoy life (and how not to).” —The Spectator Son of the victor of Jutland, George Jellicoe has enjoyed power and privilege but never shirked his duty. His war exploits are legendary and, as a founder member of Stirling’s SAS and first commander of the Special Boat Service, he saw action a-plenty. A brigadier at twenty-six with a DSO and MC, he liberated Athens as the Germans withdrew and saved Greece from a Communist revolution. After the war, Jellicoe joined the Foreign Office and worked with spies Guy Burgess, Kim Philby, and Donald Maclean in Washington and on the Soviet Desk. His political life saw him in the Cabinet of the Heath Government and he is frank with his biographer over the issues and characters of his fellow ministers. Jellicoe’s Achilles heel is his weakness for, and attraction to, women. His resignation over an involvement with a prostitute was a national scandal, but he is refreshingly honest and devoid of self-justification. He remained an active member of the Lords pursuing a top-level business career. A British Achilles is a superb biography of a major public figure and exemplary wartime soldier.
A guide that blends the history behind this British World War II tank with resources for military vehicle modeling enthusiasts. In this heavily illustrated volume in the TankCraft series Dennis Oliver focuses on the Achilles—the British variant of the American M10—which was one of the most important Allied tank destroyers of the Second World War. It played a key role in the armored battles fought on the Western Front, in particular in France, the Low Countries, Germany and Italy. Built on an adapted Sherman chassis, with sloped armor, an open-topped turret and powerful 17-pounder gun, it was designed to counter the threat posed by the formidable panzers deployed by the German army toward the end of the conflict, in particular the Panther and Tiger tanks. The book covers the design and operational history of the Achilles in close detail, using rare archive photographs and meticulously researched color illustrations, as well as a detailed, authoritative text. A key section displays available model kits and aftermarket products, complemented by a gallery of beautifully constructed and painted models in various scales. Technical details as well as modifications introduced during production and in the field are also examined providing everything the modeler needs to recreate an accurate representation of these historic armored fighting vehicles. Praise for Tank Destroyer, Achilles and M10 “Covers the design and operational history of the Achilles in close detail, using rare archive photographs and meticulously researched color illustrations, as well as a detailed, authoritative text.” —Military Vehicles “Gamers will find this book a useful reference and painting guide.” —The Miniatures Page
A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
Achilles is the son of a king and a goddess and also the best warrior in Greece. So when Prince Paris claims Helen from a Greek king, and Troy declares war, everyone knows that Achilles will be vital to the Greek cause. With the help of the gods, can young Achilles lead his fellow countrymen to victory against the Trojans?
Back in print for the first time in decades, Auden’s National Book Award–winning poetry collection, in a critical edition that introduces it to a new generation of readers The Shield of Achilles, which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work. Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work. As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.
WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.
"Spectacular and constantly surprising." -Ken Burns Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of Western civilization. As she did in The Endurance and The Bounty, New York Times bestselling author Caroline Alexander has taken apart a narrative we think we know and put it back together in a way that lets us see its true power. In the process, she reveals the intended theme of Homer's masterwork-the tragic lessons of war and its enduring devastation.
ACHILLES: A LOVE STORYA Gay Novel of the Trojan War The heroic tale of the passion of Achilles, unrivalled hero and the most beautiful man in the world, for the handsome and heroic Patroclus, as it unfolds in Homer's Iliad, is the one of the greatest and earliest gay love stories ever told. But Homer also hints at another love story that complicates the tale: that of the handsome Prince Antilochus who comes to the battlefield of Troy to find Achilles, the man he has always loved. When the tragic death of Patroclus leaves Achilles shattered and alone, it is Antilochus who is at his side, as friend, companion in battle, and lover. "Achilles: A Love Story," written in the tradition of Mary Renault's "The Persian Boy" and "Fire From Heaven," Yourcenar's "Memoirs of Hadrian," and Vidal's "Julian," is the first modern novel (published: 2010) to re-imagine the "Iliad" as what ancient readers knew it to be: not only a tale of battles and exemplary heroism, but a passionate story of love between men. "Achilles: A Love Story" creates the passionate tale of Antilochus and Achilles as it plays out against the legendary battles of the Trojan war in an exciting and moving story told by no other writer. (Revised Edition: February 2012) COMMENTS Much More Than I Expected (H. Michael Starr Amazon Verified Purchase.) The title of this book...suggested a quickie gay romance novel....What I got instead was a beautifully written retelling of a beautiful story, the Iliad, from a homoerotic perspective. Unexpected, (By Anna - Amazon Verified Purchase) I totally did not expected this....it was beautiful! ...and it grips the reader. I could not stop reading. Highly recommended (Gerry A. Burnie "Gerry B's Book Reviews" Amazon Verified Purchase. "Achilles: A love story" is an unapologetic celebration of male love and valour.
This book examines the ways that Classical and Renaissance epic poems often work against their expressed moral and political values. It combines a formal and tropological analysis that stresses difference and disjunction with a political analysis of the epic's figurative economy. It offers an interpretation of three epic poems - Homer's Iliad, Virgil's Aeneid, and Spencer's Faerie Queene - that focuses on the way these texts make apparent the aesthetic, moral, and political difference that constitutes them, and sketches, in conclusion, two alternative resolutions of such division in Milton's Paradise Lost and Cervantes' Don Quixote, an 'epic' in prose. The book outlines a theory of how and why epic narrative may be said to subvert certain of its constitutive claims while articulating a cultural argument of which it becomes the contradictory paradigm. The author focuses on the aesthetic and ideological work accomplished by poetic figure in these narratives, and understands ideology as a figurative, substitutive system that resembles and uses the system of tropes. She defines the ideological function of tropes in narrative and the often contradictory way in which narratives acknowledge and seek to efface the transformative functions of ideology. Beginning with what it describes as a dual tendency within the epic simile (toward metaphor in the transformations of ideology; toward metonymy as it maintains a structure of difference), the book defines the politics of the simile in epic narrative and identifies metalepsis as the defining trope of ideology. It demonstrates the political and poetic costs of the structural reliance of allegorical narrative on catachresis and shows how the narrator's use of prosopopoeia to assert political authority reshapes the figurative economy of the epic. The book is particularly innovative in being the first to apply to the epic the set of questions posed by the linking of the theory of rhetoric and the theory of ideology. It argues that historical pressures on a text are often best seen as a dialectic in which ideology shapes poetic process while poetry counters, resists, figures, or generates the tropes of ideology itself.