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"Mary McCarthy may be best remembered today for her novels and memoirs, but she was also a dazzling and prolific essayist and critic, known for her witty and fearless commentary on topics ranging from American realist playwrights to women's fashion magazines, from left-wing politics to the nineteenth-century novel." "This collection, which spans her career from the 1930s to the 1970s, displays McCarthy's acute judgment and stylistic brio. It begins with a generous selection of her drama reviews, and includes essays on Nabokov, Burroughs, Salinger, Flaubert, Calvino, Sarraute, and Tolstoy. In the essays that follow, she dissects the social and political controversies that dominated midcentury American intellectual life, from the Moscow trials to the Vietnam War and the Watergate hearings."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Mary McCarthy may be best remembered today for her novels and memoirs, but she was also a dazzling and prolific essayist and critic, known for her witty and fearless commentary on topics ranging from American realist playwrights to women's fashion magazines, from left-wing politics to the nineteenth-century novel." "This collection, which spans her career from the 1930s to the 1970s, displays McCarthy's acute judgment and stylistic brio. It begins with a generous selection of her drama reviews, and includes essays on Nabokov, Burroughs, Salinger, Flaubert, Calvino, Sarraute, and Tolstoy. In the essays that follow, she dissects the social and political controversies that dominated midcentury American intellectual life, from the Moscow trials to the Vietnam War and the Watergate hearings."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Third in the intriguing Leonardo da Vinci mystery series known for "capturing the essence of 15th-century Milan". As court engineer to the Duke of Milan, Leonardo da Vinci turns his superior mind to many pursuits- from outlandish contraptions to the odd murder... With war looming ever closer, the iron-fisted Duke of Milan calls upon Master da Vinci to invent the deadliest weapon ever-a flying machine. So da Vinci calls in a craftsman who happens to be father to his star apprentice, Dino. But da Vinci does not know that Dino is actually the craftsman's daughter, Delfina, who keeps her gender a secret to serve as apprentice. But as Delfina worries that her father will prove her undoing, someone murders another apprentice. Now, as her master works his brilliance, Delfina can only pray that no other apprentice- including herself-will fall victim
A crystalline and poignant epistolary novel from the author of ASH BEFORE OAK.
A penetrating work of reportage on Venice. "Searching observations and astonishing comprehension of the Venetian taste and character" (New York Herald Tribune).
The sea, the sky, the veins of your hands, the earth when photographed from space--blue sometimes seems to overwhelm all the other shades of our world in its all-encompassing presence. The blues of Blue Mythologies include those present in the world's religions, eggs, science, slavery, gender, sex, art, the literary past, and contemporary film. Carol Mavor's engaging and elegiac readings in this beautifully illustrated book take the reader from the blue of a newborn baby's eyes to Giotto's frescoes at Padua, and from the films of Derek Jarman and Krzysztof Ki slowski to the islands of Venice and Aran. In each example Mavor unpicks meaning both above and below the surface of culture. In an echo of Roland Barthes's essays in Mythologies, blue is unleashed as our most familiar and most paradoxical color. At once historical, sociological, literary, and visual, Blue Mythologies gives us a fresh and contemplative look into the traditions, tales, and connotations of those somethings blue.
One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.
Michelangelo’s adventure in Constantinople, from the “mesmerizing” (New Yorker) and “masterful” (Washington Post) author of Compass In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, along with an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.” Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants—constructed from real historical fragments—is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched fragments, seen from the opposite sides of civilization, can mirror one another.
Smart women, sophisticated ladies, savvy writers . . . Edna St. Vincent Millay, Dorothy Parker, Anita Loos, Lois Long, Jessie Fauset, Dawn Powell, Mary McCarthy, and others imagined New York as a place where they could claim professional status, define urban independence, and shrug off confining feminine roles. It might be said that during the 1920s and 1930s these literary artists painted the town red on the pages of magazines like Vanity Fair and the New Yorker. Playing Smart, Catherine Keyser's homage to their literary genius, is a captivating celebration of their causes and careers. Through humor writing, this "smart set" expressed both sides of the story-promoting their urbanity and wit while using irony and caricature to challenge feminine stereotypes. Their fiction raised questions about what it meant to be a woman in the public eye, how gender roles would change because men and women were working together, and how the growth of the magazine industry would affect women's relationships to their bodies and minds. Keyser provides a refreshing and informative chronicle, saluting the value of being "smart" as incisive and innovative humor showed off the wit and talent of women writers and satirized the fantasy world created by magazines.
Mania takes you into the world of the young rebels who transformed American culture in the 1950s-a world of sex, drugs, jazz, crime, insanity, and a defiant new literature. It tells the story of Lucien Carr's killing of David Kammerer, the car chase that led to Allen Ginsberg's committal to a mental asylum, William S. Burroughs' heroin addiction and deadly "William Tell act," Jack Kerouac's seven-year struggle to publish On The Road, and the creation of Ginsberg's ecstatic masterpiece "Howl," which the authorities declared obscene and fought fervently to suppress. It is a story too unbelievable to make up. Book jacket.