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A Mystery and Adventure series centered around a small rural area, nestled in long ago.Nod, a young ruff lad with a slight English accent leads us fearlessly into a world that can only exist where fear does not.
Car lights were fast approaching from both sides of the fence. If they didn't get through the gate in time, they would be trapped by the satanic worshipers! Their lives would be snuffed out on the altar of Satan. This Halloween was unlike any Lillie Thorpe had ever remembered. Three-Second Escape is based on a true-to-life experience. It exposes the world of a satanic cult, the truth about Halloween, the workings of the Roman Catholic Church, and persons workings in law enforcement from local police to the FBI and ATF that are both honest and corrupt. This story contains her year volunteering in the Roman Catholic Church, a murder mystery, an exorcism that Lillie assisted with in San Antonio, Texas, and gives the reason she will never celebrate Halloween in the innocent of her past.
Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it—William Faulkner (1897–1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways. What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote? Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in his “postage stamp of native soil,” and the world of letters within which he created his masterpieces. In this anthology, essays focus on such topics as how Faulkner's literary antecedents (in particular, Willa Cather and Joseph Conrad) influenced his writing, his literary/aesthetic feud with rival Ernest Hemingway, and the common themes he shares with fellow southerners Welty and Evans. Several essays examine the environment in which Faulkner worked. Deborah Clarke concentrates on the rise of the automobile industry. W. Kenneth Holditch shows how the city of New Orleans acted as a major force in Faulkner's fiction, and Grace Elizabeth Hale examines how the civil rights era of Faulkner's later career compelled him to deal with his ideas about race and rebellion in new ways.
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
Norman Thompson doesn't seek out trouble, but it always seems to have a way of finding him, anyway. All he really wants is a job as a ranch foreman. He'd tried in Montana, but ended up in a gunfight with a pair of ugly-looking brothers over a horse. Leaving one dead and the other swearing revenge, Norm figures it'd be wise to make himself scarce. He heads south, making his way to Nebraska. Instead of work, though, he finds something he never expected—a partner. Edith is a beautiful young woman seeking to escape the clutches of her own sordid past. Together they buy a decrepit old cattle ranch—the legendary Rocking Chair— and start driving herds up to the lush grass of the newly-opened Cherokee Strip. With Norm’s brawn and Edith’s brains, it’s a winning combination. The sins of yesteryear, though, are not so easily left behind. While Norm settles into a new life as a ranch owner and family man, forces are at work to take it all away. Will he and Edith find the happiness they’ve been searching for? Or will the ghosts of the past burn it all to bitter ashes?