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Ligon's True and Exact History of the Island of Barbados is the most significant book-length English text written about the Caribbean in the seventeenth century. [It] allows one to see the contested process behind the making of the Caribbean sugar/African slavery complex. Kupperman is one of the leading scholars of the early modern Atlantic world. . . . I cannot think of any scholar better prepared to write an Introduction that places Ligon, his text, and Barbados in an Atlantic historical context. The Introduction is quite thorough, readable, and accurate; the notes [are] exemplary! --Susan Parrish, University of Michigan
Scenes from Bourgeois Life proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, characterized by the cultivation of distance. In Nicholas Ridout’s formulation, this distance is produced and maintained at two different scales. First is the distance of the colonial relation, not just in miles between Jamaica and London, but also the social, economic, and psychological distances involved in that relation. The second is the distance of spectatorship, not only of the modern theatregoer as consumer, but the larger and pervasive disposition to observe, comment, and sit in judgment, which becomes characteristic of the bourgeois relation to the rest of the world. This engagingly written study of history, class, and spectatorship offers compelling proof of “why theater matters,” and demonstrates the importance of examining the question historically.
Strangers in Blood explores, in a range of early modern literature, the association between migration to foreign lands and the moral and physical degeneration of individuals. Arguing that, in early modern discourse, the concept of race was primarily linked with notions of bloodline, lineage, and genealogy rather than with skin colour and ethnicity, Jean E. Feerick establishes that the characterization of settler communities as subject to degenerative decline constituted a massive challenge to the fixed system of blood that had hitherto underpinned the English social hierarchy. Considering contexts as diverse as Ireland, Virginia, and the West Indies, Strangers in Blood tracks the widespread cultural concern that moving out of England would adversely affect the temper and complexion of the displaced individual, changes that could be fought only through willed acts of self-discipline. In emphasizing the decline of blood as found at the centre of colonial narratives, Feerick illustrates the unwitting disassembling of one racial system and the creation of another.
Listen to the podcast here. This cross-disciplinary collection of essays examines – for the first time and in detail – the variegated notions of democracy put forward in seventeenth-century England. It thus shows that democracy was widely explored and debated at the time; that anti-democratic currents and themes have a long history; that the seventeenth century is the first period in English history where we nonetheless find positive views of democracy; and that whether early-modern writers criticised or advocated it, these discussions were important for the subsequent development of the concept and practice ‘democracy’. By offering a new historical account of such development, the book provides an innovative exploration of an important but overlooked topic whose relevance is all the more considerable in today’s political debates, civic conversation, academic arguments and media talk. Contributors include Camilla Boisen, Alan Cromartie, Cesare Cuttica, Hannah Dawson, Martin Dzelzainis, Rachel Foxley, Matthew Growhoski, Rachel Hammersley, Peter Lake, Gaby Mahlberg, Markku Peltonen, Edward Vallance, and John West.