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A little girl is taken underground by vegetables, where they plant her in a garden and eat the results.
Meet the Carters (Alonzo and Aliyana, Tyrone and Toya, Uncle Joe and Delisa). They desperately want to launch the family business--a soul food restaurant--but the banks in Myrtle Beach denied the loan. Then Alonzo runs into his ex-girlfriend, Hazel Lynx. She's rich now, is being stalked and needs a bodyguard. Still hooked on Alonzo, she offers to bankroll the restaurant in exchange for his protection. But this is no ordinary seduction, and Aliyana wasn't born yesterday. She stole Alonzo back in college and feels Hazel is out for revenge. Then exposed secrets unleash a cyclone of drama on all the Carters. They had a triple wedding 3 years ago, now everyone's blaming Alonzo for the bad luck in their marriages. Hazel knows she's a black man's kryptonite. Can Alonzo resist his only weakness?
*WINNER OF THE 2021 INTERNATIONAL BOOKER PRIZE* *ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF 2021* Winner of the Los Angeles Times Book Prize for fiction Shortlisted for the 2022 DUBLIN Literary Award "Astonishingly good." —Lily Meyer, NPR "So incantatory and visceral I don’t think I’ll ever forget it." —Ali Smith, The Guardian | Best Books of 2020 One of The Wall Street Journal's 11 best books of the fall | One of The A.V. Club's fifteen best books of 2020 |A Sunday Times best book of the year Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War. Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness.
Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity’s desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture.
V.1 the war of the words. V.2 sexchanges.
AFTER A TERRIBLE INCIDENT WITH LOVE LEFT HER HEARTBROKEN AND JOBLESS, DOMINIQUE THROWS LOVE TO THE WIND AND IS ON THE PROWL FOR A RICH HUSBAND SHE CAN WRAP AROUND HER FINGER. WHEN BREWING MAGNATE CHARLES BRANDON TAKES A LIKING TO HER, SHE’S INEXPLICABLY APPREHENSIVE. BY SOME STROKE OF LUCK, CHARLES FELL HEAD OVER HEALS IN LOVE WITH DOMINIQUE THE MOMENT HE LAID EYES ON HER. HE HAS A COMPLEX ABOUT HIS LOOKS, HE’S OLDER AND HE’S EXTREMELY WEALTHY. HE’S THE PERFECT CANDIDATE FOR HER SCHEME! SO WHY IS SHE SO UNEASY?
Courtroom drama of an inhuman crime.
The Necronomicon Shocking Cinema of the Seventies continues the acclaimed journal's exploration of film culture with a special edition devoted to film from this special era. In a series of innovative articles, leading critics and scholars consider the social and cinematic issues which shaped the films of the decade. Covering genres such as horror, the disaster movie, blaxploitation, and kung fu, the authors discover the truth behind one of the most prolific, turbulent, and challenging periods of cinema history.