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Ronnie Chandler made a bargain with the devil, and now Senator Evan Parker, her ex-husband, makes good on his promise to exact revenge when he learns she's double-crossed him. And that's not the only problem Ronnie faces. Her best friend becomes the victim of a manipulative and insufferable lover. How will Ronnie respond when Mindy turns to her with a midnight plea for help? Meanwhile, a romance is brewing between Ronnie's real estate partner and Riverwood's very attractive project manager. When consultant, Alix Hamilton, makes a one-day site visit, she wreaks an incredible amount of havoc in that short time., all but destroying Aaron's burgeoning romance with Rickie.
One of the best ways to understand history is through eye-witness accounts. Ting-Xing Ye’s riveting first book, A Leaf in the Bitter Wind, is a memoir of growing up in Maoist China. It was an astonishing coming of age through the turbulent years of the Cultural Revolution (1966 - 1974). In the wave of revolutionary fervour, peasants neglected their crops, exacerbating the widespread hunger. While Ting-Xing was a young girl in Shanghai, her father’s rubber factory was expropriated by the state, and he was demoted to a labourer. A botched operation left him paralyzed from the waist down, and his health deteriorated rapidly since a capitalist’s well-being was not a priority. He died soon after, and then Ting-Xing watched her mother’s struggle with poverty end in stomach cancer. By the time she was thirteen, Ting-Xing Ye was an orphan, entrusted with her brothers and sisters to her Great-Aunt, and on welfare. Still, the Red Guards punished the children for being born into the capitalist class. Schools were being closed; suicide was rampant; factories were abandoned for ideology; distrust of friends and neighbours flourished. Ting-Xing was sent to work on a distant northern prison farm at sixteen, and survived six years of backbreaking labour and severe conditions. She was mentally tortured for weeks until she agreed to sign a false statement accusing friends of anti-state activities. Somehow finding the time to teach herself English, often by listening to the radio, she finally made it to Beijing University in 1974 as the Revolution was on the wane — though the acquisition of knowledge was still frowned upon as a bourgeois desire and study was discouraged. Readers have been stunned and moved by this simply narrated personal account of a 1984-style ideology-gone-mad, where any behaviour deemed to be bourgeois was persecuted with the ferocity and illogic of a witch trial, and where a change in politics could switch right to wrong in a moment. The story of both a nation and an individual, the book spans a heady 35 years of Ye’s life in China, until her eventual defection to Canada in 1987 — and the wonderful beginning of a romance with Canadian author William Bell. The book was published in 1997. The 1990s saw the publication of several memoirs by Chinese now settled in North America. Ye’s was not the first, yet earned a distinguished place as one of the most powerful, and the only such memoir written from Canada. It is the inspiring story of a woman refusing to “drift with the stream” and fighting her way through an impossible, unjust system. This compelling, heart-wrenching story has been published in Germany, Japan, the US, UK and Australia, where it went straight to #1 on the bestseller list and has been reprinted several times; Dutch, French and Turkish editions will appear in 2001.
Bitter is the wind is a coming-of-age novel that follows the lives of George Johnson Jr. and his father from the rural blue-collar landscape of upstate New York in the 1970's to the heights of Wall Street. After tragedy strengthens their bond, the Johnsons contend with monotony and unfulfilled dreams, and learn what it means to feel trapped, and ignored by a seemingly uncaring god. A study on the American working class and its aching desire for financial security and an American dream that seems just out of reach.
'A nostalgic experience, informative, humorous, charming, but pervaded by the bitter-sweet scent of regret' Daily Mail The A303 is more than a road. It is a story. One of the essential routes of English motoring and the road of choice to the West Country for thousands of holidaymakers, the A303 recalls a time when the journey was an adventure and not simply about getting there. Tom Fort gives voice to the stories this road has to tell, from the bluestones of Stonehenge to Roman roads and drovers paths, to turnpike tollhouses, mad vicars, wicked Earls and solstice seekers, the history, geography and culture of this road tells a story of an English way of life. 'Fort has an eye for the quirky, the absurd, the pompous and a style that, like the road, is always on the move' Sunday Telegraph 'A lovely book...At last someone has celebrated the romance of the British road' Guardian
Shamans, Mystics and Doctors is a detailed and thoroughly fascinating account of the many ways in which the ancient healing traditions of India—embodied in the rituals of shamans, the teachings of gurus and the precepts of the school of medicine known as Ayurveda—diagnose and treat emotional disorder. Drawing on three years of intensive fieldwork and his own psychoanalytic training and experience, Sudhir Kakar takes us into a world of Islamic mosques and Hindu temples, of assembled multitudes, and dingy, out-of-the-way consultation rooms… a world where patients and healers blame evil spirits for emotional disturbances… where dreams and symptoms that would be familiar to Freud are interpreted in terms of a myriad of deities and legends… where trance-like “dissociation states” are induced to bring out and resolve the conflicts of repressed anger, lust and envy… where proper grooming, diet, exercise and conduct are (and have been for centuries) seen as essential to the preservation of a healthy mind and body. As he witnesses the practitioners and their patients, as he elucidates the therapeutic systems on which their encounters are based, as he contrasts his own Western training and biases with evidence of his eyes (and the sympathies of his heart), Kakar reveals the universal concerns of these individuals and their admittedly foreign cultures—people we can recognize and feel for, people (like their Western counterparts) trying to find some balance between the pressures and rewards of the external world and the fantasies and desires of the internal. This is a major work of cultural interpretation, a book that challenges (and should enhance) our understanding of therapy, mental health and individual freedom.
This four-volume work provides provocative critical analyses of 160 of the best popular music albums of the past 50 years, from the well-known and mainstream to the quirky and offbeat. The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations contains critical analysis essays on 160 significant pop music albums from 1960 to 2010. The selected albums represent the pop, rock, soul, R&B, hip hop, country, and alternative genres, including artists such as 2Pac, Carole King, James Brown, The Beatles, and Willie Nelson. Each volume contains brief sidebars with biographical information about key performers and producers, as well as descriptions of particular music industry topics pertaining to the development of the album over this 50-year period. Due to its examination of a broad time frame and wide range of musical styles, and its depth of analysis that goes beyond that in other books about essential albums of the past and present, this collection will appeal strongly to music fans of all tastes and interests.
Irene Adler, a beautiful opera singer with a talent for detection, is called upon to rescue handsome barrister Godfrey Norton and clashes with Sherlock Holmes himself.
'Hello World' is the story of a life online. Part travelogue, part memoir, Sue Thomas draws on her online travels as well as her physical journeys in the USA, Australia, Spain and England. While the book is non-fiction, it is a direct descendent of 'Correspondence', Thomas’ extraordinary novel that also deals with the synergies between digital and physical worlds. Like its fictional counterpart, Hello World will trigger feelings in readers of recognition and will stimulate debate on the nature of the physical in a wired world for years to come. First published in 2004. 'This is a book about a love affair. It's also a meditation on a phenomenon that has changed not just our lives but our perceptions of ourselves.' The Independent. '...an essential tour guide to the poetics of time, space and gender in the Information Age. This book is quite simply a Baedeker to the cyber-realm.' Carolyn Guertin. '...engagingly and warmly written, 'Hello World' combines first-person meditations with a wealth of information. Highly recommended for first-time users and those who want to try dipping their toes into the cyberwaters.' N. Katherine Hayles. '...embracing digital media for its freedom and life beyond the physical page, her writings fuse the surfaces, textures, histories and interactions of our bodies and minds.' Robin Rimbaud / Scanner. 'Sue Thomas is one of the most innovation thinkers, promoters and facilitators on the web.' Stelarc. '...anyone who feels both seduced and appalled by the complexities of embedded technology will empathise with this account of the personal highs and lows of an intimate relationship with technology.' Jenny Wolmark. 'Speaking with ease and authority, earned through years of immersive investigation, Sue Thomas critiques virtuality in a manner which makes this book accessible to those who are new to the networked world, as well as a must-read for those already there.' Melinda Rackham. 'Hello World is fascinating, almost hypnotic. Thomas travels all over the physical world, and all over the virtual world, visiting sights and sites of intrinsic and historical interest. She describes what she sees, tells us how the experience affects her, and recounts how past travelers have marked these conceptual landscapes. Thomas invokes Thoreau throughout the book, and the comparison is apt: As Thoreau's observations of the activity around Walden Pond always told us as much about him as they did about the nature he studied, so, too, Thomas's observations reveal much about herself. The intensity of her love for cyberspace is manifest in her attentiveness to the detail of each virtual experience.' Tekka. 'Thomas offers a way of being in the world that refuses hierarchies and primacies and offers us a model of an engaged and creative practice that is both virtual and real.' RealTime. 'As a mix it's intense and entrancing, and it demonstrates the ease with which computers, electronic communications, and lives all intertwine beyond the home.' Alan Sondheim. Originally published in paperback by Raw Nerve Books. Web Supplement http://travelsinvirtuality.typepad.com/helloworld/
Told in four parts and at least five voices, AS A SELF-DEFENSE MECHANISM is a collection of queer poetry featuring themes of violence, immortality, (un)adulterated love and self-loathing, God as a concept, and something a little softer.