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First Published in 1997. This is a case study of changing land-use patterns in Brittany over nearly 2000 years.
Through a series of case studies, this third volume in the Earth series deals with the technological constraints and innovations that enabled societies to survive and thrive across a range of environmental conditions. The contributions are structured into three sections to draw out particular commonalities and contrasts in the choices made by pre-industrial communities in the construction of varied landscapes and cultural heritage: Landnam, from the Old Norse for ‘taking of land’, deals with colonization, including the drivers and processes through which colonizers developed an understanding of the productive potential and limitations of their new lands. Fields and field systems: Field-walls are a distinctive and apparently timeless characteristic of many pre-industrial farming landscapes but they present many the challenges to their study, such as the effects of plowing, abandonment and land-use change and of urban development in fertile lowland zones which may eradicate, reduce or conceal past systems of land-use and division. The importance of indirect and proxy evidence is illustrated and the value of interdisciplinary and modeling approaches emphasized. Agro-pastoralism: focuses on the complex ‘time-space adaptations’ devised for managing cultivation and livestock production, particularly the need to prevent stock incursions into arable fields during the growing season whilst making effective use of seasonal grazing resources. The contributions focus on mountainous areas, where temporary migrations, in the form of transhumance, provided access to a diversity of resources based around seasonal constraints on their availability and productivity.
Language is on display all around us, all the time, and the study of this linguistic landscape is one of the fastest-growing areas of research in applied linguistics. This book provides an overview of how the field of Linguistic Landscape Studies has emerged and developed over the past 20 years, combined with an in-depth exploration of the theoretical approaches, innovative research methods and major themes that have been central to this dynamic area of research. Written by two authors who have been involved in the field from its inception, the book features summaries of studies from around the world, a discussion of the future of the field, and an analysis of the impact of linguistic landscape research on language policy, language learning and teaching, and minority language revitalization. It will be an invaluable companion for students and researchers in Linguistic Landscape Studies, as well as to those working in related areas. The book is open access under a CC BY NC ND licence.
Developments in the European Union over the last decade have been largely positive from the perspective of stateless and minority ethnic groups and the survival and prosperity of minority languages. This selection of sociologically and ethnographically oriented work enables the reader to compare developments in different ethno-linguistic revival movements within the European Union. The contributions also explore the impact of EU policy and discourse on the individual movements and the orientation of Western Europe as a whole towards linguistic heterogeneity and cultural diversity. A companion volume (0-333-92924-1) examines the status of minority languages in post-1989 Eastern Europe.
Jules Breton (1827-1906), known as one of the first 'peasant painters', created beautiful scenes of rural French life and was a highly popular figure among the Salon artists of his era. Taking his inspiration from his native Artois and from the landscapes of Brittany, where he stayed for long periods, he painted peasant women and men performing their daily activities, meticulously observing their world and making it a place of peace and harmony. During the second half of the nineteenth century, rewards and official decorations were heaped upon him, and his paintings were purchased not only by the emperor but also by collectors in America, Britain and Ireland. However, Breton's work became eclipsed by the avant-garde movements of the twentieth century, and he was eventually forgotten. This book now pays Breton the tribute that he deserves. It traces the development of his career and the forces that influenced him from his childhood through his early training in Belgium and Paris to his years in Brittany. The book presents and discusses a number of important paintings by Breton, some of which have been almost unknown until now, and it shows how they reflect the artist's social and humanitarian concerns as well as his painterly abilities.
Peter Brandes is one of the most significant Danish visual artists alive today. He is represented in the collections of leading museums worldwide, including the Louvre, and is featured in the most important Danish museums. Peter Brandes' monumental sculptures and jars can be seen throughout Denmark, and he has decorated a number of Danish churches along with churches in Norway and the United States. In Jerusalem, Brandes' Isaac Vase, approximately five meters tall, stands at the Holocaust museum Yad Vashem. Peter Brandes' oeuvre is gigantic. It spans more than fifty years, and includes such varied forms of artistic expression as painting, sculpture, drawing, graphic art, ceramics, and not least photography and stained glass, for which he has developed new techniques. Dialogue with tradition-particularly the Jewish, Greek, and Christian traditions-runs throughout his work, marking Brandes as one of Denmark's foremost practitioners of cultural migration. Peter Brandes: Meridian of Art is the first monograph on the art of Peter Brandes. The book pursues a series of central themes that cut across Brandes' artistic production, connecting and traversing these with lines that the book's author, Ettore Rocca, calls the "meridian of art." The expression "meridian" is borrowed from the German poet Paul Celan, the author with whom Brandes has felt the greatest kinship throughout his career. For Celan, a meridian designates the indestructible, invisible line in a poetic conversation. Correspondingly, in the cultural migration that weaves throughout Brandes' art, Rocca finds a meridian that at once appears impossible and indestructible.
Part I: Introduction: Definition of a Discipline: Emergence of Landscape Ecology in the History of Ecology; Recognition of Heterogeneity in Ecological Systems; Taking Human Activities into Account in Ecological Systems; Explicit Accounting for Space and Time; Landscape Ecology is based on Scientific Theories Linked to Ecology and Related Discipline