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The British campaign in the Low Countries in 1813-14 in support of the Dutch revolt against the French is one of the lesser-known campaigns of the Napoleonic Wars, but one, which the great historian of the British Army Sir John Fortescue wrote that it was impossible to understand the Waterloo campaign without a knowledge of. The book deals with all aspects of the campaign, from grand strategy, with the proposed marriage alliance between the House of Orange and the House of Hanover, to tactical analysis of the battles and sieges that took place, including the disastrous attack on Bergen-op-Zoom, where heroic British soldiers paid with their lives for their commanders' failures. The problems of co-operation between the British and Prussians described here foreshadowed those, which would affect Wellington in 1815. Illustrated with contemporary portraits, plans of the fortifications of Bergen and eight maps.
Sir Thomas Grahams Netherlands Campaign of 18131814 has produced a surprisingly rich crop of memoirs and letters. This compelling new book brings together six of the shorter accounts, several of them never before seen in print, to help shed new light on the triumphs and disasters of these forgotten operations. Mixing formal reports with lively personal narratives, and contemporary letters and diaries with later reflections, this selection covers all the major actions of the campaign and the authors range from one of Grahams senior staff to an NCO in one of his infantry battalions. In addition to explanatory notes throughout, detailed appendices resolve some of the controversies arising from these and other eyewitness accounts, helping to increase our understanding of these little-known but important operations. Carefully researched and expertly compiled by historian Andrew Bamford, this is a valuable and absorbing new source, which will be of great interest to any student of the period.
Music and Maestros was first published in 1952. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Music lovers all over the United States as well as in other countries have heard the music of the Minneapolis Symphony Orchestra under the direction of such noted conductors as Dimitri Mitropoulos and Eugene Ormandy. Now they can enjoy the story behind those concerts, records, and radio broadcasts through this intimate history of the men and music that have made the orchestra famous. The story begins with the lively musical activities of a frontier town, the antecedents of the symphony orchestra that took shape at the turn of the century. From the early years of the organization under the batons of Emil Oberhoffer and Henri Verbrugghen, the chronicle rises to the period of the great contemporaries, Ormandy, Mitropoulos, and Antal Dorati. There is a wealth of detail on the career of Mitropoulos, the renowned New York Philharmonic conductor who reached his present stature during his leadership of the Minneapolis orchestra.The extensive concert tours that have earned for the Minneapolis symphony the nickname of "orchestra on wheels" are recalled in anecdotes that will evoke many a chuckle and plenty of amazement. Accounts of early recording sessions offer fascinating sidelights on this aspect of musical history. A complete list of the works performed by the orchestra during the past fifty years provides a significant record of changing trends in musical tastes. A roster of al the players who have been members of the orchestra is given, and the reference section also includes a complete list of out-of-town engagements and a list of the orchestra's recordings which are available.
Cities are not made only of stone: they harbor ways of life, practices, movements, moods, atmospheres, feelings. Yet the ineffable nature of affects has long deprived human passions of a meaningful role when it comes to observing urban space and envisioning its future transformation. With this book, we explore the contemporary city and its transitional conditions from a different perspective: a quest to understand how the space of collective life and the feelings this engenders are connected, how they mutually give form to each other. In an interdisciplinary collection of essays, The Affective City means to open a discussion on the “soft” presences animating the world of urban objects: beyond the city built out of mere things, this book’s focus is on the forces that make urban life emerge, thrive, flourish, but also wither, and sometimes die. A task crucial for the survival of cities as human habitats, in an urban world that – with every passing day – seems to draw closer a crisis.