Download Free A Blue Moon In Poorwater Book in PDF and EPUB Free Download. You can read online A Blue Moon In Poorwater and write the review.

In a sleepy but troubled Appalachian coal-mining town, a powerfully evocative novel details the coming-of-age of a young girl.
In this powerful poetic sequence wrought of deft tercets, Cathryn Hankla navigates the slippery, ever-changing territory between art and life. The death of the poet's father by car accident is the focal event for the collection, and all the poems reflect the collision of the physical and transcendent. Whether describing the abandoned nest of a Carolina wren or the excavation of the Kennewick Man, Hankla sounds a muted grief in these lines. But with wit, channeled through language and rhythm, the poet keeps traveling forward: by car and by camel, from San Francisco to Spain, with many stops between. As she takes us with her, finally off the map into regions of the interior, we discover what is at once weighty and wondrous, like ghostly snapshots left behind in a camera: "Everything and everyone who have carried / Us to this place." Only Thyme I pull you out by the roots, fierce love, But you still smell of thyme and lemon. What were you thinking, to die Instead of wintering, after so many seasons Of spring shoots and new greening? Surely your gnarled, woody fibers Are more alive than they look. Yet after patient weeks of rain, nothing Grows except the cutting I potted, A woolly patch dwarfed by purple basil. Making space for new plants, I pull up Withered stems, baring your roots, and The scent runs through me, like music Pouring through a sieve Of consciousness, leaving only this. "Only Thyme" published in Last Exposures: A Sequence of Poems by Cathryn Hankla. Copyright 2004 by Cathryn Hankla. All rights reserved.
Like many other southern free Negro families originating in the colonial era (when many whites, women, as well as men were subject to servitude), the family of T. O. Madden, Jr., began with the birth in 1758 of his great-great-grandmother Sarah Madden. She is one of the two ancestors to whom he dedicates this book. Sarah's mother, Mary Madden, contributed the surname that endured. Mary Madden was an Irishwoman who had probably immigrated as a servant a few years before Sarah's birth. Although the myths of Virginia would make every colonial who was white into an aristocrat, Mary Madden, like most eighteenth-century Virginians, was indigent. But unlike many others, she was free. Of Sarah Madden's father, nothing is known. The legal definition of mixed-race children of blacks and whites had been settled in 1662, when the Virginia legislature enacted laws prohibiting interracial marriages and declaring that children followed the status of their mother. Such legislation made children like Sarah Madden free, but illegitimate.
Coal miners evoke admiration and sympathy from the public, and writers—some seeking a muse, others a cause—traditionally champion them. David C. Duke explores more than one hundred years of this tradition in literature, poetry, drama, and film. Duke argues that as most writers spoke about rather than to the mining community, miners became stock characters in an industrial morality play, robbed of individuality or humanity. He discusses activist-writers such as John Reed, Theodore Dreiser, and Denise Giardina, who assisted striking workers, and looks at the writing of miners themselves. He examines portrayals of miners from The Trail of the Lonesome Pine to Matewan and The Kentucky Cycle. The most comprehensive study on the subject to date, Writers and Miners investigates the vexed political and creative relationship between activists and artists and those they seek to represent.
Negative history is a legal term referring to decisions that have been overruled or questioned in some way by an appellate court. Cathryn Hankla’s Negative History alludes to such ambiguity in the domain of a more personal justice—as the title poem suggests: “Petals of morning/open in lucid order/opposed to the law.//Here is a question without an answer.” Through these enthralling poems, the reader enters spheres of history and emotion in which there are more often ironies to be observed than answers to be found or justice served. And yet what can be discovered through vivid visual detail, through the poet’s eye, can lift us from our reliance on the world’s determinations and into an appreciation of life’s mysteries. With the issues tackled in Negative History—individual and familial identity, cultural and emotional heritage—Hankla skillfully balances keenest loss with the gains some losses paradoxically make available (“Submerging yourself, you learned/to search the darkness”). This remarkable collection plumbs the depths of sexual and transcendent love (“Let me die trying to tell you/one word that might matter”) and summons from those murky realms the feral nature of strong emotions and of our own fears (“I have unearthed/enough emptiness to survive”). In Negative History, Hankla professes the power of love to carry us from “where the press of heat healed the split.”
These prose poems move by associative leaps and take their inspirations from cultural and personal icons. A shadow narrative moors the collection in the perspective of a woman who survives a difficult childhood to comprehend the paradoxes of adult life.
These poems balance the death of family members against the monologue of a women who comes to life under the coroner's knife. Afterimages is a journey of the eye, what the eye observes and what the eye cannot forget.
Waters of Potowmack is a documentary history of the Potomac River and its wide, fertile basin--the setting for much of early United States history. A collage of primary accounts, it extends from the first explorers and colonists, the building of the Capitol, and the incidents of the Civil War through our recent past. Waters of Potowmack records the firsthand impressions of the settlers and surveyors of this river basin, an area that includes parts of Pennsylvania, Maryland, Virginia, West Virginia, and the District of Columbia. In addition to offering an introduction to the geography, geology, and climate of the region, Metcalf's fascinating pastiche includes early descriptions of flora and fauna, and accounts of some of the earliest encounters between European settlers and indigenous peoples. Here, too, are the voices of Washington and Jefferson, of Robert E. Lee and Abraham Lincoln, as well as the lesser-known stories of revolutionaries, mercenaries, and canal and road builders. And from diary and journal entries we follow the correspondence between Washington, Jefferson, and L'Enfant as they lay out the new Federal City. Selections from Civil War diaries focus on key battle sites, and primary accounts offer a new understanding of the motives of John Brown and John Wilkes Booth. The last section of Metcalf's engrossing book looks at the ruinous pollution of the river basin after the Second World War, at the rioting and looting of the 1960s, and at the despoliation of a land that at the book's beginning was described as an Eden, a paradise on earth. An evocative and moving book, this is a history of exploring, settling, rebelling, governing, rioting, building, and cultivating, all on the "waters of Potowmack."
A memoir of life on a backwoods Virginia farm in the first half of the 20th century. Virginia Bell Dabney recalls the hardships of the Depression, the fire that destroyed her home and how her mother struggled to make a life for her family, but also finds much to rejoice in her country childhood.
Stephen Goodwin's second novel is an emblematic tale of the sixties, of a sophisticated couple going back to the land. The restlessness that compels Anna and Steadman to move from the city to a small mountain farm in Virginia is brought into high relief by the cycles of the natural world, and by the arrival of Anna's demonic twin sister. Goodwin's prose, by turns stark and pastoral, outlines these struggles while leavening them with self-effacing humor and beauty. Peopled with hippies and mountain folk, artists and farmers both organic and traditional, not to mention an unforgettable child, The Blood of Paradise evokes an era through a sensitive and unstinting portrait of marriage.