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A History of the Chinese Language provides a comprehensive introduction to the historical development of the Chinese language from its Proto-Sino-Tibetan roots in prehistoric times to Modern Standard Chinese. Taking a highly accessible and balanced approach, it presents a chronological survey of the various stages of the Chinese language, covering key aspects such as phonology, syntax, and semantics. The second edition presents a revised and updated version that reflects recent scholarship in Chinese historical linguistics and new developments in related disciplines. Features include: Coverage of the major historical stages in Chinese language development, such as Old Chinese, Middle Chinese, Early Modern Chinese, and Modern Standard Chinese. Treatment of core linguistic aspects of the Chinese language, including phonological changes, grammatical development, lexical evolution, vernacular writing, the Chinese writing system, and Chinese dialects. Inclusion of authentic Chinese texts throughout the book, presented within a rigorous framework of linguistic analysis to help students to build up critical and evaluative skills and acquire valuable cultural knowledge. Integration of materials from different disciplines, such as archaeology, genetics, history, and sociolinguistics, to highlight the cultural and social background of each period of the language. Written by a highly experienced instructor, A History of the Chinese Language will be an essential resource for students of Chinese language and linguistics and for anyone interested in the history and culture of China.
As the first volume of a multivolume set on Chinese phonetics, this book gives a full picture of the historical development of the Chinese language and studies the phonetics of the early form of Chinese, that is, Old Chinese. Chinese language history is generally split into three phases: (1) Old Chinese, the form of the Chinese language spoken between the 18th century BCE and the 3rd century CE; (2) Middle Chinese, between the 4th century CE to around the 12th century CE; and (3) Modern Chinese, since the 13th century. In this volume, the author first introduces basic issues in Chinese language study, including research objectives, methodology, existing scholarship, periodization, and the distinctive linguistic characteristics of each period. The core chapters then describe and analyze the phonetical systems of Old Chinese, covering the initials system and related eight aspects, two types of rhyme groups, ancient finals, and the tonal system. This comprehensive groundwork on Chinese phonetical history will be a must read for scholars and students studying Chinese language, linguistics and especially for those wishing to become acquainted with Old Chinese phonetics.
"This pleasant, unpretentious account [is] a small stream leading to the ocean of the culture of China."--Scientific American
Chinese, one of the oldest active languages, evolved over 5,000 years. As such, it makes for a fascinating case study in the development of language. This cultural history of Chinese demonstrates that the language grew and responded to its music and visual expression in a manner very similar to contemporary English and other Western languages. Within Chinese cultural history lie the answers to numerous questions that have haunted scholars for decades: How does language relate to worldview? What would happen to law after its language loses absolute binding power? How do music, visual, and theatrical images influence literature? By presenting Chinese not as a system of signs but as the history of a community, this study shows how language has expanded the scope of Chinese imagination and offers a glimpse into the future of younger languages throughout the world.
"DeFrancis's book is first rate. It entertains. It teaches. It demystifies. It counteracts popular ignorance as well as sophisticated (cocktail party) ignorance. Who could ask for anything more? There is no other book like it. ... It is one of a kind, a first, and I would not only buy it but I would recommend it to friends and colleagues, many of whom are visiting China now and are adding 'two-week-expert' ignorance to the two kinds that existed before. This is a book for everyone." --Joshua A. Fishman, research professor of social sciences, Yeshiva University, New York "Professor De Francis has produced a work of great effectiveness that should appeal to a wide-ranging audience. It is at once instructive and entertaining. While being delighted by the flair of his novel approach, the reader will also be led to ponder on some of the most fundamental problems concerning the relations between written languages and spoken languages. Specifically, he will be served a variety of information on the languages of East Asia, not as dry pedantic facts, but as appealing tidbits that whet the intellectual appetite. The expert will find much to reflect on in this book, for Professor DeFrancis takes nothing for granted." --William S.Y. Wang, professor of linguistics, University of California at Berkeley
As the fourth volume of a multi-volume set on the Chinese language, this book studies the lexical system of Old Chinese and the development of different types of lexicons during the period. Focusing on lexicons in Old Chinese, the early form of the Chinese language used between the 18th century BCE and the 3rd century CE, this volume first introduces the methods of word formation in Old Chinese by analyzing words inscribed in oracle bones of the Shang Dynasty. Illustrated with examples, it then examines the lexical features of Old Chinese and explores the progress and evolutionary features of monosyllabic words, polysyllabic words, lexical meanings, synonyms, and idioms and proverbs over the course of the volume. This comprehensive groundwork on Chinese lexical history is a must-read for scholars and students studying ancient Chinese language, linguistics, and especially for beginning learners of the Old Chinese lexicon.
As the second volume of a multivolume set on Chinese phonetics, this book examines the phonetical systems of Middle Chinese and phonetical changes from Old Chinese to Middle Chinese. Chinese language history is generally split into three phases: (1) Old Chinese, the form of the Chinese language spoken between the 18th century BCE and the 3rd century CE; (2) Middle Chinese, between the 4th century CE to around the 12th century CE; and (3) Modern Chinese, since the 13th century. This volume studies the phonological system of Middle Chinese, including the initials system, finals system, and tonal system, examining the evolution of these systems from the period of Old Chinese to that of Middle Chinese. This comprehensive groundwork on Chinese phonetical history will be a must read for scholars and students studying Chinese language, linguistics and, especially, for beginning learners of Middle Chinese phonetics.
As the third volume of a multivolume set on Chinese phonetics, this book examines the phonetical system of Modern Chinese and phonetical changes from Middle Chinese to Modern Chinese. Chinese language history is generally split into three phases: (1) Old Chinese, the form of the Chinese language spoken between the 18th century BCE and the 3rd century CE, (2) Middle Chinese, between the 4th century CE to around the 12th century CE, and (3) Modern Chinese, since the 13th century. This volume studies the phonetical systems of Modern Chinese, including the initials system, vowel final system, nasal final system, entering final system, and tonal system. The author discusses the distinct change of these systems from the period of Middle Chinese to that of Modern Chinese and studies the formation of the standard pronunciation of the common language of the modern Han nation. This comprehensive groundwork on Chinese phonetical history will be a must read for scholars and student studying Chinese language, linguistics, and especially for beginning learners of Modern Chinese phonetics.
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
This book is a much-needed scholarly intervention and postcolonial corrective that examines why and when and how misunderstandings of Chinese writing came about and showcases the long history of Chinese theories of language. 'Ideography' as such assumes extra-linguistic, trans-historical, universal 'ideas' which are an outgrowth of Platonism and thus unique to European history. Classical Chinese discourse assumes that language (and writing) is an arbitrary artifact invented by sages for specific reasons at specific times in history. Language by this definition is an ever-changing technology amenable to historical manipulation; language is not the House of Being, but rather a historically embedded social construct that encodes quotidian human intentions and nothing more. These are incommensurate epistemes, each with its own cultural milieu and historical context. By comparing these two traditions, this study historicizes and decolonializes popular notions about Chinese characters, exposing the Eurocentrism inherent in all theories of ideography. Ideography and Chinese Language Theory will be of significant interest to historians, sinologists, theorists, and scholars in other branches of the humanities.