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A 2017 EDGAR® AWARD FINALIST! Amanda Baron died in a boating accident on the Ohio River in 1953. Or, did she? While it was generally accepted that she had died when a coal barge rammed the pleasure boat she was sharing with her lover, her body was never found. Travis Baron was an infant when his mother disappeared. After the accident and the subsequent publicity, Travis’s father scoured the house of all evidence that Amanda Baron had ever lived, and her name was never to be uttered around him. Now in high school, Travis yearns to know more about his mother. With the help of his best friend, Mitch Malone, Travis begins a search for the truth about the mother he never knew. The two boys find an unlikely ally: an alcoholic former detective who served time for falsifying evidence. Although his reputation is in tatters, the information the detective provides about the death of Amanda Baron is indisputable—and dangerous. Nearly two decades after her death, Travis and Mitch piece together a puzzle lost to the dark waters of the Ohio River. They know how Amanda Baron died, and why. Now what do they do with the information?
A young shapeshifter has to learn to control her powers, while simultaneously using them to disguise herself as a boy and confront the people who murdered her father.
USA TODAY BESTSELLER! "One adorably British odd couple . . . Charming." — People “An exquisitely poignant tale of life, friendship and facing death . . . heart-breaking yet ultimately uplifting . . Everyone should read this book.” — Ruth Hogan, author of Queenie Malone’s Paradise Hotel Infused with the emotional power of Me Before You and the irresistible charm of Eleanor Oliphant Is Completely Fine and Be Frank with Me, a moving and joyous novel about an elderly woman ready to embrace death and the little girl who reminds her what it means to live. It's never too late to start living. Eudora Honeysett is done with this noisy, moronic world—all of it. She has witnessed the indignities and suffering of old age and has lived a full life. At eighty-five, she isn’t going to leave things to chance. Her end will be on her terms. With one call to a clinic in Switzerland, a plan is set in motion. Then she meets ten-year-old Rose Trewidney, a whirling, pint-sized rainbow of sparkling cheer. All Eudora wants is to be left alone to set her affairs in order. Instead, she finds herself embarking on a series of adventures with the irrepressible Rose and their affable neighbor, the recently widowed Stanley—afternoon tea, shopping sprees, trips to the beach, birthday celebrations, pizza parties. While the trio of unlikely BFFs grow closer and anxiously await the arrival of Rose’s new baby sister, Eudora is reminded of her own childhood—of losing her father during World War II and the devastating impact it had on her entire family. In reflecting on her past, Eudora realizes she must come to terms with what lies ahead. But now that her joy for life has been rekindled, how can she possibly say goodbye?
The sumptuous and powerful conclusion to the gender-fluid duet begun by The Brilliant Death, hailed in a starred review by Kirkus as "a delicious and magical intrigue too tempting not to devour." By turns thrilling, witty, and heartbreaking, this dramatic conclusion to the Brilliant Death duet transports us to a Vinalia on the verge of transformation and radiates with the electric power of love. With her power over magic finally in hand, and her love for Cielo at last confessed, Teodora di Sangro should be on top of the world. But the country of Vinalia is in chaos as the dictator like Capo threatens to plunge them all into war and capture every strega in the land--including Teo and Cielo. Teo knows she can't take down the Capo alone. She must convince a small band of streghe who have been hiding in plain sight to join her in the cause. But as she struggles to bring them together, she discovers a far deadlier enemy than the Capo has been hunting her all along. Now everyone--especially Cielo--is in danger. What lengths will Teo go to in order to unite her country and save the one she loves?
Death: From Dust to Destiny, featuring a rich collection of texts and images together with the authors' guiding commentary, offers a reflective meditation on the methods that artists, architects, and writers have developed to activate memory, and animate their subjects into a-possibly-unending afterlife.
Teodora di Sangro is used to hiding her magical ability to transform enemies into music boxes and mirrors. Nobody knows she’s a strega—and she aims to keep it that way. The she meets Cielo—and everything changes. A strega who can switch outward form as effortlessly as turning a page in a book, Cielo shows Teodora what her life could be like if she masters the power she’s been keeping secret. And not a moment too soon: the ruler of Vinalia has poisoned the patriarchs of the country’s five controlling families, including Teodora’s father, and demands that each family send a son to the palace. If she wants to save her family, Teodora must travel to the capital—not disguised as a boy, but transformed into one. But the road to the capital, and to bridling her powers, is full of enemies and complications, including the one she least expects: falling in love.
This book utilises a dynamic analysis of mortality to acknowledge shifts of emphasis in cultural and religious traditions. A central concern is the diversity of representations of death to be found within the varying cultural, religious, medical and legal systems of contemporary western societies. Since the construction of death mores has social implications, a major element of the book is an examination of the way in which groups and individuals employ specific representations of mortality in order to generate meaning and purpose for life and death.
A good death was as central to Methodism as conversion and holiness. Based on an analysis of 1,200 obituaries, this book contributes to an understanding not only of death but of the history of Methodist and evangelical Nonconformist piety, theology, social background and literary expression in mid-nineteenth-century England, and focuses on the tension in Nonconformist allegiance to both worldly and spiritual matters.
Today, AIDS has been indelibly etched in our consciousness. Yet it was less than twenty years ago that doctors confronted a sudden avalanche of strange, inexplicable, seemingly untreatable conditions that signaled the arrival of a devastating new disease. Bewildered, unprepared, and pushed to the limit of their diagnostic abilities, a select group of courageous physicians nevertheless persevered. This unique collective memoir tells their story. Based on interviews with nearly eighty doctors whose lives and careers have centered on the AIDS epidemic from the early 1980s to the present, this candid, emotionally textured account details the palpable anxiety in the medical profession as it experienced a rapid succession of cases for which there was no clinical history. The physicians interviewed chronicle the roller coaster experiences of hope and despair, as they applied newly developed, often unsuccessful therapies. Yet these physicians who chose to embrace the challenge confronted more than just the sense of therapeutic helplessness in dealing with a disease they could not conquer. They also faced the tough choices inherent in treating a controversial, sexually and intravenously transmitted illness as many colleagues simply walked away. Many describe being gripped by a sense of mission: by the moral imperative to treat the disempowered and despised. Nearly all describe a common purpose, an esprit de corps that bound them together in a terrible yet exhilarating war against an invisible enemy. This extraordinary oral history forms a landmark effort in the understanding of the AIDS crisis. Carefully collected and eloquently told, the doctors' narratives reveal the tenacity and unquenchable optimism that has paved the way for taming a 20th-century plague.
Our Sri Lankan narrator visits his friend Joe in Italy, where Joe attends a special course—in higher (or, shall we say, lower) studies in women. Italians—much like Sri Lankans—live at home through marriage, death, and sometimes even beyond the pale. An accompanying string of fake fiancés and phoney engagements are the backdrop to this delightful collection of darkly humorous tales about Sri Lankans at home and abroad. Long years and many miles away, Colombo’s Father Cruz attempts to rescue a church from parishioners who like to put their donations where others can see them—on large plaques; on the coast, a retired Admiral escapes the tsunami on an antique Dutch cabinet; two childhood sweethearts, in time-honoured Sri Lankan tradition, are married off to strangers. Ashok Ferrey writes about Sri Lanka and its people, wherever they roam, with remarkable acuity. He writes of the West’s effect on Sri Lankans, of its ‘turning them into caricatures, unmistakably genuine but not at all the real thing’. In The Good Little Ceylonese Girl, his second collection of stories, he shows us the reality beyond those feeble sketches, in its full glory.