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For The Black Woman gives perspective to the root cause of many physical and psychological ills haunting black women today. Whether children, economics, sexuality or divine orientation. This book addresses the pain of the past and current after affects that still hinder us and our men from taking advantage of the benefits of raising a family and prospering like other races and nationalities. It points out how we were used for experimental purposes, from which the American School of Gynecology was established and the darker side of our true relationship with the white woman.
Addressing real problems concerning African-American men who are not ready to love, respect, and to protect their beautiful African-American women, this work offers motivational Scriptures and features reflective sections for women to evaluate their lifestyles and relationships. (Practical Life)
In this timely, much-needed book, theologian, social psychologist, and activist Christena Cleveland recounts her personal journey to dismantle the cultural “whitemalegod” and uncover the Sacred Black Feminine, introducing a Black Female God who imbues us with hope, healing, and liberating presence. For years, Christena Cleveland spoke about racial reconciliation to congregations, justice organizations, and colleges. But she increasingly felt she could no longer trust in the God she’d been implicitly taught to worship—a white male God who preferentially empowered white men despite his claim to love all people. A God who clearly did not relate to, advocate for, or affirm a Black woman like Christena. Her crisis of faith sent her on an intellectual and spiritual journey through history and across France, on a 400-mile walking pilgrimage to the ancient shrines of Black Madonnas to find healing in the Sacred Black Feminine. God Is a Black Woman is the chronicle of her liberating transformation and a critique of a society shaped by white patriarchal Christianity and culture. Christena reveals how America’s collective idea of God as a white man has perpetuated hurt, hopelessness, and racial and gender oppression. Integrating her powerful personal story, womanist ideology, as well as theological, historical, and social science research, she invites us to take seriously the truth that God is not white nor male and gives us a new and hopeful path for connecting with the divine and honoring the sacredness of all Black people.
This Book of Poetry is an offering of the Soul of Jeffery A Sanders, Sr. aka Cali. Jeffery says : I wrote this book to simply say what people are unable or afraid to say. I believe. we, as Men and Women, were fashioned in the image of Our Creator. We are a vital part of God's Love and Beauty. Spending time with God is the most important thing we can do each day. In my Poetry I share what I believe that God has given me. God's word gives us proper perspectives to discover who He is, with encouragement to let Him evolve in our lives. Through my Beliefs, I have come to know LOVE on a whole new level. The world needs our Light. It needs our Love. Every Man, Woman and Child needs our Love.
According to countless mainstream news organs, Elijah Muhammad, by far, was the most powerful black man in America. Known more for the students he produced, like Malcolm X, Louis Farrakhan and Muhammad Ali, this controversial man exposed the black man as well as the world to a teaching, till now, was only used behind closed doors of high degree Masons and Shriners. An easy and smart read. The book approaches the question of what and who is God. It compares the concept held by religions to nature and mathematics. It also explores the origin of the original man, mankind, devil, heaven and hell. Its title, Message To The Blackman, is directed to the American Blacks specifically, but addresses blacks universally as well.
God is a Brown Girl Too is a book of healing and self-empowerment for women of color. It is for women who want to understand better how to use spiritual principles to transform their lives. In God is a Brown Girl Too, Reverend Cecilia Loving helps readers move beyond the limitations of fear and doubt in order to engage in a unique dialogue with the divine within. Reverend Loving shares spiritual principles that help women transcend the ordinary and uplift the extraordinary, develop the courage to develop their own legends and be courageous enough to see God as themselves. God is a Brown Girl Too awakens the power of unconditional love, nurtures the joy of creating outside the box and bears witness to the wealth of ancient wisdom. Women of color, particularly black women, seldom recognize that years of oppression, denigration and marginalization often contribute to hatred and abuse of not only themselves but each other. God is a Brown Girl Too teaches women how to release the demons of jealousy and despair, how to tell a new story, and how to become victor rather than victim. Based on the God is a Brown Girl Too(r) retreat series owned by Reverend Loving, this book shows the importance of moving beyond religious tradition to understand the sacredness of Spirit within. By recognizing her own divinity, the "Brown Girl" no longer sins by missing the mark or fails to step into her greatness but contribute even more to salvation in healing and wholeness for the entire plane
From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction: The modern classic that Oprah.com calls one of the best memoirs of a generation and that launched James McBride's literary career. More than two years on The New York Times bestseller list. As a boy in Brooklyn's Red Hook projects, James McBride knew his mother was different. But when he asked her about it, she'd simply say 'I'm light-skinned.' Later he wondered if he was different too, and asked his mother if he was black or white. 'You're a human being! Educate yourself or you'll be a nobody!' she snapped back. And when James asked about God, she told him 'God is the color of water.' This is the remarkable story of an eccentric and determined woman: a rabbi's daughter, born in Poland and raised in the Deep South who fled to Harlem, married a black preacher, founded a Baptist church and put twelve children through college. A celebration of resilience, faith and forgiveness, The Color of Water is an eloquent exploration of what family really means.
From the bestselling author of Deacon King Kong and the National Book Award-winning The Good Lord Bird: The modern classic that spent more than two years on The New York Times bestseller list and that Oprah.com calls one of the best memoirs of a generation. Who is Ruth McBride Jordan? A self-declared "light-skinned" woman evasive about her ethnicity, yet steadfast in her love for her twelve black children. James McBride, journalist, musician, and son, explores his mother's past, as well as his own upbringing and heritage, in a poignant and powerful debut, The Color Of Water: A Black Man's Tribute to His White Mother. The son of a black minister and a woman who would not admit she was white, James McBride grew up in "orchestrated chaos" with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. "Mommy," a fiercely protective woman with "dark eyes full of pep and fire," herded her brood to Manhattan's free cultural events, sent them off on buses to the best (and mainly Jewish) schools, demanded good grades, and commanded respect. As a young man, McBride saw his mother as a source of embarrassment, worry, and confusion—and reached thirty before he began to discover the truth about her early life and long-buried pain. In The Color of Water, McBride retraces his mother's footsteps and, through her searing and spirited voice, recreates her remarkable story. The daughter of a failed itinerant Orthodox rabbi, she was born Rachel Shilsky (actually Ruchel Dwara Zylska) in Poland on April 1, 1921. Fleeing pogroms, her family emigrated to America and ultimately settled in Suffolk, Virginia, a small town where anti-Semitism and racial tensions ran high. With candor and immediacy, Ruth describes her parents' loveless marriage; her fragile, handicapped mother; her cruel, sexually-abusive father; and the rest of the family and life she abandoned. At seventeen, after fleeing Virginia and settling in New York City, Ruth married a black minister and founded the all- black New Brown Memorial Baptist Church in her Red Hook living room. "God is the color of water," Ruth McBride taught her children, firmly convinced that life's blessings and life's values transcend race. Twice widowed, and continually confronting overwhelming adversity and racism, Ruth's determination, drive and discipline saw her dozen children through college—and most through graduate school. At age 65, she herself received a degree in social work from Temple University. Interspersed throughout his mother's compelling narrative, McBride shares candid recollections of his own experiences as a mixed-race child of poverty, his flirtations with drugs and violence, and his eventual self- realization and professional success. The Color of Water touches readers of all colors as a vivid portrait of growing up, a haunting meditation on race and identity, and a lyrical valentine to a mother from her son.
The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.